Painters Yang Gang and Zhuang Xiaolei have been exposed to Western classical and contemporary music for many years and have been influenced by it. Although it is possible to connect Yang Gang's Mongolian grassland ink paintings with Rimsky-Korsakov or Glazunov's orchestral suites, or connect Zhuang Xiaolei's varied blues with Prokofiev or Miakovsky It's a bit exaggerated to compare it to a symphony, but most of Yang Gang's and Zhuang Xiaolei's works do have a strong musical flavor. The contrast between black and white in Yang Gang's works is very strong, and he often develops or transforms the original theme. The trend of the lines is like the crescendo or diminution of music, sometimes strong and heroic, sometimes calm and breezy. Zhuang Xiaolei's works often produce broad effects, as wide as orchestral music. This is because he used multiple colors, even in paintings with monochromatic structures.