Current location - Music Encyclopedia - Today in History - What achievements did Su Shi make in his life, and how did history evaluate Su Shi?
What achievements did Su Shi make in his life, and how did history evaluate Su Shi?
1, Ci: Su Shi has made extraordinary achievements in the creation of Ci. As far as the development of a style itself is concerned, the historical contribution of Su Ci has surpassed that of Su Wen and Su Shi.

After Liu Yong, Su Shi carried out a comprehensive reform of ci style, and finally broke through the traditional pattern of "Ke Yan", improved the literary status of ci, changed ci from an accessory of music to an independent lyric style, and fundamentally changed the development direction of ci history.

2. Poetry: Su Shi's views on society and his thoughts on life are undisguised in his literary works, among which poetry is the most incisive.

In more than 2,700 Su poems, the theme of intervening in social reality and thinking about life is very prominent.

Su Shi's attitude towards various unreasonable phenomena in social reality is "out of date", and he always regards criticizing reality as an important theme of his poems.

What is more valuable is that Su Shi's criticism of society is not limited to the New Deal or the present. He criticized the long-standing abuses and bad habits in feudal society, and embodied a deeper critical consciousness.

3. Article: Su Shi's literary thought pays equal attention to literature and Taoism.

He praised Han Yu and Ouyang Xiu for their contributions to ancient Chinese prose from two aspects: literature and Taoism.

However, Su Shi's views on literature and Taoism were very unique in the Northern Song Dynasty.

First of all, Su Shi thinks that article art has independent value, such as "pure gold and beautiful jade". Article is not only a tool to carry Tao, but also an advanced form of human spiritual activities.

Secondly, the "Tao" in Su Shi's mind is not limited to Confucianism, but refers to the law of things in general.

Therefore, Su Shi advocates that articles should be as natural as the objective world, with a natural attitude.

He advocated the diversity and vividness of artistic style, and opposed the unification of literary style, believing that it would make the literary world as barren as "yellow hair and white reed".