The basic introduction of the epitaph name: Yang Liuzhi alias: Liu Yang, Liuzhi, word count: 28-character straight, origin time, popular time in the Northern Dynasties, representative work of the Tang Dynasty: genre evolution of Spring Breeze Blowing Wine Flag Outside Yang Liuzhi, description of intonation, comparative meter, representative work, genre evolution of Yang Liuzhi, also known as "Liu Yang" and "Liuzhi", the name of Tang Jiaofang, and later used as the epitaph name. According to Yuefu Miscellanies in Duan 'an Festival in the late Tang Dynasty, Yang Liuzhi was written by Bai Fu when he lived in Luoyi, and later entered the teaching workshop. "Mao Qian Yuefu Poetry" also said: "It was written by Bai Juyi." However, Cui in the prosperous Tang Dynasty, much earlier than Bai Juyi, recorded 324 kinds of qupai used in Kaiyuan and Tianbao, including them. He Guangyuan of the later Shu Dynasty said in Volume VII of Jianjielu: "Those who write willow branches are the songs of the Sui Dynasty. Emperor Yang Di will be lucky in Jiangdu, and he will open the Bianhe River to plant willows. So far, it has been called the land, and there are songs. " In the Southern Song Dynasty, Wang Zhuo's Biji Manzhi also said that "Sui had this song and spread it to Kaiyuan." Ren Erbei, a contemporary, also believed that "Yang Liuzhi" originated from willow branches in Sui Dynasty. Shi Zhecun said: "It is the tyranny of Emperor Yang Di to open a branch canal, plant willow trees, waste people and money, and even subjugate the country. When people in the Tang Dynasty wrote lyrics for Yang Liuzhi, they took this new historical theme as a warning. We can't think that the words "Yang Liuzhi" written by the Tang people mostly use the allusions of Emperor Yang Di, so we think that "Yang Liuzhi" originated in the Sui Dynasty. " Before Sui Dynasty, Yuefu flute was composed of "folding willow". In the late Tang Dynasty, Xue Neng said: "The author of Yang Liuzhi had an ancient name called' Zheliu'." In the Qing Dynasty, Mao explained the lyrics as follows: Liu Ji was named "Folding Willow", and there was "Folding Willow" in Yuefu music, and the lyrics were "Folding Willow in Mid-Autumn Festival", so the word name began. Tang Le changed its name to Herry Liu with Yang Liuzhi Ci. "After textual research, Shen Dong thought that Yang Liuzhi in the Tang Dynasty may have originated from Song of the North and Broken Willow. He proposed: "The famous flute music Zheyangliu obviously existed in the Tang Dynasty ... Why didn't it appear in Jiao Fangji, which recorded the song of Jiao Fang in the prosperous Tang Dynasty?" The only explanation is that two songs are actually one song. " And concluded: "This poem" Folding Willow "is indeed the predecessor of Yang Liuzhi in the Tang Dynasty, and there is an inseparable flesh-and-blood relationship between them. "Broken Willow, as an ancient song of Yuefu in the Northern Dynasties, is mainly about the pain of parting, and should be based on sadness. It was inherited by Yang Liuzhi in the early Tang Dynasty. As a new sound, Bai Juyi's Twenty Rhymes of Yang Liuzhi is actually a "new turn to Yang Liuzhi" repeatedly mentioned by Liu Yuxi and Bai Juyi, and it is still based on the plaintive voice. The tune of "Yang Liuzhi" had been popular in the middle Tang Dynasty as a "new sound of Luo Xia" long before, and it became more and more popular after the two sang together, and both of them were endowed with the original intention of willow branches. Since then, the author has prepared it, which is very popular. As Ren Erbei said: "Song and dance Yang Liuzhi has become a common practice for a while, and it has not been abolished since the late Tang Dynasty and the Five Dynasties. Poetry is also a great event in the Tang Dynasty. At that time, there were voices from emperors to children, including those from Beijing, Luoyang and the border. There are female geisha who specialize in Bai Ci and female geisha who specialize in Bai Ci in the late Tang Dynasty. "There are very few records about Yang Liuzhi's song and dance music in the Song Dynasty, only two books of Ren Erbei's Poems of No Life. One is quoted from Shao Bowen's Lu Wenjian: "Zhang Yuqi's question is unique to Yang Tailiu Luopa, a prostitute, who ordered her prostitute to write a song called Willow Branches. Also on the celebration calendar. "Li Qing is the name of Song Renzong, indicating that there was the song" Yang Liuzhi "in the Northern Song Dynasty. The second is to quote Han Yu's Restore Orchid in the Southern Song Dynasty as a "song giver": "Mo Ge Liu, remember the morning rain in Weicheng." And analysis said: "Liu Yang is not empty, which shows that it still has a sound in the Southern Song Dynasty. "According to Zhuo's Bi Zhi," yellow has joy "."It can be seen that "yellow can enter". "Yang Liuzhi" is a seven-character style. The Tang people have seven-character quatrains, with 28 monotonous words and four three-level rhymes. There is a poem named "Yang Liuzhi Lu Jin's Wagou" in the Book of Songs. At the end of the poem, there is a note: "Bai Liu advocated peace, and many people wrote this word later, all of which were endowed with Herry Liu's original intention. It was originally a quatrain, because it was taken between flowers and pretended to be a reference. " "Lexical" refers to Wen's "Yang Liuzhi, Yecheng West Waigong Guanwa", which is based on the monotonous 28 words. This is different from Gu Kui's 40 words and Zhu Dunru's 44 words. In addition, Liu, the concubine of Han Jiao, also wrote 27 "Yang Liuzhi". Because its first sentence is "Yang Liuzhi", it is also named Zhang Tailiu, which is different from Yang Liuzhi. In Yang Liuzhi, the tone of words has also changed. There is an anonymous poem "Yang Liuzhi, Spring Comes, Spring Goes, Spring Comes" in Dunhuang Quzi Ci, with 46 words in two tones, four sentences in the first paragraph, four sentences in the second paragraph with four levels of rhyme, and three levels of rhyme. This poem "Yang Liuzhi" comes from Dunhuang Quzi Ci Bo 2809, and evolved from "Yang Liuzhi". It has seven words, four sentences and seven words, which are similar to those written by Gu Huan and Zhu Dunru. Metric comparison of Yang Liuzhi's seven-character style: monotonous twenty-eight, four sentences and three-level rhyme. Comparative words: Wen's "Yang Liuzhi will break the tile dog" is flat and flat, flat and flat, flat and flat. Flat, flat, flat, flat. The golden wisp of jade is in Biwagou, with six palace eyebrows fragrant. It's late. It's raining in Longchi, and it's half brushed and half entered the building. Yang Liuzhi's essay style: 46-character disyllabic, with four flat rhymes in the first paragraph and four flat rhymes in the second paragraph. Contrast words: anonymous's "Yang Liuzhi spring comes to spring, spring goes to spring, rejuvenation spring" is plain and plain. Ping, ping, ping. Spring has gone, spring has come, spring has come again, and hot and cold days are frequent. Every month is new, and it is urged by the old. Flat and light, flat and light. Flat and light, flat and light. I saw it in front of the court for a thousand years, and it is growing forever. I haven't seen anyone in my class for a hundred years and turned to dust. Note: The epigraph is staggered from the comparative words. Metrics are printed in italics and examples are printed in italics. The meanings of the inscription symbols are as follows: Ping, which means filling words; Cue, which means filling words; The middle means even number. The end of the sentence is bold and rhymes. ) The representative works of Dunhuang Quzi are: Yang Liuzhi spring comes and spring goes, Liu Tang Yuxi, Yang Liuzhi Chunfeng blows a wine flag outside the city, Liu Tang Yuxi, Yang Liuzhi Phoenix Que lightly covers the emerald dusk, Liu Tang Yuxi, Yang Liuzhi Yangdi Palace, Bianshui Waterfront, Tang Liu Yuxi, the remaining ink of the willow cleans the floor, and Tang Liu. Tree Tang Baiju Yi Hong Banjiangqiao Qingjiu Banner Tang Baiju Yi Suzhou is the king's boast of Tang Tu Taoyuan Fairy without boasting the longest strip outside Yichun Garden in Yang Liuzhi, Ting Yun. Before Liuwan Strip, Yang Liuzhi Su Xiaomen Tang Wenting Jun Yang Liuzhi Jinluyao Niu Qiao Liu Zhi thawed the wind to the late Qing Dynasty; Liu Wang Gong Li is too dark; Liubeiqiao Nanwan Strip; Willow branches and crazy snow fly with the wind; Niu Qiao in Tang Dynasty and Five Dynasties