Wang Wei is from the Tang Dynasty, Wang Shi_ is from the Qing Dynasty, Huang Tingjian is from the Northern Song Dynasty, Xin Qiji is from the Southern Song Dynasty, and Zhang Ruoxu is from the early Tang Dynasty.

1. Wang Wei

Wang Wei (701-761, one says 699-761), whose courtesy name was Mojie and whose name was Mojie layman. A native of Puzhou, Hedong (now Yuncheng, Shanxi), his ancestral home is Qixian County, Shanxi. Famous poet and painter of Tang Dynasty.

Wang Wei was born in the Wang family in Hedong, and passed the first prize in the 19th year of Kaiyuan (731). Li Guanyou collected relics, censored the censor, and made the judge during the Hexi Festival. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei paid homage to the official doctor and gave him a job. When An Lushan captured Chang'an, Wang Wei was forced to take a pseudo-post. After Chang'an was recovered, he was awarded the crown prince Zhongyun. During the Qianyuan period of Emperor Suzong of the Tang Dynasty, he served as Shangshu Youcheng, and was known as "Wang Youcheng" in his later life.

Wang Wei studied Zen and understood philosophy, studied Zhuang Daoism, and was proficient in poetry, calligraphy, painting, music, etc. He was famous among Kaiyuan and Tianbao for his poems, which were especially long in five words and mostly eulogized landscapes and pastoral areas. He was associated with Meng Haoran. He is called "Wang Meng" and is also known as the "Poetry Buddha". His calligraphy and painting were so exquisite that later generations regarded him as the ancestor of Nanzong landscape painting.

2. Wang Shi_

Wang Shizhen (September 17, 1634 - June 26, 1711), formerly known as Wang Shi_, had the courtesy name Zizhen and Yishang. His name was Ruan Ting, also known as Yuyang Shanren, he was known as King Yuyang in the world, and his posthumous title was Wenjian. People from Xincheng, Shandong (now Huantai County, Shandong) often call themselves Jinan people. An outstanding poet and writer in the early Qing Dynasty.

Wang Shizhen was a Jinshi in the 15th year of Shunzhi (1658) of the Qing Dynasty. In the 43rd year of Kangxi (1701), he became the Minister of the Ministry of Punishment and had quite a political reputation.

Wang Shizhen took over the poetry circle after Qian Qianyi, and together with Zhu Yizun, he was known as the "King of Southern Zhu and North". The poetry theory created the theory of "Charm", which had a profound influence on later generations. His poems in his early years were clear and clear, but became vigorous in his middle age. He is good at all kinds of sports, especially the seven unique skills. Good for notes.

3. Huang Tingjian

Huang Tingjian (August 9, 1045 - May 24, 1105), whose courtesy name was Lu Zhi, also known as Valley Taoist, later known as Fu Weng, and Hongzhou Fenning. (now Xiushui County, Jiujiang City, Jiangxi Province), a famous writer and calligrapher in the Northern Song Dynasty, and the founder of the Jiangxi School of Poetry, which was very popular at one time. Together with Du Fu, Chen Shidao and Chen Yuyi, he has always had "one ancestor and three sects" (Huang Tingjian is one of them). Zong).

He, together with Zhang Lei, Chao Buzhi and Qin Guan, studied under Su Shi's sect, and together they were known as the "Four Scholars of Su Sect". During his lifetime, he was as famous as Su Shi and was known as "Su Huang" in the world. ?

Huang Tingjian's calligraphy is also unique, and he is one of the "Four Calligraphers of the Song Dynasty".

4. Xin Qiji

Xin Qiji (May 28, 1140 - October 3, 1207), whose original name was Tanfu, was later changed to You'an, and his nickname was Jiaxuan?[ 1]?, a native of Licheng County, Jinan Prefecture, Shandong East Road (now Sifengzha Village, Yaoqiang Town, Licheng District, Jinan City). A poet and general of the Bold and Unconstrained School in the Southern Song Dynasty, he is known as the "Dragon of Ci". Together with Su Shi, he is called "Su Xin", and together with Li Qingzhao, he is called "Jinan Er'an".

Xin Qiji was born in the Kingdom of Jin. He resisted the Jin Dynasty and returned to the Song Dynasty as a young man. He served as the pacification envoy to Jiangxi and the pacification envoy to Fujian. A well-established strategy for war and defense. Due to political disagreements with the ruling peace faction, he was later impeached and dismissed from office, and retired to the mountains. Before and after the Kaixi Northern Expedition, he was successively appointed as the prefect of Shaoxing, the prefect of Zhenjiang, and the Privy Council. In the third year of Kaixi (1207), Xin Qi died of illness at the age of sixty-eight. Later, he was given the posthumous title "Zhongmin" as a young master.

Xin Qiji's lifelong ambition was to recover and he promised himself success, but his fate was ill-fated and his ambition was difficult to realize. However, he never wavered in his belief in restoring the Central Plains. Instead, he placed all his passion and concerns and worries about the rise and fall of the country and the destiny of the nation in his poems.

The artistic styles of his poems are diverse, mainly bold and unrestrained, and his style is both majestic and heroic yet delicate and feminine. The themes of his poems are broad and he is good at using allusions to express his patriotic enthusiasm for trying to restore the country's unity, his grief and indignation about the unfulfilled ambition, and his condemnation of the humiliation of the then rulers. There are also many works that praise the country's rivers and mountains.

5. Zhang Ruoxu

Zhang Ruoxu (about 647 AD - about 730 AD), whose name and nickname are unknown, was born in Yangzhou (now Yangzhou, Jiangsu Province). Poet of the early Tang Dynasty.

Together with He Zhizhang, Zhang Xu and Bao Rong, he is known as the "Four Scholars of Wuzhong".

Among them, "?Spring River with Flowers and Moonlight Night?" is a well-known masterpiece. It follows the old inscriptions of the Chen and Sui Dynasty Yuefu to express sincere and moving emotions of separation and philosophical feelings about life. The language is fresh and beautiful, and the rhythm is subtle. The melodiousness washes away the thick fat and pink of palace style poetry, giving people a clear, clear, beautiful and natural feeling.