National seven-tone mode
Qingyue:
Gong, Shang, Jiao, Qingjiao, Zheng, Yu and Bian Gong correspond to 1, 2, respectively. 3, 4, 5, 6, 7, which is similar to the natural major in the West. The clear angle is the minor second above the angle. Bian Gong is the minor second below Gong Yin.
Yale:
Gong, Shang, Jiao, Bian Zheng, Zheng, Yu, Bian Gong, corresponding to 1, 2, 3, rising 4, 5, 6, 7 respectively.
The change sign is the minor second degree below the sign.
Yanle
Gong, Shang, Jiao, Qingjiao, Zheng, Yu, and leap correspond to 1, 2, 3, 4, 5, 6, and 7 respectively.
p>Leap is the major second below the palace sound.
Recommendation: Li Yinghai's "Moving Palace Variations"
The theme melody of this variation is the D palace pentatonic mode. The next four variations all "use Qingjiao as the palace", and successively and continuously change the key mode of the same main theme, and the modes of each variation are different, that is, D Palace - D Zheng - D Shang - D Yu - —D corner. "Shifting the palace" naturally proceeds simultaneously with this, each time moving down five degrees (ascending four degrees), that is, D house - G house - C house - F house - bB house. The theme and four variations have "moving palaces" as a main thread throughout, and they are strung together into a variation with a very close internal connection, which can be said to be "moving palaces into a song".
Chinese-style songs mostly use the main melody of "Palace style". (The five-tone mode is a unique national mode in my country. The names of the five tones are: Gong, Zheng, Shang, Yu, and Jiao. The mode with Gong as the main tone is called "Gong mode"