Stoner Metal
Although many heavy metal bands have been considered to be the product of marijuana influence over the years, stoner metal clearly only appeared in the 1990s. things. Stoner metal corrected the long, hallucinogenic jams of bands like Black Sabbath, Blue Cheer, Blue Oyster Cult, and Hawkwind, filtering the hallucinogen-tinged metal and acid rock elements into the grunge style of early pop offshoots. That buzz. Stoner metal can be campy and self-aware, evoking grime and chaos, or even a self-possessed look back at the past. Regardless, bands like Monster Magnet and Kyuss fit perfectly into the electronic taste of the early '90s alternative metal movement. Even as grunge faded and industrial and hip-hop influences began to be added to alternative metal, stoner metal remained a highly regarded style into the new century.
Sunshine Pop
Sunshine pop originated in California in the mid-1960s. The main style is songs with rich accompaniment, orchestral ensembles, and no breaks. Of the three types of cheer, it is usually influenced by some hallucinatory music, but its purpose is not to evoke any renewed strong need after the consciousness has weakened from drug dependence; it simply absorbs the warm and funny hallucinatory pop On the one hand, mergers emerged as innovations of the times (especially Phil Spector and Beach Brian Wilson). Sunshine pop generally seems to be a more sophisticated and sophisticated version of baroque pop (i.e. irregular, odd pop), although it also incorporates folk pop or brill building pop styles. Sunshine pop began to include the Beach Boys, Turtles, Association and the Mamas and the Papas; other bands also achieved success in this style, such as the Backinghams, Grass Roots and Left Banke, and other bands - Saggittarius, Yellow Balloon, Millennium ----Become a crazy and enthusiastic follower of sunshine pop music.
Surf (Surf music)
Surf rock was an important form of American rock in the early 1960s. Compared with the rippling sound of the guitar, the sound of the rock instrument is more like the absolute sound of the waves, simple and pure, the trio's songs, the music seems to be similar to monochrome, but it was a kind of music at the time. Huacai became the pioneer of rock music. The first wave of surf rock was set off by Dick Dale and his single "Let Go Trippin'". It was a success in California. But the genre was inspired by countless bands like the Chantays and the Surfaris, who gained national recognition (and a few others like Pipeline and Wipe Out), nearly all of whom were striving to create yet another genre. 's single percussion breakthrough. The second climax of wave rock was set off by the Beach Boys band. They combined the pop style of Four Freshmen with the surf rock rhythms of Chuck Berry. Later bands like Jan & Ronny & the Daytonas, but the Beach Boys still insisted on bringing the last wave music to the audience because they incorporated the infectious sounds of the beach and waves into the lyrics rather than replacing them with impressionistic music. Despite this, wave rock was widely experimented with by artists in the 1960s and remained popular until the 1990s, where it had to influence several generations of wave rock.
Swedish Pop/Rock (Swedish Pop/Rock)
As an important country in Europe, Sweden’s pop/rock music is also an important gateway music in Europe. Swedish pop/rock is famous for its The typical Sunshine style is known for its bright rhythm, catchy wounds, high coordination, dance expression, and layered keyboard music. These characteristics are reflected in the performances of mainstream bands and underground non-mainstream bands such as Cardigans or Komeda. Of course, ABBA is the originator of Swedish pop/rock music. Not only have they achieved great success in their own music creation field, but their albums are also extremely outstanding works in Swedish pop/rock music.
Symphonic Black Metal (Black Symphony)
Although this is not a perfect name, people still most often use "Black Symphony" to refer to this European-centric music style that appeared in the mid-to-late 1990s. . It is certainly not a symphony in the literal sense. It is called a symphony simply because of its heavy instrument sounds and large-scale, dramatic sound background. And it has no necessary connection with the black metal we often hear. Although almost all black symphony bands started by playing black metal, in fact, black symphony has only some minor superficial differences with its direct ancestors* **The same thing. The starting point for black symphony was Norwegian black metal in the early 1990s, especially bands that added melancholic, melodic keyboard sounds to their music to counteract their furious playing. These black metals are eager to break through the inherent limitations of the original form. They begin to de-emphasize the guitar and add elements of progressive rock (mainly psychedelic space rock bands such as Pink Floyd) and gothic metal to the music. That bleak, eerie structure. The result is often a more gorgeous sound that's more catchy and accessible than straight-up black metal. Bands such as Tiamat and Samael took the lead, and a group of new wave bands led by Gathering also began to recruit ethereal female singers into their bands, sometimes as the soulful vocal core of the entire band. The black symphonic movement still has its limitations, partly because of its epic ambitions and partly because it is no longer metal in the traditional sense; but it fascinatingly synthesizes the various elements that influenced it. , and quickly became a good choice for underground metal fans at the turn of the new century.
Synth Pop (Synth Pop)
Synth Pop is the most unique of the new styles. In the early 1980s, a number of bands - first of all in the UK, heavily influenced by Roxy music and the style of David Bowie - the pop band Kraftuerk absorbed the innovations in electronic music. Initially, due to the lack of tonal changes in electronic backing, such as Gary Numan, the human league and Depeche Made. The music of the artists in these bands may sound a little sterile, eerie, and vaguely threatening. However, the first change in synth-pop was towards a dance music style. Duran Duran's synth-pop made synth-pop more intense and charming. , closer to a dance music idea. Before long, many bands were following Duran Duran's lead, although some bands remained unaffected, never relying on pop three-minute hits. While many synth-pop bands embraced more than one style of percussion, Duran Duran catapulted to stardom. While there are some exceptions - the Human League and Eurythmics have multiple drum beats, such as Howard Jones - the field is still dominated by single-rhythm music, such as A Flock of Seagulls. . By 1984, synth pop was on its way to extinction, but in the era of the spotlight, synthesis came to the forefront as a mainstream in pop music.
Techno (digital)
The roots of digital can be traced back to the Detroit electronic house music of the mid-1980s. The music room there is still clearly connected to Discos, even if the connection is too mechanical.
The architects and DJs of digital are Kevin Saunderson, Juan Atkins, Derrick May and artists who are keen on electronic synthesis music, such as Afika Bambaataa and synth rock artists such as Kraftwerk. In the United States, digital was a direct form of underground music, but in England, it suddenly exploded as mainstream music in the late 1980s. In the early 1990s, digital began to penetrate into many music styles, including hardcore, ambient, and jungle. In hardcore digital, the number of ideas per minute hitting records became increasingly unreasonable. There's no way to dance to it - it's designed to be a style that's accepted overseas. Ambient music, on the other hand, is the opposite. When free people and club goers take a short break in acid music rooms and hardcore digital music rooms, the slow percussion and flowing water-like electronic music structure fits this atmosphere and becomes a music that has been passed down.
Jungle has almost as many positive elements as hardcore, combining intermittent digital music and dance party thunder? . All digital music was originally designed for clubs, where DJs gave the music new life after mixing. Most importantly, most of the music was done on a 12-inch solo or with a combination of many musicians, so the songs could resonate more. Over time, giving DJs more material to incorporate into their sets. In the mid-1990s, a new breed of digital musicians began to emerge—mostly ambient musicians like Orb and Aphex Twin, but there were also a number of die-hard artists like Prodigy and Goldie who began recording albums rather than banging out beats. Music combined. Unsurprisingly, these musicians - accomplished artists - have become recognized as founding fathers in the digital realm.