The song expresses people's praise for the vibrant scene when spring comes.
The whole song is divided into an introduction and three parts.
Introduction. The extended theme pattern is played by Gaohu, and the melody is full of romanticism, high and bright, like a strong spring breeze blowing across the earth, driving away the ice and snow. The arpeggios of the guzheng are set off, as if everything is revived and full of vitality.
The first part of the music adopts the tone of the Fujian folk song "Tea Picking Lantern". First, Gaohu plays a brisk and lively folk song melody "Picking Tea and Flying Butterflies" starting slowly and gradually, with a clear rhythm accompaniment, which makes people feel relaxed and happy, as if they are in the spring scenery with the singing of birds and the fragrance of flowers. Then the high and low zithers played the main melody in different ranges and different sound patterns, while the high and low zither played the main melody with polyphony (appropriate changes and additions to the main melody), which further enhanced the atmosphere of nature with flowers blooming and flowers in full bloom. The atmosphere is full of excitement. After that, another lyrical and soft melody was played. The music had new color factors. The slow rhythm and wave-like melody formed a sharp contrast with the cheerful and jumping first theme. In particular, the gaohu and guzheng are played one after another, which expresses people's praise and joy for the coming of spring. At the same time, there is also a sense of intoxicating happiness in the embrace of spring. What follows is the recapitulation of the first part, in which Gaohu repeats the first theme with fast fill-in variations, but it focuses on developing the original syncopated rhythm part, thus making the music unique and creating an ups and downs effect. The series of sixteenth-note legato that follows is like a colorful scenery, dazzling and dizzying. This piece of music also provides a musical and emotional connection for the transition to the middle section of the piece with cadenza characteristics.
The second part (i.e. the middle section) is the cadenza played by Gao Hu, which adopts the tone of the Yunnan folk song "Little River Flowing", leading people to a new realm. This tone is played repeatedly in the bass area of ??Gaohu, and is compressed and decomposed, fully preparing for the emergence of Gaohu's flower playing. Afterwards, Gao Hu played the cadenza with fast ascending and descending phrases with skillful skills, brilliantly simulating a rich spring scene with colorful butterflies flying and birds singing and flowers fragrant. The music is full of the vitality of spring, has a poetic and vivid artistic conception, and is fascinating.
The music speed of the third part (recapitulation) is accelerated and the mood is more enthusiastic. It concentrates some of the most energetic passages in the first part of the music and gives them more gorgeous colors, making the joyful atmosphere reach a climax. The pinnacle clearly depicts the moving artistic conception of spring returning to the earth. The music style is bright and smooth, with a coherent artistic effect.
Lei Yusheng is a composer with outstanding achievements in song creation. Many of his works are "good songs that are both award-winning, popular and widely circulated": In 1982, "** "The Communist Party is Good, the Communist Party is Pro" won the first prize in the National National Unity Song Contest; "Welcome Song" won the Liaoning Provincial People's Government Award; "March 3" won the Fifth National Music Works Selection Award. On May 8, 1988, at the 12th National Congress of the Communist Youth League of China, "Glorious, the Communist Youth League of China" (civilized by Hu Hongwei) was designated as the league anthem. . In 1990, "March of the Pioneers" won the National Radio Song Gold Award.