The “imitation” mentioned by the latter refers to the imitation of the original labor process. Although "foreign" dramas had an important influence on the emergence of Qiongju Opera, Qiongju Opera was not formed as soon as the "foreign" dramas entered Hainan. The formation of Qiongju Opera was the result of the Hainanese people's long-term production and artistic practice, through the "foreign" opera. "This process was completed only after the drama was released and Hainanized. It only emphasized the influence of "external" factors and ignored the sunlight, water and soil that are most needed for the growth of Qiong Opera. Although the "indigenous theory" is diametrically opposed to the "foreign theory", the mistakes made are similar and lead to overgeneralization. The relationship between Qiong Opera and religion is indeed very close, but the comprehensive artistic characteristics of Qiong Opera make it impossible to accept the influence of only one factor. Before "Nuo" and "Yu" have had time to develop into Nuo opera, the profound and profound Central Plains culture has Opera culture, one of its manifestations, has been continuously spread to Hainan Island, thus cutting off the connection between Qiong Opera and Hainan's original religious consciousness.