Secondly, the time-travel drama itself is an entertainment plot, which expresses a kind of creation and fantasy about the past to the audience and satisfies the sense of superiority or humor of modern people. Time travel drama is not used as a textbook or documentary to describe and explain the real history. If we really want to give such a big hat to the travel drama, aren't Pangu and Nu Wa making it up and misleading? Journey to the West, the four classic novels are the best examples (still broadcast today, or hit). What if there is no The Journey to the West? There is indeed a monk who went to the west to learn from the scriptures. But if there really is The Journey to the West, are there really monkeys, pigs, sand monks and white? Even if it is circulated as a myth, can a god go to heaven with a pair of wings (at least in this respect, foreign countries have given them wings, and those who have no wings live in the mountains, not on the clouds that cannot be settled. Such as the western gods on Olympus).
Besides, any culture will become neither fish nor fowl as long as it is mixed with Zheng Zhi. Such as: cultural dgm (essentially belonging to modern figures, although mistaken). Culture is something that needs to be distinguished and distinguished, not something that can be called culture. It's like you can't find compensation for planting rice when you die, and you can't make the blacksmith confess when you are stabbed. The barbecue case between Pleasant Goat and Big Big Wolf in recent years is also a typical case. I sympathize with the defendant. If you have to think that the defendant needs to bear the responsibility and need compensation, then one day the child will let the wolf and the sheep talk, and if they can't talk, they will be beaten; Grass will grow on the head of the village head. If there is no grass on the teacher's head, sprinkle soil on the teacher's head. The Monkey King made a scene in Heaven, and the children learned to be captains of the demolition brigade, and so on. Do producers and producers of such works also need to take responsibility for all this? If time-travel dramas don't respect history and culture, can a series of contents such as "tearing devils by hand" in anti-Japanese dramas be regarded as respecting history and culture? In my opinion, it is an insult to history and modern culture, cognition and common sense.
Finally, people who only want to manage communication should at least know what culture is, distinguish the types of culture, and teach the difference between true and false, education, documentary and entertainment. Although entertainment is not a bottomless pit, if you lose the attribute of entertainment, what is the need to exist? At least costume dramas can't be filmed (because at least 49% of the content is inconsistent with history) and modern dramas can't be filmed (there are a lot of lies, violence, falsehood and so on). In the play, it is necessary to prevent imitation from hurting people in reality. Needless to say, science fiction (Shanghai cannon is a living and irrefutable example). If this is the case, then the culture will be left with boring words. But in fact, culture should be rich (rich in types and levels) and colorful (in line with the tastes of all kinds of people, such as red, orange, yellow, green, blue, purple, sweet, sour, bitter and salty), rather than playing the "ban" card whenever problems arise and arresting those responsible. We should all learn to understand culture, distinguish culture and shape culture ... I believe everyone will respect history and culture, because this is an unchangeable fact, no matter good or bad, we should remember it and prevent it from being deliberately distorted. But it can't be said that in order to stick to the word "respect" (killing everything else in a certain name), the whole culture has lost its proper color.
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