Vice Chairman of the China Young Musicians Association, director and theoretical committee director of the Hubei Provincial Musicians Association, member of the Hubei Provincial Committee of the Chinese People’s Political Consultative Conference, member of the Standing Committee of the Wuhan CPPCC Committee, member of the Hubei Provincial Committee for the Democratic Progressive Party and chairman of the Wuhan Municipal Committee, Hubei Provincial Committee Young and middle-aged experts who have made outstanding contributions, cross-century academic leaders in universities in Hubei Province, experts who enjoy special allowances from the State Council, editorial board members of the "Music Research" quarterly magazine sponsored by the People's Music Publishing House and the "Music Creation" quarterly magazine sponsored by the Chinese Musicians Association. Expert in undergraduate teaching level evaluation of the Ministry of Education; member of the Third Academic Degree Committee of the Hubei Provincial Government. Served as the chief editor of "Graduate Education Series" of People's Music Publishing House.
Professor Peng Zhimin has been engaged in the teaching and research of composition and composition technology theory for many years, especially on the analysis of Western new music works in the 20th century and its methodological research. He has published nearly 100 professional academic papers and various music reviews such as "Introduction to Musical Numerical Control Theory" and "On the First Perfect Number Phenomenon in Music Process"; he has independently and collaboratively published "Basic Tutorial on Music Analysis" and "New Music". Works Analysis", "A Concise Tutorial on Music Form", "Tchaikovsky Symphony", "A Tutorial on Traditional Chinese Music Theory" (co-author) and other professional works; he has authored and published "Impressions of Mountain Folk", " He is an influential young and middle-aged music theorist in China.
On September 21, 2006, at the 10th Congress of the Wuhan Municipal Committee of the China Association for the Promotion of Democracy, Peng Zhimin was elected as the presiding committee member.
Peng Zhimin was born in a family of teachers. In 1974, he was admitted to Wuhan Conservatory of Music to study composition. He graduated in 1978 and stayed at the school to teach. In 1979, he attended the "First National Academic Symposium on Harmony"; in 1985, he attended the "First National Annual Conference of Young Composers"; in 1982, the soundtrack of his prose poems was broadcast on the Central People's Broadcasting Station; in 1985 In 2006, his piano and string trio "Impression of the Mountain People" won the third prize in the 4th National Music Competition. In the same year, his piano work "Landscape Series" created using mathematical methods attracted widespread attention abroad and officially entered the research field of international colleagues. In 1997, he published the first domestic monograph on the same subject, "Basic Tutorial on Music Analysis." From 1999 to 2004, he published 7 more monographs, including "Tchaikovsky Symphony" and the million-word "Analysis Tutorial of New Musical Works" (volumes 1 and 2).
In 1998, he composed the piano solo "Eight Mountains Spin Reading", which was a unique exploratory work and was published in the national publication "Music Creation" in 2001. His composition "Morning Fog" won the first prize in the Hubei Provincial Art Song Competition in 1991; he produced music programs such as "Historical Review of Rondo", "Zhong Xinming's "Second Symphony"", and "20 Lectures on a Walk in the World Music Circle" etc., were successively broadcast on Hubei People's Broadcasting Station in 1991; "Into Symphonic Music - Schoenberg, Berg and Webern" advocated by Comrade Li Lanqing was broadcast many times on the 10th program of CCTV in 2002. In 2004, a complete set of DVDs and textbooks of the same name were published by Hubei Education Press.
From 1987 to 2001, Peng Zhimin served as the director of the Composition Department, a provincial key discipline of the Conservatory of Music. He was engaged in the teaching and research of composition and composition theory, and lectured on "Music Form and Work Analysis", "Music Analysis" "Study", "Appreciation of Music Masterpieces" and other courses. He wrote the paper "Scientific Extension and Subject Synthesis of Theoretical Content of Traditional Composition Technology: About Zhao Xiaoshenglt; Traditional Composition Techniquesgt; and Related Issues", which was published in the 2004 Issue 1 of "Music Art" and won the 2005 Hubei Province Award The first prize in the Literary Criticism Selection and the second prize in the 5th National Literary Criticism Selection in 2005. He has attended many music lectures and academic seminars, and visited music conservatories in Germany, France and other countries, which not only broadened his horizons, but also allowed him to examine and construct music with a calm and rational perspective.
He has published more than 100 academic professional papers and various music criticism articles, created and produced dozens of music works and music programs, and is an influential young and middle-aged music theorist in China.
Since 2001, he has served as the vice president of Wuhan Conservatory of Music and the director of the Oriental Symphony Orchestra. He drafted the "Eleventh Five-Year Plan for Educational Development and Reform of Wuhan Conservatory of Music"; wrote "Some Thoughts and Suggestions on the Construction and Reform of the Music Theory Curriculum of Our College" and "Invisible Changes, Limited Updates" : Several papers on "Music Form" or "Music Form and Work Analysis" Curriculum Content Expansion and Selection", etc. He is also responsible for a number of scientific research projects, which were concluded in 2005: the Ministry of Culture’s “National Art Discipline Planning Project·History of the Development of Composition Technology in the 20th Century”; the Hubei Provincial Department of Education’s “Social Science Research Project·Theoretical Research on Modern Composition Technology”, etc. He is the editor-in-chief of the "Modern Composition Technology Theory Series" of Hunan Literature and Art Publishing House and the "Graduate Education Series" of People's Music Publishing House.
On October 25, 2006, because the "Introduction to New Music" he taught in 2005-2006 was widely praised by students, he was awarded the "Most Popular Group Class Teacher by Students" by Wuhan Conservatory of Music "title. On the same day, he was awarded the "Professional Competition Instructor Award" by the Wuhan Conservatory of Music because the students he guided won the Bronze Medal of the 5th China Music Golden Bell Award issued by the Chinese Musicians Association.
In 2011, he was elected as the eighth chairman of the Hubei Provincial Music Association. The new presidium also hired Xie Gongcheng and Zhao Deyi as the eighth honorary chairman of the Hubei Provincial Music Association.
On September 25, 2012, he was elected vice chairman of the Hubei Federation of Literary and Art Circles at the 9th Literary Congress of the Hubei Federation of Literary and Art Circles.