What are the artistic characteristics of sand painting?

Sand painting, as the name suggests, is painting with sand. First, there is a self-adhesive template with a painted pattern. Each part on it is marked with a knife to carve the outline in advance. The painter only needs to use a toothpick to gently lift each part while painting, and then add the color he likes. of sand poured on top. The work uses sharp lines and soft colors to express the deep thoughts contained in art into popular beauty. It has a great visual impact and achieves the perfect combination of unique artistic concepts and viewing effects.

Sand painting is an ancient and traditional form of artistic expression. It can be traced back to before the emergence of human language and writing. It is a special pictorial symbol born for the need of communication and recording. From the perspective of historical origins, this kind of pictorial symbol has developed in two directions. One is the direction of written language, forming our today's language and writing system; the other is the direction of painting art, forming a variety of painting art forms. During the Song Dynasty of our country, there were allusive records of "changing characters from sand script" and "changing paintings from sand script". In the Vanuatu Peace Kingdom located in the Melanesian Islands in the southwest Pacific, this kind of practice is still preserved to this day. An artistic inheritance that has multiple functions such as ritual, meditation and communication. What future does sand painting have?

If you don’t have your own creativity, sand painting has no future for you, that is, it is just a temporary trend.

But your love for sand painting will make you more interested in sand painting. When you have new creations in your paintings and are constantly inspired.

You will find that sand painting is actually very promising. Art of sand painting?

I recommend Hongqinfang. Their sand paintings are quite good. I hope they can help you. What are the artistic characteristics of Ni Pu's landscape paintings?

The artistic characteristics of Ni Zan's landscape paintings are: his painting style was clear and moist in his early years, but he changed his style in his later years and was plain and naive. The sparse forest on the slope bank is secluded and elegant, the writing is simple and the meaning is far-reaching, and the ink is cherished like gold. Using the side-edge dry brush to make chaffing is called "Zhedai chambraying". The ink bamboo has an upturned posture and a few strokes, full of energy.

2. Expansion kit knowledge:

1. Character introduction: Ni Zan, a painter and poet in the late Yuan and early Ming dynasties. The first name was Jue, with the courtesy name Taiyu, and later the courtesy name Yuanzhen, with the nicknames Yunlinzi, Jingmanmin, Huanxiazi, etc. A native of Wuxi, Jiangsu. Ni Zan had a wealthy family, was erudite and loved ancient times, and celebrities from all over the world often visited his door. Emperor Shun of the Yuan Dynasty suddenly dispersed all his wealth and wandered around Taihu Lake.

2. Achievements in painting: Ni Zan is good at landscapes, bamboos, rocks, dead wood, etc. Among them, he uses a typical technique in landscape painting - folding and chapping. He is a representative painter of Nanzong landscape painting in the Yuan Dynasty. His works are made of paper. Mainly ink. His landscape paintings were modeled after Dong Yuan, Jing Hao, Guan Tong and Li Cheng, and he developed them into a sparse and simple painting style with an innocent and quiet style. The works mostly depict the landscapes around Taihu Lake. The compositions are flat and distant, and the scenery is minimal. Most of them are sparse forests, sloping banks, and shallow water. Use the pen to change the center to the side, fold the ribbon to draw the mountains and rocks, use the dry pen to dry the ink, elegant and beautiful pines, the artistic conception is desolate, cold and empty, the style is desolate and elegant, simple and complex, small and big, lonely on the outside but rich on the inside** *. He is also good at painting ink bamboo, with an "ethereal" style, thin and vigorous. There are many inscriptions in the painting. Due to the simplicity of his paintings, there have been many forgeries over the years, but it is not easy to imitate his depressed and indifferent temperament. In Ni Zan's painting theory, he advocated expressing subjective emotions and believed that paintings should express the author's "easy spirit" without seeking physical resemblance ("The so-called painters are just carefree brushstrokes, not seeking resemblance, just to entertain themselves"). "). In the history of painting, he, together with Huang Gongwang, Wu Zhen and Wang Meng, is known as the Four Yuan Masters. During the Ming and Qing Dynasties, he was highly praised by Dong Qichang and others, and he was often placed above the other three. He Liangjun of the Ming Dynasty said: "The calligrapher's order in Yunlin is not a speck of dust." Wang Mian's "Sending Yang Yifu to Yunlin" said that Ni Zan "filled the room with toothpicks and filled the house with colorful brushes and smoke."

Ni Zan was the Yuan Dynasty painter who had the greatest influence on later generations. His simple and sparse landscape painting style was pursued by masters of the Ming and Qing Dynasties. Great masters such as Dong Qichang and Shi Tao cited him as the originator. Shi Tao's calligraphy The painting, from the spirit to the posture, is all based on Ni Zan's method. Ni Zan is also a calligrapher who pursues artistic individuality under the banner of retro. Like Zhang Yu and Yang Weizhen, he both belongs to this era and does not belong to this era. This is the transcendent value of art to the era.

In the Ming Dynasty, people in Jiangnan were classified into refined and popular based on whether they collected his paintings. His painting practice and theoretical views had a great influence on the painting circles of the Ming and Qing Dynasties. He is still rated as "one of the top ten painters in ancient China" ”, the British Encyclopedia Britannica lists him as a world cultural celebrity.

The paintings include: "Looking at the Mountains on the River Bank", "Bamboo Trees and Wild Stones", "Streams and Mountains", "Six Gentlemen", "Bamboo Dwelling in the Water", "Pine Forest Pavilion", "Lion Forest" Volume, " "Xilin Zen Room Picture", "Secret Stream with Cold Pines", "Autumn Forest Mountain Color Picture", "Spring Rain New Bamboo Tree Picture", "Little Mountain Bamboo Tree Picture", "Rong Xi Zhai Picture", "Bamboo Bamboo Repair Picture", "Purple Orchid Mountain House Picture", "Wuzhu" "Pictures of Beautiful Stones", "Pictures of Poems Inscribed by Xinyan", etc. There are "Water Bamboo Dwelling Picture", "Rong Xi Zhai Picture", "Fishing Village Picture of Autumn Ji", "Yu Mountain Forest Valley Picture", "Young Stream Picture of Cold Pines", "Autumn Pavilion Picture of Glorious Trees", "Strange Rock Clusters and Huang Pictures", "Bamboo Branch Picture", "Stream "Shanxian Pavilion" and "Shuanglin Turbulent Stone" are handed down from generation to generation. Ni Zan's landscape paintings have artistic characteristics

1. The artistic characteristics of his landscape paintings are: his painting style was clear and moist in his early years, and he changed his style in his later years and was plain and naive. The sparse forest on the slope bank is secluded and elegant, the writing is simple and the meaning is far-reaching, and the ink is cherished like gold. Using the side-edge dry brush to make chaffing is called "Zhedai chambraying". The ink bamboo has an upturned posture and a few strokes, full of energy.

2. Expansion kit knowledge:

1. Character introduction: Ni Zan, a painter and poet in the late Yuan and early Ming dynasties. The first name was Jue, with the courtesy name Taiyu, and later the courtesy name Yuanzhen, with the nicknames Yunlinzi, Jingmanmin, Huanxiazi, etc. A native of Wuxi, Jiangsu. Ni Zan had a wealthy family, was erudite and loved ancient times, and celebrities from all over the world often visited his door. Emperor Shun of the Yuan Dynasty suddenly dispersed all his wealth and wandered around Taihu Lake.

2. Achievements in painting: Ni Zan is good at landscapes, bamboos, rocks, dead wood, etc. Among them, he uses a typical technique in landscape painting - folding and cracking. He is a representative painter of Nanzong landscape painting in the Yuan Dynasty. His works are made of paper. Mainly ink. His landscape painting was based on Dong Yuan, Jing Hao, Guan Tong and Li Cheng, and he developed it into a sparse and simple painting style with an innocent and quiet style. The works mostly depict the landscapes around Taihu Lake. The compositions are flat and distant, and the scenery is minimal. Most of them are sparse forests, sloping banks, and shallow water. Use the pen to change the center to the side, fold the ribbon to draw the mountains and rocks, use the dry pen to dry the ink, the elegant pine trees, the artistic conception is desolate, cold and empty, the style is desolate and elegant, the simplicity is complex, the small is big, the outside is lonely but the inside is rich** *. He is also good at painting ink bamboo, with an "ethereal" style, thin and vigorous. There are many inscriptions in the painting. Due to the simplicity of his paintings, there have been many forgeries over the years, but it is not easy to imitate his depressed and indifferent temperament. In Ni Zan's painting theory, he advocated expressing subjective emotions and believed that paintings should express the author's "easy spirit" without seeking physical resemblance ("The so-called painters are just carefree brushstrokes, not seeking resemblance, just to entertain themselves"). "). In the history of painting, he, together with Huang Gongwang, Wu Zhen and Wang Meng, is called the Four Yuan Masters. During the Ming and Qing Dynasties, he was highly praised by Dong Qichang and others, and he was often placed above the other three. He Liangjun of the Ming Dynasty said: "The calligrapher's order in Yunlin is not a speck of dust." Wang Mian's "Sending Yang Yifu to Yunlin" said that Ni Zan "filled the room with toothpicks and filled the house with colorful brushes and smoke."

Ni Zan was the Yuan Dynasty painter who had the greatest influence on later generations. His simple and sparse landscape painting style was pursued by masters of the Ming and Qing Dynasties. Great masters such as Dong Qichang and Shi Tao cited him as the originator. Shi Tao's calligraphy The painting, from the spirit to the posture, is all based on Ni Zan's method. Ni Zan is also a calligrapher who pursues artistic individuality under the banner of retro. Like Zhang Yu and Yang Weizhen, he both belongs to this era and does not belong to this era. This is the transcendent value of art to the era.

In the Ming Dynasty, people in Jiangnan were classified into refined and popular based on whether they collected his paintings. His painting practice and theoretical views had a great influence on the painting circles of the Ming and Qing Dynasties. He is still rated as "one of the top ten painters in ancient China" ”, the British Encyclopedia Britannica lists him as a world cultural celebrity.

The paintings include: "Looking at the Mountains on the River Bank", "Bamboo Trees and Wild Stones", "Streams and Mountains", "Six Gentlemen", "Bamboo Dwelling in the Water", "Pine Forest Pavilion", "Lion Forest" Volume, " "Xilin Zen Room Picture", "Secret Stream with Cold Pines", "Autumn Forest Mountain Color Picture", "Spring Rain New Bamboo Tree Picture", "Little Mountain Bamboo Tree Picture", "Rong Xi Zhai Picture", "Bamboo Bamboo Repair Picture", "Purple Orchid Mountain House Picture", "Wuzhu" "Pictures of Beautiful Stones", "Pictures of Poems Inscribed by Xinyan", etc. There are "Water Bamboo Dwelling Picture", "Rong Xi Zhai Picture", "Fishing Village Picture of Autumn Ji", "Yu Mountain Forest Valley Picture", "Young Stream Picture of Cold Pines", "Autumn Pavilion Picture of Glorious Trees", "Strange Rock Clusters and Huang Pictures", "Bamboo Branch Picture", "Stream "Shanxian Pavilion" and "Shuanglin Turbulent Stone" are handed down from generation to generation.

What are the artistic characteristics of Zhou Fang's paintings

(Zhou Fang) studied Zhang Xuan in his early years. He was also good at writing and good at painting portraits and Buddha statues. His painting style was "clothes". Simple and vigorous, the colors are soft and beautiful, and the body is rich.

” What are the requirements for learning sand painting

Getting started with sand painting does not require an art foundation, it depends on sand sense and understanding

. But after getting started, you need to have enough art foundation to support you. Your growth...

There are only so many basic techniques in sand painting. It takes a very short time to master those basic techniques

You will be fine in a few days

But how to compose the picture is the most important part of your sand painting skills.

You will not grow if you just copy others, so you have to create your own.

Create your own. You need to have a certain foundation in art and basic composition skills.

Because sand painting is a neutral body of various arts, it requires you to study in many aspects

For example, design, Photography, Chinese painting, sketching, illustration, animation, movie storyboarding, etc. will all be helpful to your sand painting.

So I can’t tell you whether it’s easy to learn or not, but I can only tell you that mastering the basics only requires It takes half a month

Do you think you will start practicing sketching when you are satisfied with your work?

All monochrome paintings are sketches. As one of the forms of plastic arts, it has always been valued by people since its birth, development and maturity. Its influence on other plastic arts is recognized by everyone. According to its different purposes and tasks, it is classified into: Sketch. There are two categories: basics and sketching art. The basics of sketching are the most basic things in sketching teaching. Proportion and structure in perspective are more practical and are the essential characteristics of sketching. Sketch art focuses on creation and forming perfect pictures to communicate with readers. Feeling and composition are its most essential features. A good sketch work should be the perfect combination of "emotion" and "reason" in sketch art. In it, we should grasp the most essential characteristics of "emotion" and "reason" and deepen them so that sketch can play its due role and serve creation more effectively.

Michelangelo, a master of the Renaissance. Chilo believes: "Drawing is the source and essence of oil paintings, sculptures, architecture and other types of paintings." Drawing has gradually evolved from simplicity as a way of recording events or entertainment since the earliest days of "knotting things with ropes". It was used as a "sketch" and "powder book" until the Renaissance. What are the artistic characteristics of Schumann?

Content summary: The article discusses the German Romantic composer Schumann. The main characteristics of art song creation. This is another master of art song creation after the "King of Songs" Schubert. He is unique in word selection, melody, beat, harmony, musical form, piano accompaniment, etc. Keywords: Schumann's art song creation, Romanticism Schumann (1810-1856) was a German romantic composer and music critic in the first half of the 19th century. He was the first to create German art songs after Schubert. The first person to make a significant contribution. Schumann, like Schubert, used romantic inspiration to compose art songs. However, Schumann has a very rich literary accomplishment, and his music is more elaborate, profound and detailed than the latter's music; unlike Schubert's easy to express his emotions, Schumann's works are consistent with his introverted personality. Most of his works were created inspired by poetry. The romantic poetic imagination and the musician's sensitivity and delicacy were perfectly combined in Schumann. Schumann was a romantic poet in the music world. This article mainly elaborates on the main characteristics of Schumann's artistic songs in creation. 1. Vocal works rely on the clear semantics of poetry, are full of true feelings, rich in fantasy, and have a strong romantic temperament. In his youth, Schumann showed genius in literature, poetry, and music at the same time, and was full of poet temperament and spirituality. The works of Goethe and Heine had a great influence on him. Most of Schumann's art songs were composed to the poems of these romantic poets. Art songs are strict in word selection, usually using the poet's most valuable poems as lyrics, and pay great attention to the artistry of the poem itself. He hopes that through the essence of music, poetry will glow with a more moving poetic flavor. For example, the famous vocal suite "Poet's Love" is adapted from a long poem by Heine. It describes a poet's yearning for sincere love and the pain after falling out of love. The author uses music to explore poetry. The deep emotions express the poetic and artistic conception of the original work more delicately, making the suite deeply contagious.

"The Love of a Poet" is a suite of 13 songs. Schumann used concise brushwork to write complex and changeable artistic images. The delicate emotional changes and poetic imagery are all expressed through musical notes, attracting and moving people. people. The first song of this suite, "The Brilliant and Bright May", describes the arrival of spring, the flowers blooming and the prosperity, and the poet's desire for love sprouts in his heart. The melody of this song is not gorgeous, but it expresses sincerity from the heart. At the end of the song, the melody intentionally does not end, but stops on an unstable note, giving people an endless aftertaste and vividly expressing the poet's feelings. Yearning for love life. 2. Schumann’s art songs take love as the main theme, and also include some lyrical songs with scenery descriptions as the theme and some ballads. Among Schumann’s more than 500 art songs, love songs account for the highest proportion. A lot of it is very artistic. The song collection "Myrtle" was given to Clara by Schumann as a wedding present in 1840. There are 26 songs in this collection, each of which is extremely moving. Among them, the most loved and widely sung song is the first song "Dedication". Among Schumann's songs, there are also many songs with lyrical landscape descriptions as the theme. For example, "Moonlight Night" is a song with a typical Schumannian romantic style. It is based on the original poem by the German Romantic poet Eichendorf. This is a song in sections. The piano brings out the tranquility of the moonlit night and the serene natural beauty of the night sky. The song unfolds on a broad and tranquil melody. In the third section, the emotion intensifies and reaches its climax, expressing the author's longing for his motherland. With the feeling of loving my hometown, the whole song ends with the weakening harmony. Schumann also wrote many ballads, the most outstanding of which is "Two Grenadiers". This is Schumann's masterpiece of narrative songs with outstanding ideological and artistic qualities, and the lyrics are also poems by Heine. Through the dialogue between two French soldiers who were defeated in Russia in 1812, it expresses the thoughts and emotions of people who miss Napoleon again and yearn for the bourgeois democratic revolution after the restoration of feudal Europe. The whole song adopts popular techniques and has a sonorous and powerful tone. It quotes the "La Marseillaise" that symbolizes the spirit of the French revolution, and expresses the heroic spirit of the soldiers who regard death as if they are home. 3. The connection between Schumann's art songs and German folk songs is relatively obscure. The melodies are very short and most of them are not complete phrases. German folk songs have different characteristics from other nationalities. They are neither as explicit as Italian folk songs nor as Spanish folk songs. With a bold character, it always maintains the characteristics of simplicity, innerness, simplicity and neatness. Although Schumann rarely directly quoted the tunes of German folk songs in his song creation, he was very faithful to the characteristics of folk songs. Schumann's rhythm is the most original. He loved to use complex rhythms. We often see syncopation across measures, polyrhythms in high and low parts, but sometimes he insisted on using them in a longer paragraph. A rhythm pattern that expresses his unique style. In terms of harmony, although Schubert created a new field of romantic expression techniques in creative techniques, he has not yet jumped out of the mold of classical harmony. Schumann opened up a new field of romantic harmony techniques. He strived to weaken the "functional" intensity of harmony, used dissonance, and boldly turned away from the key. He often used the off-key technique of alternating major and minor keys and blurring the tonality. , creating a poetic hazy atmosphere and a fantasy-filled mood. Therefore, when singing Schumann's lyrical art songs, you must have the skills to fade away and use a soft voice in the high range. Only in this way can we express this ethereal, otherworldly reverie and fascinating artistic conception. For example, Schumann composed "Lotus" using Heine's poems. The tone is natural and simple, and the keynote of the whole song is F major. When singing "The moon is her lover, awakening her with its radiance", the key shifts to bA major. , bringing the song into an emotional climax. Then, the accompaniment creates an out-of-tune effect. Schumann uses such changeable tones to carefully depict the characters' inner feelings, vividly depicting the mood of the lotus. In terms of musical form, he broke away from the classical style, was not restrained, followed the free and unrestrained emotions, and expressed his inner feelings. The form of music is free and relaxed, which forms another major feature of his creation. 4. Schumann’s piano accompaniment writing has a very unique effect. The song melody and piano accompaniment are perfectly combined, and the music image is distinct. In the creation of artistic songs, Schumann uniquely designed the song accompaniment very accurately and consistently. The seamless combination of art song tunes and piano accompaniment makes the piano accompaniment more considerate and shows endless possibilities. Piano and voice are inseparable in Schumann's songs. Sometimes the piano part even outweighs the singing part.

He also often adds a long piano outro at the end of the song, which is like an epilogue and a development part. New musical ideas often appear in these parts, taking the artistic conception of the song to a higher level. If Schubert's piano accompaniment writing is still a classical technique, Schumann's accompaniment has created a new world of romantic piano expression techniques. His modulation technique liberated music from classical harmony and modulation. This enriches the harmonic colors and changes, and enriches the techniques and techniques of expression. In addition, he also absorbed the textural writing style of polyphonic music, strengthened the activity of the melody within the piano accompaniment, and enriched the expressive power and range of the piano. Russian music critic Stasov said that Schumann is the most talented successor after Beethoven, Beauforantz and Schubert. His art songs focus more on depicting the beautiful scenery of nature through appropriate emotions and psychological states, making the music image more vivid and vivid, presenting a unique "beauty of artistic conception". For example, "Walnut Tree" is a prominent vocal work with the characteristic of "piano accompaniment is as important as singing" in Schumann's songs. The melody of the song is not very broad and smooth, but mostly consists of short breath-like sentences. , plays a leading role in the song. The beautiful piano arpeggio patterns and the recurring theme motives vividly express the poetry of the rippling spring breeze, rustling leaves, and young people's longing for happiness in love. In the middle section of the changing three-part form, the artistic conception of the leaves whispering and the girl confiding is further expressed. Then, as the melody line deepens, it depicts the image of a girl looking forward to the happiness of love and falling into sleep with a smile. The whole song reaches the climax in the rich poetic flavor, which makes people have endless aftertaste and gives people an immersive aesthetic enjoyment. For example, in the closing part of "Devotion", Schumann borrowed the melody of Schubert's "Ave Maria" and compared Clara to the Virgin to express his praise and admiration for Clara. The main content of many of Schumann's songs is expressed through accompaniment. Therefore, if you want to deeply understand Schumann's art songs, you must carefully understand every detail of his accompaniment. Schumann's art songs can profoundly and accurately express the artistic conception of poetry from a unique perspective. He combines melody with language syllables and intonation so closely that his songs would be eclipsed if they were not sung in German. Schumann, the great composer, showed his extraordinary romantic talent in the creation of art songs. His song creation had a profound impact on the development of German art songs. What are the artistic characteristics of the artistic style of Shanghai-style painters in the late Qing Dynasty?

The combination of folk art and traditional literati and scholar-official paintings was particularly prominent in the Shanghai-style paintings of the late Qing Dynasty. Artistic expression techniques transformed paintings that originally belonged to literati and officials into an art that was popular among the citizens of the time.

The Shanghai-style painters not only adhere to tradition but are also close to real life, they are an important link in the transition from Chinese classical painting to modern painting.

The works of Shanghai-style painters have the following characteristics: firstly, there are mostly flower and bird paintings, secondly figures, thirdly landscape paintings, and thirdly miscellaneous themes. In the application of brushwork and ink, we should focus on simplicity, ease and clarity, focusing only on the artistic conception and omitting the form. The second one is quite symbolic. Whether it is flowers, birds or people, wealth and honor reside in peonies, and friendship resides in peach orchards... they are all symbolic techniques and pay attention to the enrichment of connotation. The third is the gorgeous shape and color, which pays attention to the smooth shape and rich color, which is more popular among ordinary people. The fourth emphasis is on the origin of painting techniques, which is closely related to the textual criticism of the Qing Dynasty. Therefore, there are often imitations or imitations of similar paintings, but there is still a constant stream of people seeking to paint them.

In addition, Shanghai-style painters tend to be highly productive.

Among them, the folk painters represented by Zhu Xiong, Zhang Xiong, Wang Li, Ren Xiong, Ren Xun, Ren Yi, Ren Yu, Qian Huizi, etc. have concise chapters and vivid ink paintings. The colors used are bright but not vulgar, and the painting style is closer to the spirit of folk reality. This style is mainly found in the middle and upper class society. In addition to the humanistic spirit, the aesthetic concepts it inherits also include popular and ordinary themes, which have the meaning of freehand brushwork and Western-style sketching. They have influenced the Chinese painting style in the past 50 years.

The epigraphy school of painting, represented by Xu Gu, Zhao Zhiqian, Pu Hua, Wu Changshuo, etc., emphasizes the origin of calligraphy and painting, applies calligraphy brushwork to the form of painting, and strives for the old-fashioned and simple brushwork.

Shanghai-style painters attach great importance to the Northern lineage and are highly exclusive; they emphasize integration with society and adapt to the needs of social development. In addition to socializing, many make a living from calligraphy and painting. Except for a few such as Qi Baishi who can criticize real life, Most of the paintings are conservative, and there are no more innovative artistic conceptions. However, Qi Baishi is no longer purely of the Shanghai style.