A summary of Qin music scores in the Qing Dynasty
The Qin music scores with greater influence in the Qing Dynasty include "Tianwen Pavilion Qin Pu", "Ku Mu Zen", "Cheng Yi Tang Qin Pu", " "Wuzhizhai Music Score", "Chuncaotang Music Score", "Dahuange Music Score", "Songfengge Music Score", "Deyintang Music Score", "Ziyuantang Music Score", "Introduction to Qin Xue" ", "Jiao'an Qin Score", "Voices of Qin Studies", etc.
All the guqin books and information in the answer come from the seal above the picture. I won’t say that you should know those three words. They are all ancient guqin music books
"Da Huan" Ge Qin Pu": also known as "Qingshan Qin Pu". Xu Shangying of the Yushan School passed down the genealogy. Published in the 12th year of Kangxi (1673). Among the 31 pieces of music collected, fast-paced pieces such as "Pheasant Flying in the Morning" and "Crying of the Black Night" that are not included in "Songxianguan Music Score" have been added.
"Withered Wood Zen Music Score": compiled by Shi Kongchen. 8 volumes. Published in the 19th year of Guangxu (1893). Contains 32 piano songs.
"Voices of Qin Studies": written by Zhuang Zhenfeng in the 54th year of Emperor Kangxi's reign in the Qing Dynasty (1715). ***There are 14 songs included, all of which were composed or adapted by Zhuang himself. 8 of them have lyrics, some of which were written by Zhuang himself.
"Wuzhizhai Qinpu": Zhou Lufeng compiled and printed it in the 60th year of Kangxi (1721) based on Xu Qi's biography. ***Volume 8. Most of the 33 pieces included have their sources indicated, and their fingerings are detailed and detailed. The marginal notes include Xu's processing and development and his comments. It is a widely circulated musical score in modern times.
"Chuncaotang Qinpu": 6 volumes, edited by Su Jing (Qinshan). The original engraving was made in the 9th year of Qianlong's reign in the Qing Dynasty (1744), also known as "New Sound of Qin Xue".
"Zi Yuantang Qin Score": a score passed down by Wu Xuan, a qin player of the Guangling School in the Qing Dynasty. ***Volume 11, contains 93 songs, the last volume contains 30 songs with lyrics.
"Songfeng Pavilion Music Score": edited by Cheng Xiong, 2 volumes. Written about 1684. Cheng Xiong selected it in the 16th year of Emperor Kangxi's reign in the Qing Dynasty. ***Collection of 11 songs, all with sources indicated, including those by Han Shigeng and others. Attached is a volume of "Sympathy", containing 37 songs.
"Deyintang Qinpu": Guo Yuzhai's biography, 10 volumes. The 30th year of Kangxi (1691). For the original engraving.
"Cheng Yi Tang Qin Pu": six volumes, engraved by Cheng Yunji (Yushan) in the 44th year of Emperor Kangxi of the Qing Dynasty (1705).
"Introduction to Qin Xue": 2 volumes, written by Zhang He. Collect 20 piano pieces. Attached is the work ruler spectrum. Among them, songs such as "Yangguan Sandie" and "Fishermen and Woodcutter Questions and Answers" are still popular today.
"Jiao'an Qin Pu": compiled by Qin Weihan, a qin player of the Guangling School, in the seventh year of Tongzhi in the Qing Dynasty (1868), including 32 pieces. Among them, songs such as "Long Xiang Cao" are still popular today.
"Tianwenge Qinpu": compiled by Tang Yiming and others. 16 volumes. The collection of guqin music also collects theories about guqin aesthetics, temperament, and stringing methods.
Summary of Qin music scores in the Ming Dynasty
The practice of publishing Qin music scores was very popular in the Ming Dynasty, and there are many Ming music scores that have been passed down to this day. Among them, the ones with greater influence include "Qinqi Mipu", "Taiyin Collection", "Xilutang Qin System", "Wugang Qin Pu", "Fengxuan Xuanpin", "Qin Shu Encyclopedia", "Song Xian Guan Qin System" "Xingzhuang Taiyin Supplement", "Xingzhuang Taiyin Supplement", "Zheyin Shizi Qin Score", etc.
"Feng Xuan Xuan Pin": compiled by Zhu Houjuan in the 18th year of Jiajing (1539). The book has 10 volumes. The first volume contains 62 texts on fingerings, modes, etc., and 154 gesture pictures; most of the texts are taken from "The Complete Works of Taiyin". The book contains 101 songs, 32 of which are qin songs.
"Magical Secret Book": The editor is Zhu Quan, King of Ning, and it was written in the Yisi year of Hongxi in the Ming Dynasty (1425). It is the earliest existing collection of piano music scores. The whole book consists of three volumes. The first volume "Taikoo Shenpin" contains 16 songs, most of which are famous songs before the Northern Song Dynasty, retaining the original style of early genealogy. The middle and second volumes of "Xiawai Shenpin" contain 34 songs. All the piano music in "Magical Secret Music" has solutions, which is an important historical material for the study of ancient music works.
"Xilu Tang Qin Tong": compiled by Wang Zhi, it was written in the Yiyou year of Jiajing (1525). The whole book has 25 volumes. The first five volumes collect Xu Li's "Qin Tong" of the Southern Song Dynasty and other people's essays and miscellaneous remarks. The last 20 volumes include 170 Qin music from the Song Dynasty. Among them are two versions of "Guangling San" and more than 100 kinds of foreign tunes, most of which are not included in other music collections. It is the most unique music collection in the Ming Dynasty.
"Encyclopedia of Guqin Books": It is one of the important extant Guqin documents in China. The whole book has 22 volumes. The first 20 volumes are text, including a preface by Xiao Daheng in the 18th year of Wanli (1590) and a preface by Jiang Keqian.
The text part includes: 681 records on qin studies in the past dynasties, such as: temperament, qin system, fingering, tunes, sages playing the qin, and poems and essays about the qin. The last two volumes are piano scores, containing 62 piano pieces.
"Songxianguan Music Score": Yushan School's musical score. Editor Yan Cheng. It was written in the forty-second year of Wanli (1614). The first edition had 22 songs, and the number was increased to 29 in subsequent editions. The book contains the "Preface to the Collection of Qinchuan Pu" written by the editor, which criticizes the trend of overfilling text in Qin music at that time, and has a great influence in the Qin music industry.
"Zheyin Yizi Qinpu": Nanchang Gong Jing compiled and interpreted. Written before 1491. The original book is in ruins, and 39 songs are now available. Each song is accompanied by text note by note, and most of them are difficult to sing. Some are traditional qin songs, such as the eight-section "Yangguan Sandie", which is the earliest extant version.
"Xingzhuang Taiyin Supplement" and "Xingzhuang Taiyin Continuation": edited by Xiao Luan. "Xingzhuang Taiyin Supplement" was written in the thirty-sixth year of Jiajing (1557). The whole book consists of 3 volumes and contains 72 songs. The editor emphasizes that he is a true biography of Xu Men, and adds a corresponding "yin" before each song as a prelude. "Xingzhuang Taiyin Continuation" was written in the 39th year of Jiajing (1560). The book includes the biographies he obtained from his travels to Wu and Yue and his own creations, a total of 38 qin tunes.
"Jiao'an Qinpu"
"Mei'an Qinpu"
"Dahuange Qinpu": also known as "Qingshan Qinpu". Xu Shangying of the Yushan School passed down the genealogy. Published in the 12th year of Kangxi (1673). Among the 31 pieces of music collected, fast-paced pieces such as "Pheasant Flying in the Morning" and "Crying of the Black Night" that are not included in "Songxianguan Music Score" have been added.
"Withered Wood Zen Music Score": compiled by Shi Kongchen. 8 volumes. Published in the 19th year of Guangxu (1893). Contains 32 piano songs.
"Voices of Qin Studies": written by Zhuang Zhenfeng in the 54th year of Emperor Kangxi's reign in the Qing Dynasty (1715). ***There are 14 songs included, all of which were composed or adapted by Zhuang himself. 8 of them have lyrics, some of which were written by Zhuang himself.
"Wuzhizhai Qinpu": compiled and printed by Zhou Lufeng in the 60th year of Kangxi (1721) based on Xu Qi's biography. ***Volume 8. Most of the 33 pieces included have their sources indicated, and the fingerings are detailed and detailed. The marginal notes include Xu's processing and development and his comments. It is a widely circulated musical score in modern times.
"Chuncaotang Qinpu": 6 volumes, edited by Su Jing (Qinshan). The original engraving was made in the 9th year of Qianlong's reign in the Qing Dynasty (1744), also known as "New Sound of Qin Xue".
"Zi Yuantang Qin Score": a score passed down by Wu Xuan, a qin player of the Guangling School in the Qing Dynasty. ***Volume 11, contains 93 songs, the last volume contains 30 songs with lyrics.
"Songfeng Pavilion Music Score": compiled by Cheng Xiong, 2 volumes. Written about 1684. Cheng Xiong selected it in the 16th year of Emperor Kangxi's reign in the Qing Dynasty. ***Collection of 11 songs, with sources clearly indicated, including those by Han Shigeng and others. Attached is a volume of "Sympathy", containing 37 songs.
"Deyintang Qinpu": Guo Yuzhai's biography, 10 volumes. The 30th year of Kangxi (1691). For the original engraving.
"Cheng Yi Tang Qin Pu": six volumes, engraved by Cheng Yunji (Yushan) in the 44th year of Emperor Kangxi of the Qing Dynasty (1705).
"Introduction to Qin Xue": 2 volumes, written by Zhang He. Collect 20 piano pieces. Attached is the work ruler spectrum. Among them, songs such as "Yangguan Sandie" and "Fishermen and Woodcutter Questions and Answers" are still popular today.
"Jiao'an Qin Pu": compiled by Qin Weihan, a qin player of the Guangling School, in the seventh year of Tongzhi in the Qing Dynasty (1868), including 32 pieces. Among them, songs such as "Long Xiang Cao" are still popular today.
"Tianwenge Qinpu": compiled by Tang Yiming and others. 16 volumes. The collection of guqin music also collects theories about guqin aesthetics, temperament, and stringing methods.
Summary of Qin music scores in the Ming Dynasty
The practice of publishing Qin music scores was very popular in the Ming Dynasty, and there are many Ming music scores that have been passed down to this day. Among them, the most influential ones include "Qinqi Mipu", "Taiyin Encyclopedia", "Xilutang Qin System", "Wugang Qin Pu", "Fengxuan Xuanpin", "Qin Shu Encyclopedia", "Song Xian Guan Qin System" "Xingzhuang Taiyin Supplement", "Xingzhuang Taiyin Supplement", "Zheyin Shizi Qin Score", etc.
"Feng Xuan Xuan Pin": compiled by Zhu Houjuan in the 18th year of Jiajing (1539). The book has 10 volumes. The first volume contains 62 texts on fingerings, modes, etc., and 154 gesture pictures; most of the texts are taken from "The Complete Works of Taiyin". The book contains 101 songs, 32 of which are qin songs.
"Magical Secret Book": The editor is Zhu Quan, King of Ning, and it was written in the Yisi year of Hongxi in the Ming Dynasty (1425). It is the earliest existing collection of piano music scores. The whole book consists of three volumes. The first volume "Taikoo Shenpin" contains 16 songs, most of which are famous songs before the Northern Song Dynasty, retaining the original style of early genealogy. The middle and second volumes of "Xiawai Shenpin" contain 34 songs.
All the piano music in "Magical Secret Music" has solutions, which is an important historical material for the study of ancient music works.
"Xilu Tang Qin Tong": compiled by Wang Zhi, it was written in the Yiyou year of Jiajing (1525). The whole book has 25 volumes. The first five volumes collect Xu Li's "Qin Tong" of the Southern Song Dynasty and other people's essays and miscellaneous remarks. The last 20 volumes include 170 Qin music from the Song Dynasty. Among them are two versions of "Guangling San" and more than 100 kinds of foreign tunes, most of which are not included in other music collections. It is the most unique music collection in the Ming Dynasty.
"Encyclopedia of Guqin Books": It is one of the important extant Guqin documents in China. The whole book has 22 volumes. The first 20 volumes are text, including a preface by Xiao Daheng in the 18th year of Wanli (1590) and a preface by Jiang Keqian. The text part includes: 681 records on qin studies in the past dynasties, such as: temperament, qin system, fingering, tunes, sages playing the qin, and poems and essays about the qin. The last two volumes are piano scores, containing 62 piano pieces.
"Songxianguan Music Score": Yushan School's musical score. Editor Yan Cheng. It was written in the forty-second year of Wanli (1614). The first edition had 22 songs, and the number was increased to 29 in subsequent editions. The book contains the "Preface to the Collection of Qinchuan Pu" written by the editor, which criticizes the trend of overfilling text in Qin music at that time, and has a great influence in the Qin music industry.
"Zheyin Yizi Qinpu": Nanchang Gong Jing compiled and interpreted. Written before 1491. The original book is in ruins, and 39 songs are now available. Each song is accompanied by text note by note, and most of them are difficult to sing. Some are traditional qin songs, such as the eight-section "Yangguan Sandie", which is the earliest extant version.
"Xingzhuang Taiyin Supplement" and "Xingzhuang Taiyin Continuation": edited by Xiao Luan. "Xingzhuang Taiyin Supplement" was written in the thirty-sixth year of Jiajing (1557). The whole book consists of 3 volumes and contains 72 songs. The editor emphasizes that he is a true biography of Xu Men, and adds a corresponding "yin" before each song as a prelude. "Xingzhuang Taiyin Continuation" was written in the 39th year of Jiajing (1560). The book includes the biographies he obtained from his travels to Wu and Yue and his own creations, a total of 38 qin tunes.
"Jiao'an Qinpu"
"Mei'an Qinpu"
Summary of Qinpu in Qing Dynasty
The Qing Dynasty had a greater influence The major musical scores include "Tianwen Pavilion Music Score", "Ku Mu Zen", "Cheng Yi Tang Music Score", "Wuzhi Zhai Music Score", "Chuncaotang Music Score", "Dahuan Pavilion Music Score", "Song Music Score" "Feng Ge Qin Score", "Deyintang Qin Score", "Ziyuantang Qin Score", "Introduction to Qin Xue", "Jiaoan Qin Score", "Qin Xue Voice", etc.
"Dahuange Qinpu": also known as "Qingshan Qinpu". Xu Shangying of the Yushan School passed down the genealogy. Published in the 12th year of Kangxi (1673). Among the 31 pieces of piano music collected, fast-paced pieces such as "Pheasant Flying in the Morning" and "Crying of the Black Night" that are not included in "Songxianguan Music Score" have been added.
"Withered Wood Zen Music Score": compiled by Shi Kongchen. 8 volumes. Published in the 19th year of Guangxu (1893). Contains 32 piano songs.
"Voices of Qin Studies": written by Zhuang Zhenfeng in the 54th year of Kangxi reign of the Qing Dynasty (1715). ***There are 14 songs included, all of which were composed or adapted by Zhuang himself. 8 of them have lyrics, some of which are self-made by Zhuang.
"Wuzhizhai Qinpu": Zhou Lufeng compiled and printed it in the 60th year of Kangxi (1721) based on Xu Qi's biography. ***Volume 8. Most of the 33 pieces included have their sources indicated, and the fingerings are detailed and detailed. The marginal notes include Xu's processing and development and his comments. It is a widely circulated musical score in modern times.
"Chuncaotang Qinpu": 6 volumes, compiled by Su Jing (Qinshan). The original engraving was made in the 9th year of Qianlong's reign in the Qing Dynasty (1744), also known as "New Sound of Qin Xue".
"Zi Yuantang Qin Score": a score passed down by Wu Xuan, a qin player of the Guangling School in the Qing Dynasty. ***Volume 11, contains 93 songs, the last volume contains 30 songs with lyrics.
"Songfeng Pavilion Music Score": compiled by Cheng Xiong, 2 volumes. Written about 1684. Cheng Xiong selected it in the 16th year of Emperor Kangxi's reign in the Qing Dynasty. ***Collection of 11 songs, with sources clearly indicated, including those by Han Shigeng and others. Attached is a volume of "Sympathy", containing 37 songs.
"Deyintang Qinpu": Guo Yuzhai's biography, 10 volumes. The 30th year of Kangxi (1691). For the original engraving.
"Cheng Yi Tang Qin Pu": six volumes, engraved by Cheng Yunji (Yushan) in the 44th year of Emperor Kangxi of the Qing Dynasty (1705).
"Introduction to Qin Xue": 2 volumes, written by Zhang He. Collect 20 piano pieces. Attached is the work ruler spectrum. Among them, songs such as "Yangguan Sandie" and "Fishermen and Woodcutter Questions and Answers" are still popular today.
"Jiao'an Qin Pu": compiled by Qin Weihan, a qin player of the Guangling School, in the seventh year of Tongzhi in the Qing Dynasty (1868), including 32 pieces. Among them, songs such as "Long Xiang Cao" are still popular today.
"Tianwenge Qinpu": compiled by Tang Yiming and others. 16 volumes.
The collection of guqin music also collects theories about guqin aesthetics, temperament, and stringing methods.
Summary of Qin music scores in the Ming Dynasty
The practice of publishing Qin music scores was very popular in the Ming Dynasty, and there are many Ming music scores that have been passed down to this day. Among them, the most influential ones include "Qinqi Mipu", "Taiyin Collection", "Xilutang Qin System", "Wugang Qin Pu", "Fengxuan Xuanpin", "Qin Shu Encyclopedia", "Song Xian Guan Qin System" "Xingzhuang Taiyin Supplement", "Xingzhuang Taiyin Supplement", etc.
"Feng Xuan Xuan Pin": compiled by Zhu Houjuan in the 18th year of Jiajing (1539). The book has 10 volumes. The first volume contains 62 texts on fingerings, modes, etc., and 154 gesture pictures; most of the texts are taken from "The Complete Works of Taiyin". The book contains 101 songs, 32 of which are qin songs.
"Magical Secret Book": The editor is Zhu Quan, King of Ning, and it was written in the Yisi year of Hongxi in the Ming Dynasty (1425). It is the earliest existing collection of piano music scores. The whole book consists of three volumes. The first volume "Taikoo Shenpin" contains 16 songs, most of which are famous songs before the Northern Song Dynasty, retaining the original style of early genealogy. The middle and second volumes of "Xiawai Shenpin" contain 34 songs. All the piano music in "Magical Secret Music" has solutions, which is an important historical material for the study of ancient music works.
"Xilu Tang Qin Tong": compiled by Wang Zhi, it was written in the Yiyou year of Jiajing (1525). The whole book has 25 volumes. The first five volumes collect Xu Li's "Qin Tong" of the Southern Song Dynasty and other people's essays and miscellaneous remarks. The last 20 volumes include 170 Qin music from the Song Dynasty. Among them are two versions of "Guangling San" and more than 100 kinds of foreign tunes, most of which are not included in other music collections. It is the most unique music collection in the Ming Dynasty.
"Encyclopedia of Guqin Books": It is one of the important extant Guqin documents in China. The whole book has 22 volumes. The first 20 volumes are text, including a preface by Xiao Daheng in the 18th year of Wanli (1590) and a preface by Jiang Keqian. The text part includes: 681 records on qin studies in the past dynasties, such as: temperament, qin system, fingering, tunes, sages who played the qin, and poems and essays about the qin. The last two volumes are piano scores, containing 62 piano pieces.
"Songxianguan Music Score": Yushan School's musical score. Editor Yan Cheng. It was written in the forty-second year of Wanli (1614). The first edition had 22 songs, and the number was increased to 29 in subsequent editions. The book contains the "Preface to the Collection of Qinchuan Pu" written by the editor, which criticized the prevailing trend of filling in text in Qin music at that time, and had a great influence on the Qin music industry.
"Zheyin Interpretation Ziqin Pu": compiled and interpreted by Gong Jing of Nanchang. Written before 1491. The original book is in ruins, and 39 songs are now available. Each song is accompanied by text note by note, and most of them are difficult to sing. Some are traditional qin songs, such as the eight-section "Yangguan Sandie", which is the earliest extant version.
"Xingzhuang Taiyin Supplement" and "Xingzhuang Taiyin Continuation": edited by Xiao Luan. "Xingzhuang Taiyin Supplement" was written in the thirty-sixth year of Jiajing (1557). The whole book consists of 3 volumes and contains 72 songs. The editor emphasizes that he is the true biography of Xu Men, and adds a corresponding "yin" before each song as an overture. "Xingzhuang Taiyin Continuation" was written in the 39th year of Jiajing (1560). The book includes the biographies he obtained from his travels to Wu and Yue and his own creations, a total of 38 qin tunes.
"Jiao'an Music Score"
"Mei'an Music Score"