Hebei-Pingju, Hebei Bangzi, Sixian, Old Tune

Ha-ha Opera, Random Play, Pingdiaozi, Tang Opera

Shanxi-Shanxi Opera, Beilu Bangzi, Puju Opera, Shangdang Opera. Huanglong Opera Heilongjiang-Longjiang Opera

Shaanxi-Shaanxi Opera, Wanwan Qiang, Meihu Gansu-Dragon Opera

Ningxia-Huaer Opera Qinghai-Qinghai Pingxian Opera

Xinjiang-Quzi Opera

Shandong-Lu Opera, Shandong Bangzi, Laiwu Bangzi and Liuzi Opera. Tin Opera, Su Ju

Anhui-Huangmei Opera, Anhui Opera, Lu Opera, Sizhou Opera, Pendant Opera, Fengyang Huagu Opera

Shanghai-Shanghai Opera, Humorous Opera

Zhejiang-Yue Opera, Wu Opera, Shao Opera, Ou Opera, Yong Opera

Jiangxi-Gan Opera, Yong Opera. Chaozhou Opera, Zhengzi Opera, Guangdong Han Opera, Xiqin Opera, Meishan Opera

Taiwan Province-Gezi Opera Hainan-Qiongju, Hainan Doll Opera

Guangxi-Guangxi Opera, Caidiao, Zhuang Opera

Hunan-xiang opera, Qi Opera, Baling Opera, Hunan Flower Drum Opera

Hubei- There are professional or amateur performing groups of Huangmei Opera in Hubei, Jiangxi, Fujian, Zhejiang, Jiangsu, Taiwan Province and Hongkong, which are widely welcomed. Huangmei Opera, formerly known as Huangmeidiao or Tea-picking Opera, is a folk opera formed in the neighboring areas of Anhui, Hubei and Jiangxi provinces in the late 18th century. One of them gradually moved eastward to Anqing, Anhui Province, with Huaining County as the center, and combined with local folk art, it sang and spoke in the local language, forming its own characteristics, which was called "Huaiqiang" or "Huaidiao". This is the predecessor of Huangmei Opera today.

Sichuan Opera has formed four schools with different characteristics, centering on "Four Rivers", according to the differences between popular areas and artists' relationship.

One school is Ziyang River School, which is mainly located in counties and cities in Zigong and Neijiang, and its artistic style is the most rigorous;

Second, the "Northern Sichuan River School", mainly in Nanchong and some areas of Mianyang, is dominated by singing and playing, and is influenced by the Shaanxi Opera.

Third, the "Xiachuandong School", which is mainly located in the eastern Sichuan area centered on Chongqing, is characterized by a variety of operas, diverse voices, and more influences from Anhui and Han operas; The performing arts of Sichuan Opera have a deep life foundation and form a perfect performance program. The script has high literary value, the performance is real and delicate, humorous and interesting, and the life atmosphere is rich, which is loved by the masses. Some actors have also created many stunts, such as lifting, opening eyes, changing faces, drilling fire circles, hiding knives, etc., and are good at using stunts to create characters, making Sichuan opera amazing.

Cantonese opera is a fusion of various vocals. Since the Ming and Qing Dynasties, Haiyan, Yiyang, Kunshan and Bangzi, which have flowed into Guangdong, have absorbed folk music from the Pearl River Delta and gradually evolved into a major drama in the south. Since the Ming and Qing Dynasties, Yiyang and Kunshan dialects have been introduced into Guangdong from the "Waijiang Class", and then the "local class" in Guangdong has appeared. The Yi dialect sung by many people is called "Guangqiang". During the Jiaqing and Daoguang years of Qing Dynasty, the high-pitched and Kunqu operas gradually declined, so the local class took the bangzi as its main singing voice. The influence of the post-Hui class is expanding day by day, and the basic vocals are "Banghuang" (that is, Xipi and Erhuang). At the same time, some Kunqu operas and Yi operas are retained, and Guangdong folk music and contemporary tunes are absorbed, thus gradually forming Cantonese opera. Most of the traditional Cantonese opera repertoires preserved now are mainly singing Bangzi.

Yue Opera, once called Du Ban, Shaoxing Opera, Shaoxing Literary Opera, Xiao Ge Ban, Shao Opera and Sheng Opera, was first called "Yue Opera" in the performance advertisement of Shanghai Shenbao on September 17th, 1925. The predecessor of Yue Opera was a popular rap form in Shengxian County, Zhejiang Province. In the spring of the thirty-second year of Guangxu in Qing Dynasty (196), it began to evolve into a form of opera performed in rural grass platform and temple platform, called "Xiaoge clerical class" or "Xiaoge class" for short.