What are the characteristics of Tibetan dance - the main characteristics of Tibetan dance

Tibetan folk self-entertainment dance can be divided into two categories: "harmony" and "zhuo". "Xie" is mainly a form of collective singing and dancing spread among Tibetan people, which is divided into four types: "Guo Xie", "Guo Zhuo" (i.e. "Guozhuang"), "Dui Xie" and "Xie". Later, simple upper body movements, in-situ rotation and formation changes were added, and it became a form of labor song and dance in which men and women alternate, sing and dance. Below, I will share with you the main characteristics of Tibetan dance. I hope it will be helpful to you!

?Dance God? Activities

Every major religious festival, Lamaseries will hold "tiaoshen" activities. Amid the sound of suonas, python tubes, trombones, and drums and cymbals, performers wearing masks and holding magic implements or weapons dressed as gods lined up around the venue to kick off the show.

Then the "Ferocious God Dance", "Skeleton Dance", "Ox God Dance", "Deer God Dance", "Happy God Dance" and "Dharma Protector Dance" were performed one after another. Each dance has its own characteristics. Certain religious content. Between each dance section, there are also wrestling and gladiatorial performances performed by the lamas to entertain the audience.

Sometimes they also perform Buddhist stories such as "Sacrificing one's life to feed a tiger" and "Shou Xing Dance" and "Crane Dance" that express charity, longevity and wealth. Today, the Yellow Sect's sacrificial dance "Qiang Mu" has not changed much in content and form from the "Qiang Mu" performed in the Qing Dynasty and the Republic of China.

The last scene of "Qiangmu" is to exorcise ghosts. The gods, soldiers and generals made the imaginary ghost-headed Doma made of butter and tsampa and escorted it to the open space outside the temple and burned it. This year's evils are gone, and I pray for good fortune in the year.

In major lamaseries in Tibet, there are various masks of gods specially reserved for use when dancing "Qiang Mu" and for hanging on the walls of sutra halls. In Samye Monastery, the hollow bust of Padmasambhava, the eminent Indian monk who founded Tibetan Lamaism, is still treasured. It is used to put it on the performer for sacrifice during the "Chang Mu" on religious festivals.

Major Lamaist monasteries across the country select young lamas who have just entered the monastery and have singing and dancing qualities every year. The old lamas will teach the "Qiang Mu" dance orally based on the "Qiang Mu" dance score. Various dance postures. After long-term study, the young lama became an excellent "Qiang Mu" performer when he reached adulthood.

The Tibetan branch people living in the Maowen area of ??Sichuan Province, known as Baima Zang, spend two or three days every year during the Tibetan New Year to worship the largest god, the mountain god. When the worshipers return from the mountain sacrifices, people wear masks of various mythical beasts and dance in a circle in the village according to certain routines to pray to the gods for a good harvest and good fortune.

Rich content and wide range of themes

Developed on the basis of white-faced Tibetan opera, blue-faced Tibetan opera not only has rich content and wide range of themes, but also inherits and retains the ancient style of Tibetan opera. Folk dance forms such as "Buma" existed during the dynasty. The folk square dance has been incorporated into the stylized Tibetan drama, and the folk music loved by the Tibetans has also been quoted, making the Tibetan opera popular among the Tibetan people and lasting.

Characteristics of Belief

In order to conform to the belief characteristics of Tibetan people worshiping multiple gods, people created and used various masks of gods in sacrificial rituals, and contained a large number of Tibetan folk dance elements. program dance. This sacrificial dance was adopted by the later popular Yellow Sect of Tibetan Buddhism and was called "Qiang Mu". It is popular in the vast areas of Tibet, Inner Mongolia, Gansu, Qinghai, Sichuan and other provinces and regions where Yellow Sect is believed.

The dance of "Qiang Mu" is mostly a mixture of "Animal Dance" and "Dharma Instrument Dance". During the performance, there is little singing and the atmosphere is solemn and solemn. ;