For graduate students majoring in professional Master of Arts (MFA) in vocal music, the degree concert is not only a display of learning results, but also a staged summary of their own professional learning. In order to fully demonstrate the achievements of the master's degree in the past three years, after careful discussion with the instructor, combined with personal voice conditions, singing ability and aesthetic orientation, the repertoire of this master's degree concert mainly includes Chinese and foreign art songs, and songs with different national styles. Vocal works in three categories: foreign arias and foreign arias. After long-term careful study and polishing of the works, as well as perfect presentation at the concert, the author has mastered rich theoretical knowledge of these works and gained certain singing experience, providing a wealth of first-hand information and profound thinking. It has accumulated a solid practical and theoretical foundation for thesis writing. This paper consists of three aspects: introduction, main body and conclusion. The introduction introduces the research purpose and significance of the paper as well as the research methods and approaches used in writing the paper. The text*** is divided into three parts. The first part can be divided into two sections: the first section combines the repertoire accumulation in the vocal music learning process and personal singing ability to conceive the concert repertoire, and According to the different song genres, the concert repertoire is divided into three categories: art songs, songs with different national styles and opera arias, and then the specific selection of songs for each category is elaborated; the second section starts from the perspective of one's own singing ability Taking into consideration the diversity of the concert repertoire, the design of the concert repertoire was analyzed. The second part is the focus of this article. This part starts from the classification of the repertoire of this concert, and discusses the typical repertoire in each type of degree concert from the perspective of singing in a simple and easy-to-understand way by combining theory with practice. understanding. The third part is the author’s summary and reflections on holding this concert. First, it analyzes and thinks about some of the repertoire in the concert from the perspective of sound and emotion, singing and performance; secondly, it discusses the problems that may easily arise when holding a concert. and analyze and summarize solutions. The conclusion contains the reflections and summary of this paper writing. In the long-term professional training and tempering on the stage, the author has gained a lot of practical feelings and experience. This dissertation writing is a detailed combing of theory from a practical perspective. Through the analysis of specific issues, the theory is once again combined with practice, which makes some of my own problems clearer and enables me to stand on the basis of my future artistic practice. at a new theoretical level.