China advocated Buddhism from the past. I believe in Buddhism for a long time, so there are many cultures that follow it. Buddha, bell and Buddha painting are just, here's a look at the frame painting of one of the Buddha paintings. Since Buddhism was introduced into China, framed paintings have occupied a large proportion in the Buddhist heritage. Frame painting is a kind of Buddhist painting. After painting on cloth or paper, it forms a cluster or forehead. The period when frame painting began in China can be inferred as Silla period.

It can be guessed that during this period, Buddhist culture entered China and India, and at the same time, art culture also had frequent exchanges. After the exchange and mixing of Indian technology, China style and our technology, many conceptual symbolic paintings have been drawn, and everything in the paintings has an unclear origin and size. After the Three Kingdoms period, it was handed down from South Korea and North Korea, and during that time, it developed unique colors and patterns that conformed to our national sensibility. Frame painting is also the most popular painting in China, but the world-famous Buddhist painting in the Korean period is highly respected for its meticulous beauty.

In order to highlight the central image when arranging many noble images, Korean Buddha paintings put it on it and make it stand on it. From the perspective of techniques and artistic value, it can be said that the frame painting in the Korean period has higher value than that in the Korean period, which is characterized by embodying aristocratic taste. During the Korean period, due to the policy of worshipping Confucianism and restraining Buddhism, Confucianism prevailed instead of Buddhism, and the nature of advocating morality or ethics was so simple, exquisite and whispers.

Different from the Koryo period, it is arranged around the Buddha statue or centered on the Buddha statue. On the one hand, Korean Buddhism originated, developed and spread many bodhisattva beliefs, on the other hand, it also reflected the transformation from aristocratic Buddhism to popular Buddhism. Therefore, the frame paintings in the Korean period reflected the people's interests.