1984 —— Valley of the Wind
1986 —— City of the Sky
1988 —— My Totoro
1988 —— Goodbye Fireflies (Tomb of Fireflies)
1989 —— The witch's house has changed suddenly
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1993 —— Hearing the sound of the waves
1994 —— Hirai fighting with the raccoons
1995 —— On Your Mark
1995 —— Listening attentively (Girl of Dream Street)
1997 —— Ghost Princess
1999 —— Yamada Jun of the neighbor's house. . Personally, I also like Miyazaki Hayao's gorgeous painting style very much ~ ~
Post his information ~ ~
A brief introduction Hayao Miyazaki)1941 Hayao
Miyazaki Hayao was born in Tokyo on January 5, 1941, ranking second among the four brothers. Their family originally lived in bunkyo-ku, Tokyo. Later, due to wartime evacuation in World War II, the family moved to Utsunomiya and Kashima. My uncle who lives in Kashima City runs an airplane factory, and Miyazaki Hayao's father is in charge of that factory. Miyazaki Hayao's mother is a strict and intelligent woman, which has a great influence on Miyazaki's life. Miyazaki Hayao's younger brother later recalled that when he saw the pirate's mother-in-law in "City in the Sky", he couldn't help thinking of his own mother. Although she didn't look like her at all, she was very similar in personality.
Miyazaki Hayao elementary school studied in Utsunomiya elementary school from grade one to grade three. Later, they moved back to Tokyo and transferred to schools in Tokyo. In 1947, Miyazaki Hayao's mother suffered from tuberculosis and stayed in bed for nine years. From the film My Neighbor Totoro, we can see the shadow of the gloomy days of the Miyazaki Hayao family.
In p>1958, the first full-length color movie animation "Legend of the White Snake" (Dongying Animation Production) was released. Miyazaki Hayao, who was a senior three student, was fascinated by this film, and he was interested in cartoons. Miyazaki Hayao used to like to paint some warships and planes, but he was not very good at drawing people. He also decided to be a cartoonist. Even a few years later, he is still full of reverent memories: "I saw how careful and cherished animation is."
After graduating from high school, Miyazaki Hayao entered Tokyo Institute University, majoring in political economy. In 1963, Miyazaki Hayao graduated from university and entered the animation work of Dongying. The first work that participated in the production was Dongying's theater animation "Wanwan Loyalist Tibetan" in December of the same year. Then Miyazaki Hayao participated in the first TV animation produced by Dongying for the first time-Wolf Boy ken.
At that time, some of his plans were often not adopted, but Miyazaki Hayao stuck to his ideals. After watching the Russian cartoon "The Snow Queen", Miyazaki Hayao's creative flame was even stronger. Later, he recalled: "I saw how cautious and cherished the animation was ... Animation is such a pure and simple art that we can express it through our imagination ... Its power will not be lost to other art forms such as poetry, novels or drama."
in p>1964, Miyazaki Hayao became the secretary-general of Dongying Animation Labor Association, while Gao Tianxun was the vice-chairman of the association-it is said that Miyazaki Hayao was a socialist. That year, Miyazaki Hayao started dating his colleague, Miss Jumei Ota. In the autumn of 1965, Miyazaki Hayao volunteered to help the production team of Prince of the Sun directed by Gao Tianxun as the scene design and original painting. This is the beginning of their cooperation and the first step of Miyazaki's animation career. In October of the same year, Miyazaki Hayao married Miss Jumei Ota, and in January 1967, they had their first son. After The Prince of the Sun was released in 1968, Miyazaki Hayao and his wife participated in the production of Cat in Boots. The next year, the two men participated in the production of "Flying buyulei Ship" together. In April 1969, a second son was born.
in p>1971, Miyazaki Hayao left Toyo Animation and joined Gao Tianxun, Yoichi Oda and others to work in "A-Pro". In 1973, the animated film Panda Little Panda, which was co-produced by him and Gao Tianxun, was released. In this work, Miyazaki Hayao has four jobs-original case, script, scene design and original painting, and his personal style has been greatly exerted. In June, Miyazaki Hayao, Gao Tianxun and Owabe left "A-Pro" and joined "Zuiyo Picture". In July, Miyazaki Hayao went to Switzerland to shoot location, looking for inspiration for his next work "Heidi in the Alps", in which he served as scene design and picture composition. In 1975, he went to Italy and Argentina to shoot on location, preparing to make "Looking for Mother for 3 Li", also as a scene designer.
in p>1978, the first work produced by Miyazaki Hayao was broadcast on NHK, which was well received. Miyazaki Hayao's thoughts and style were displayed in this film. The teenager known as "Conan" has a pair of useful feet besides his hands. When people see Conan's energetic movements, they will unconsciously have a hard-working mood. The composition of the story without sloppiness, as well as the lovely characters with personality, are fascinating. Different from the large-scale animation described through series, the fun of the work lies in Conan's growth, and almost all women think Conan is an "ideal son". But with the development of the story, Conan, who has always been a wild child in the eyes of women, said, "I'm going back to Coral Water Island, and then I hope to come with Lana again." We can see from this passage that he has grown into a mature man. I don't mean "want to come together", but "hope to come again together"
The structural composition of Italia, which relies on the old civilization, and Hababa, which naturally lives in nature, was inherited by Miyazaki's later works. This is the first TV series supervised by Miyazaki in the animation shown by NHK. This is the period when Miyazaki Hayao's style and thoughts are gradually formed: romantic temperament and courage to take risks, pure youth and growing mood.
In p>1979, Miyazaki Hayao entered the Tokyo movie News Agency, and in 198, he directed "The City of Lubang III Carriostro" (theatrical version), which once again showed the adventurous film style of "Future Teenagers".
1982 is an important year in the eyes of Miyazaki fans. The long cartoon "Valley of the Wind" began to be serialized in Animage magazine of German-Chinese Bookstore until 1994. This 12-year, 7-volume comic book not only contains an epic chapter, a journey across life and death, and deep philosophical thinking about human beings and nature, but also is the crystallization of Miyazaki's long-term and in-depth thinking about environmental protection and humanism. It can be said that it is necessary to realize that Miyazaki has changed from paying attention to the environment to questioning the justice of "environmental protection", from caring for human beings themselves, thinking about the growth process of young people until middle age, to questioning and interpreting the origin and significance of human beings themselves, and finally putting forward that "life is a flickering light in the dark" at the moment of chaos and darkness, so no matter how hard it is, we must "live!" The "ultimate meaning" is all reflected in this profound and magnificent cartoon.
It was also this year that Miyazaki Hayao met another person who influenced his life, and that was the famous Yasuyoshi Tokuma. As the president of the largest bookstore in Japan, Teijian was keenly aware of Miyazaki Hayao's talent and funded Miyazaki and Takata to set up a studio. In November of the same year, Miyazaki Hayao quit Tokyo movie News Agency and became a freelance writer. In 1983, the animated version of "Valley of the Wind" directed by Miyazaki Hayao began to be planned, with Gao Tianxun as the producer and Topcraft Studio responsible for the production of the whole film. In July of the same year, Miyazaki Hayao's mother died at the age of 71.
In March p>1984, the theater animation "Valley of the Wind" was released, which concentrated many characteristics of Miyazaki animation, beautiful and exquisite pictures, colorful characters, humorous dialogue and positive spirit ... All these made Miyazaki Hayao's reputation as a national animator suitable for all ages. In the film, the nature of self-attack is reflected because of the ignorant war and excessive plunder of human beings. The rotten sea composed of huge fungi emits poisonous gas because of the toxins produced by human beings, and it is cherished by environmentalists as a bible collection. Miyazaki's identity as the leader of "environmentalism" is thus determined. Although due to the limitation of film length and tolerance, the content of the animated film "Valley of the Wind" is only a little more than a comic book plot, and as a representative production of Miyazaki animation in the smooth period, the film's obviously emotional ending and religious complex have been criticized by critics, but its rich imagination and deep content have shocked the audience and the whole film industry. In April, Miyazaki Hayao and Gao Tianxun founded the "Ermali" club, the predecessor of Ghibli, with the support of Germany.
Along with The Valley of the Wind, a film "Sherlock Holmes: Treasure under the Sea with Blue Ruby" was released, with Miyazaki Hayao as the script. Originally, the film was produced in cooperation with Italian TV, but it was stopped for a while due to copyright issues. In the film, the famous detective Sherlock Holmes turned out to be a German beagle, the assistant Dr. Watson was a simple and honest Scottish long-haired dog, and the beautiful heroine Mrs. Hudson, a beautiful widow, was an English Yorkshire terrier. Of course, the villains were Sharpy. The characters in the story are changed to animals, which is the privilege of cartoons. Since then, the film has been adapted into a TV animation, and there is also a special article "Conan the Future Youth" released at the same time.
In p>1985, Studio Ghibli was founded and began to produce City in the Sky. From then on, Miyazaki Hayao began the most brilliant decade of his personal animation career, and it was also a decade of great development of animation.
City in the Sky is a film adapted from Jonathan Swift's Gulliver's Travels. Some people think that its story is traditional, but this does not mean that it is not original. On the contrary, City in the Sky is full of many new elements. The film almost perfectly depicts the landscape of the world in the time when the story takes place, which is a little sci-fi, a little mythical, and a little industrial revolution in europe-era, such as the old trains on the elevated tracks and the dark mines. City in the Sky, which was released in 1986, is Ghibli's pioneering work. Miyazaki Hayao has four important tasks: original work, supervision, script and role setting, which makes this work infused with pure Miyazaki ideas from beginning to end. Miyazaki Hayao's music partner, Joe Hisaishi, also reached the peak of his music career this time. In fact, the film discusses the theme of man and nature, and the ultimate destruction of La Plata, a great city floating in the air, seems to warn the world that in the century of machinery and steel, it is actually facing an uncertain future.
My Neighbor Totoro in p>1988 and The Witch's Home Help in 199 can be regarded as transformational chapters in Miyazaki's works. On the one hand, Miyazaki's concern has gradually shifted from nature to human beings. On the other hand, because all his past works are fantasy worlds full of visual impact, Miyazaki's world seems to be just a tense plot and illusory time and space. My Neighbor Totoro, who gave up all exaggerated performances and complicated plots, and The Witch's Home Delivery focused on ordinary human beings and the world around them. My Neighbor Totoro's description of affection and the meticulous description of the girl's growth in The Witch's Home Delivery all make people feel cordial and moved. The release of "The Witch's Home Help" also means that Ghibli became the beginning of box office guarantee, which attracted about 264 million viewers and became the most popular movie in Japan that year.
The Red Pig came out in p>1992, which is a very important work of Miyazaki Hayao, but it is often easily overlooked. In fact, whether from the work itself or from its significance to Miyazaki's creative career, this is a work that cannot be ignored. Miyazaki Hayao animation, which has long been regarded as "describing simple people and simple stories, full of anti-metropolis complex, attaching importance to environmentalism, full of deep and broad love, and suitable for family watching", suddenly began to change from then on, not in 1997. Although from the appearance, this story set in Italy in the 192s describes the story of a pig named Red Pig, which alludes to the growth process of middle age, no matter from the beautiful pictures, warm and beautiful music or relaxed and humorous plots, it is all under the obvious special trademark of "Miyazaki's production must be a boutique", but it has always been for teenagers, especially beautiful and lively girls. Although Fei E, a red-haired girl in the film, takes the role of an encourager who brings light and hope to the red pig, the so-called growth of middle-aged people is nothing more than "although many things can't be changed, you can make your life different as long as you like yourself". Miyazaki's optimistic spirit has always been changed. In particular, although Miyazaki's films have been unsatisfactory since Valley of the Wind, it is the first time that an almost unreasonable ending like Red Pig appears. Therefore, it should be from this time on that Miyazaki has entered into a deep reflection on all his previous works, on "environmental protection", "humanity" and human nature, and the end of this reflection is directly reflected in the comic book "Valley of the Wind" which was announced in 1994.
Knowing this, you don't have to be shocked by The Ghost Princess, which appeared five years later. Although it seems a little hard and obscure because it has been reduced from the initial five hours to two hours, and although too many emotional dramas have been added for commercial purposes, the characterization of the characters is not as good as Miyazaki Hayao's previous works. Princess Ghost is still the pinnacle of Miyazaki Hayao's production, Miyazaki Hayao's painstaking work on the relationship between nature and human beings, and Miyazaki Hayao, who has no answer for herself, is facing the only hope that can be seen in this era. Therefore, this story, which is set in the Muromachi era when Japan began to invade the mountain forest, can only be explained by describing the materialized race in the mountain forest and the developing war between the two sacred areas of mankind. At the end of the film, there is no usual happy ending, but only the phrase "Let's live together" that Ashitaka said to Xiao Sang, realizing that the war is far from over, can we get a real understanding. This is Miyazaki, who overthrew his ideals and idealism that he had been preaching even though he was not convinced in the past. He smiled helplessly and looked forward to it without an answer. The noble dignity of life, the inviolability of nature, and everything I believed in before have vanished at this time. When there is no support, Miyazaki, who doesn't know what will happen in the future, throws the question back to the audience. The theme of "to live" has also become an idea that runs through, but keeps changing, and has penetrated into everyone's heart.
At one time, it was rumored that Miyazaki Hayao would retire after making Princess Ghost, instead of making cartoons. He once said that he would do animation.