Acid Jazz (Acid Jazz) Acid Rock (Acid Rock)

Acid Techno (Acid Digital) Adult Alternative (Adult Alternative)

Adult Alternative Pop/Rock (Adult alternative pop/rock) Adult Contemporary (adult era)

Album Rock (album rock) Alternative Country-Rock (alternative country rock)

Alternative Dance (alternative dance music) Alternative Metal (Alternative Metal)

Alternative Pop/Rock (Alternative Pop/Rock) Alternative Rap (Alternative Rap)

Ambient (Ambient Music) Ambient Pop (Ambient Pop)

Ambient Techno(Ambient Digital) American Punk(American Punk)

American Trad Rock(American Traditional Rock) American Underground(American Underground)

Anarchist Punk(Anarchist Punk) Arena Rock (Arena Rock)

Aussie Rock (Aussie Rock) Baroque Pop (Baroque Pop)

Big Beat (Heavy Percussion) Blue-Eyed Soul (Soul Music)

Blues-Rock (Blues Rock) British Blues (British Blues)

British Folk (British Folk) British Invasion (British Invasion)

British Metal (British Metal) British Psychedelia(British psychedelic)

British Punk(British punk) British Rap(British rap)

British Trad Rock(British traditional rock) Britpop(British rock)

Celtic(Celtic music) Celtic Fusion(Celtic Fusion)

Celtic New Age(Celtic New Wave) Celtic Pop(Celtic pop)

Celtic Rock( Celtic rock) Chamber Pop (club pop)

Christmas (Christmas music) Club/Dance (dance music)

College Rock (college rock) Comedy Rock (comedy rock)

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Computer Music (Computer Music) Contemporary Celtic (Contemporary Celtic)

Contemporary Instrumental (Industrial Age) Country (Country Music)

Country-Rock (Country Rock )Dark Ambient(Dark atmosphere)

Death Metal/Black M

etal (Death/Black Metal) Detroit Rock (Detroit Rock)

Disco ( Disco ) Doom Metal (Doom Metal)

Dream Pop (Dream Pop) East Coast Rap (West Coast Rap)

Electronica (Electronic) Ethnic Fusion (Ethnic Fusion)

Euro-Pop (European Pop) Experimental (Experimental Music)

Experimental Jungle (Experimental Dance Music) ) Experimental Rock (Experimental Rock)

Experimental Techno (Digital Experiment) Folk-Jazz (Folk Jazz)

Folk-Rock (Folk Rock) Funk Metal (Funk Metal)

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Funky Breaks(sudden percussion) Fusion(Fusion)

Garage Punk(garage punk) Garage Rock Revival(revival garage rock)

Glam Rock(confused rock) ) Glitch (Electronic Pulse)

Goth Metal (Gothic Metal) Goth Rock (Gothic)

Grindcore (Grindcore) Grunge (Grunge Rock)

Guitar Virtuoso(Guitar Connoisseur) Hair Metal(Micro Metal)

Hard Rock(Hard Rock) Hardcore Punk(Hardcore Punk)

Hardcore Rap(Hardcore Rap) Hardcore Techno( Hardcore Digital)

Heavy Metal (Heavy Metal) House (Opera)

IDM (IDM) Indie Pop (Indie Pop)

Indie Rock (Indie Rock) Industrial (Industrial)

Industrial Dance (Industrial Dance) Industrial Metal (Industrial Metal)

Instrumental Rock (Instrumental Rock) Jazz-Rap (Jazz Rap)

Jazz-Rock(Jazz Rock) Jungle/Drum 'N Bass(Dance Music/Drums and Bass)

Kraut Rock(German Rock) L.A. Punk(Los Angeles Punk)

Latin Rock( Latin rock) Lo-Fi (low-fidelity)

Madchester (Manchester music) Merseybeat (Mersey sound)

Neo-Glam( Neo-Glam ) Neo- Prog( Neo-Prog )

Neo-Psychedelia( Neo-Psychedelia ) New Romantic( 新ROMANTIC)

New Wave( 新wave) New Wave of British Heavy Metal( British Heavy Metal New Wave

New York Punk( New York Punk

) No Wave (No Wave)

Noise Pop (Noise Pop) Political Folk (Political Folk)

Political Reggae (Political Reggie) Pop (Pop)

Pop Underground (underground pop) Pop/Rock (pop/rock)

Pop-Metal (pop metal) Post-Grunge (post-grunge)

Post-Punk (post-punk) Post-Rock/Experimental(post-rock/experimental)

Power Metal(energy metal) Progressive House(avant-garde opera)

Progressive Metal(avant-garde metal) Prog-Rock/Art Rock( Avant-Garde/Art Rock)

Proto-Punk (Proto-Punk) Psychedelic (Psychedelic Music)

Psychedelic Pop (Psychedelic Pop) Pub Rock (Pub Rock)

Punk (punk) Punk Metal (punk metal)

Punk Revival (revival punk) Punk-Pop (pop punk)

Queercore (gay core) Rap-Metal (rap metal) )

Rap-Rock (rap rock) Rave (rave)

Riot Grrrl ( Riot Grrrl ) Rock amp; Roll (rock)

Rockabilly (mountain area Country Rock) Roots Reggae (Roots Reggie)

Scandinavian Metal (Scandinavian Metal) Shoegazing( Shoegazing )

Singer/Songwriter (Singer/Songwriter) Slowcore (Slow Core)

Soft Rock (Slow Rock) Space Rock (Space Rock)

Speed ??Metal (Speed ??Metal) Stoner Metal (Stone Man Metal)

Sunshine Pop (sunshine pop) Surf (wave music)

Swedish Pop/Rock (Swedish pop/rock) Symphonic Black Metal (black symphony)

Synth Pop (synth pop) Techno (digital)

Thrash (thrash metal) Trance ( Trance )

Trip-Hop ( Trip-Hop ) Twee Pop ( pretentious pop)

Vocal Jazz (Vocal Jazz) World (World Music)

World Fusion (World Fusion)

1.Acid Jazz (Acid Jazz)

This type of music is a growth Music between jazz, funk, and hip-hop.

Acid jazz has three basic elements: it exists as a powerful impact, and its original style is similar to jazz and Afro-Cuban dance music, but it stubbornly wanders between funk, hip-hop and dance music. In 1998, it originally appeared as a descriptive phrase for American records and in the title of a reissued series of English-language songs from the 1970s, described by Brits as a special kind of sandwich music that resurfaced in the mid-1980s. In the mid-1980s and early 1990s, a number of acid jazz artists emerged: bands such as the Stereo MCs, the Jame Taylor Quartet, the Brand New Heavies, Groove Collective, Galliano and Jamiroquai, as well as some house music designs like Palm Skin, Productions, Mondo Grosso, Outside and United Future Organization to name a few.

2.Acid Rock (Acid Rock)

Acid rock is a fierce and loud variation of hallucinatory rock. It draws on the best of Cream and Jimi Hendrix improvisations that have passed their prime. Acid relied on shifting guitars, mellow vocals and long jams. Acid rock didn't exist for long - during the lifetime of hallucinogens, it continued to develop and form a center - and the last remaining bands evolved into heavy metal bands.

3.Acid Techno (Acid Techno)

When acid house music was silent in the mid-1980s, it became a period for the younger generation to indulge in and deepen their impressions, and it became very easy for them Affected by sound. In the early 1990s, some of them started making music and adapting the sound to the technology rather than a soft and warm style like classical Chicago chamber music, very similar to early German Trance. Acid Digital includes many early recordings by Aphex Twin, Plastikman, and Dave Clarke to name a few.

4.Adult Alternative (adult alternative)

Adult alternative music has many listeners. Those who are willing to accept that it is different from mainstream music, but the gap is not very far, are often it. followers. It’s hard to tell whether it’s the radio model of the new adult era that created adult alternative, or whether adult alternative itself exists just for the airwaves. The style of adult alternative is: whether it is acoustic, electronic, or a synthesis of electronic and acoustic, it is deeply influenced by the mixed components of pop, rock and jazz. (Although the main expression of adult alternative is instrumental, many albums use some soft sounds to express it). When it comes to making their music easily accessible to listeners, top artists always have a special talent for the way they perceive melody, the way they use instruments, and the persistence of rhythm. It has its flaws, though. Adult alternative sometimes sounds like outdated pop music without lyrics. ——Linda Kohanov

Album Rock (Album Rock)

In the 1970s, FM radio stations gradually ignored those radio media that followed the freewheeling innovations of early FM radio stations

. In theory, the new stations were doing what their predecessors had done - playing albums rather than singles - but they soon relied on a group of musicians who played for them, allowing When all the album rock musicians come together, one tiring thing is that they introduce their contribution to the album through the media, plus show through their music that they are the founders of album rock. This means the album rock

has heavy metal/southern blues rock. Progressive rock consists of the singers and songwriters in rock bands.

There are many

different types of it, but they all have the characteristics of artistic beauty and indulgence. In addition, it is constantly played on FM radio stations, making these

album rock almost a monopoly. The airwaves of FM radio stations in the 1970s. They continued into the 1980s, but as album rock radio developed into a classic rock style, album rock became less and less popular on the airwaves. By the '90s, album rock bands were still releasing new albums, but their old songs could still be heard on the airwaves—and often performed in concerts. .

Alternative Dance

Alternative dance music combines underground melodic music structures with electronic music structures, synthesizer samples and post-DISCO dance music methods

Alternative, indie rock style. In recent years, when many popular alternative artists have experimented with dance music or electronic music, alternative dance music has developed greatly and has become an indispensable musical component of bar culture. Although alternative dance music seems to be unable to replace club dance music, it has become a peripheral part of this culture due to its popular accessibility and easy integration with other music.

an important form. This characteristic allows more people to participate in alternative dance music to resist the standard fixed style of dance music. As a result, the performer becomes closer to other music that has a specific pattern structure and special musical elements. Many alternative

dance music artists came from the UK and became very prominent in the underground music culture of British pubs and raves. They created an atmosphere conducive to more musical and artistic experimentation. . New Order, the first alternative dance music group, appeared in their 1982-83 recordings

This style combined the cold and gloomy post-punk with Kraftwerk's electronic pop. Compared with alternative music, alternative dance

music is the genre most influenced by electronic pop, acid house music and trip-hop. These forms have produced corresponding alternative styles.

Dance music artist and influence in Manchester, UK in the late 1980s until the 1990s with roots in indie and trip-hop artists.

Alternative Metal

In its infancy, alternative metal developed its own style with an unusual sensitivity relative to those that could be directly classified.

Heavy metal was the core of this music, but these bands were too irregular and their influences were too eclectic for underground thrash metal, so they The main fans are people who like heavy guitar rock. However, after garage music helped enrich alternative metal and gain a large audience, especially as more aggressive bands began to refine their sound, alternative metal Beginning to become the most popular style in heavy metal in the 1990s. While it exhibits almost minimal classification of heavy metal, its form is very different from the alternative metal of the early 1980s. At the same time, most of the surviving hardcore punk bands had moved into metal, pushing underground guitar-heavy rock bands to look elsewhere for inspiration.

The earliest alternative metal with heavy metal style was divided into avant-garde rock (Janes Addiction, Primus), garage punk (Soundgarden,

Corrosion of Conformity), noise rock (the Jesus Lizard, Helmet), funk (Faith No More, Living Color), rap (Faith No More, Biohazard), industrial (Ministry, Nine Inch Nails), psychedelia (Soundgarden, Monster Magnet), even world music (later Sepultura). All this evolution did not happen in a specific scene, but was just an ever-increasing desire to try out the pure form of performance that had become increasingly dependent on instruments. Some of these bands eventually achieved great mass appeal, particularly through touring, and they also laid the foundations for the alternative rock that emerged in 1993-94, with the formation of bands such as Rage Against the Machine and Korn. Rap metal represented by Tool, dissonant music represented by Tool, and heavy music represented by White Zombie. . . . and popular breakthroughs represented by Nine Inch Nails. These bands would become the most influential force in the sound production and style of the alternative metal genre during the remainder of the '90s, along with Pantera's thick, dissolving riffs that distinguished them from any thrash metal band. Like many alternative metal bands, Pantera are serious, grim and visceral, but they demonstrate how this can be manly. In the mid-to-late 1990s, most new alternative metal bands began to play a style that mixed thrash, rap, industrial, hardcore punk and garage. This new sound included more grindcore features and aggressive attack than hooks or memorable riffs, and therefore relied more on studio recordings to achieve its power; however, it captured the hidden mainstream of teenagers The masculinity represented by metal thus became a commercial cult. Bands like Korn, Marilyn Manson, and Limp Bizkit, which sometimes featured aggro-matal, nu-metal, or (incorrectly) hardcore content, were the biggest stars of the new movement, and by the end of the decade, countless new bands began to perform a style similar to the ironic (given alternative metals vehement rejection of hair metals attitude) that was similar to the micro-metal branch of the late 1980s.

Alternative Pop/Rock (alternative pop/rock)

Alternative pop/rock essentially originates from post-punk bands from the mid-1980s to the mid-1990s. There are

many forms of music, but they are grouped together because they are all different from mainstream music forms. On the other hand, Nirvana's success in 1991 can be divided into two major categories of alternative pop/rock.

In the 1980s, many alternative bands were

independent because their musical form prevented them from receiving more mainstream support, which in the 1980s included dance pop

Alternative includes all forms of music, post-hardcore punk, funk metal, pop punk and experimental rock; on the other hand, alternative refers to all non-mainstream sub-genres since Nirvana became popular in the 1990s. Genres, but the distinction is not necessarily obvious because some have become part of the mainstream music commercial market. Hardcore and revival punk music became more commercially viable than the pop music that led to late '80s alternative pop/rock, and as a result, '90s alternative music lost some of its essential characteristics.

. Many experimental bands shifted their style to indie rock.

Alternative Rap (alternative rap)

Alternative rap mainly refers to a kind of music in hip-hop groups that refuse to echo the traditional and stereotyped rap style, such as gangsta

, funk, bass, hardcore and party rap. However, alternative rap is an extremely nebulous genre, drawing on funk,

pop/rock, jazz, soul, reggae, and even ballads. Although Arrested Development and the Fugees strive to become mainstream, alternative rap groups are mainly surrounded by fans of alternative rock rather than fans of hip-hop or pop music. them.

Ambient Pop (ambient pop)

Ambient pop combines two different music styles: tranquility and cheerfulness. Ambient pop has a style derived from ordinary traditional pop music.

It is an electronic music structure and background atmosphere that reflects the silence of the outside world and a meditative atmosphere. Ambient pop is a typical representative music without harsh notes. The intoxicating rhythm of German rock is greatly influenced by ambient pop, and even has a hypnotic effect. Essentially, it's an extension of dream pop's awakening in the shoegazer movement. Although most still use the original instruments, they interpret the music by absorbing electronic music, including sample works.

Ambient Techno (Ambient Techno)

Ambient Techno is a sophisticated and special kind of ambient chamber music. It is usually used by many musicians, such as B12 and early Aph

es Twin, the Black Dog, Higher Intelligence Agency and Biosphere, among others. It is the basis for musicians to divide the synthesis of melody and rhythm in digital and electronic through 808 and 909 type percussion instruments; the effect is good and the sound is high-pitched electronic effect; in addition, melody and synthesis recording - and high-pitched Acoustic, layered, and moist, but without the percussion and practical atmosphere. Most are named Apollo, GPR, Warp and Beyond, with Ambient Digital also academically known as "Smart Digital" after Warp redefined its "Artificial Intelligence" series (although the musical style is Still largely unchanged).

American Punk (American Punk)

American Punk is rooted in the garage rock of the 1960s. It has the characteristics of minimalist art style in soft sound quality and modern love. It

Several bands - the Stooges, the MC5, the New York Dolls - developed a true punk rock genre based on American punk. But American punk really started with the Ramones around 1975-76.

In New York, American punk flourished and emerged. Similar music flourished in Louisville, USA, and actively developed in the direction of hardcore punk. In Cleverland, it

received an almost incredible development with practicality. . Part of this was due to a lack of media attention; in Boston, it was closer to garage music than true punk. New York remains the centerpiece of American punk, however, it features a large number of famous

influential artists: such as Television, Richard Hell, POatt Smith, Blondic, Talking Heads, the move to Cleverland Dead Boys, etc. In the 1980s, American punk began to wither and develop into a new form: hardcore rock, new wave and alternative rock. American punk did not meet the needs of the subsequent pop music revolution like British punk, but it continued to nourish American underground rock for nearly 10 years, and in the 1990s, the California center relied on the Ramones to make it a popular music.

American Underground

In the early 1980s, when the first punk bands began to emerge and when alternative metal began to gain traction through British pre-punk

While the music scene was taking advantage, some American bands began to produce new music in reaction to those developments. As punk matured, American underground bands tended to favor a broad range of musical styles (heavy rock, psychedelia, traditional rock, folk rock, and country rock). influence was the most pervasive), although they continued to dominate through their unpretentious electric guitar and lyrical style. These bands also tend to favor indie outfits and low-budget touring,

since all of them have been largely ignored by the major categories of music, forcing them to find other ways to sustain their careers

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Music. While they became pioneers of hardcore punk, Blackk Flag remain major trailblazers in the American underground as they effectively created an independent touring network through years of grueling practice; the band's label and sonics Style was also a crucial influence, through bands like the Minutemen, the Meat Puppets, Husker Du, Dinosaur Jr., and others who played a major role in pushing unknown punk bands into new, exciting directions. Release records. The Midwest absorbed the frenzied but sincere sounds of Minneapolis, the brutal shouts of the Replacements and Chicago, and the strength of Big Black and Naked Raygun to win over sizable admirers proved to be an effective breeding ground for the American underground, as did Sonic Youth and the Swans Becoming the reigning masters of dissonance on the East Coast and the face of Texas psychedelic noise at the time, the Butthole Surfers left a trail of terror across America, and the Boston Mission of Burma simultaneously pushed for huge influence and foresight. In the mid-1980s, R.E.M.'s initial commercial breakthrough immediately gave the American underground a new perspective.

The hard work and relative success of some important American underground bands in the early '90s ultimately proved to be the movement's undoing; many of the movement's major acts were dispelled by its hallmarks of adulthood ( They failed to gain a large audience, although they gained some traction in Europe), and through Nirvana's stylistic breakthrough in late 1991, the underground began to slowly fragment, largely into alternative rock (as they had more good commercial value) and indie rock (because they rarely imitate others and have their own style).

Arena Rock

Arena Rock originated in the mid-1970s, when heavy rock and heavy metal bands began to gain popularity. This kind of music has gradually become the darling of commercial and radio stations because of its proud beautiful melodies and hymn-like chorus forms, and of course their combination of heavy rock and Ballads of universal recognition are combined. Most of these bands have gained a large number of fans by sending a large number of records to FM radio stations and continuing to tour. Such as Journey, REO Speedwagon, Boston, Foreigner and Styx became the most popular bands in the mid-to-late 1970s through this.

Aussie Rock (Aussie Rock)

Aussie rock does not refer to all rock bands from Australia. Instead, Aussie rock was a hardcore sound forged in the legendary rat race of bands playing country music in pubs. In essence, the difference in sacred music

still has its artistic beauty, like the Celibate Rafles, AC/DC and Midnight Oil.

Big Beat (heavy percussion)

Rescuing electronic music from the experimental edge of decline, heavy percussion was the next wave of heavy pure music that appeared in the mid-1990s.

In 1994 regional money around the world had focused on less substantive aspects of dance music, in response to contemporaries who were obsessed with drums, bass and experimental forms of chin. -stroking intellectuals fight back. The percussion-heavy sound finally united two British icons - Brightons Skint and London's Wall of Sound - around 1995-96. The former - created by Fatboy Slim, Bentley Rhythm Ace and Lo-Fidelity Allstars Home of Out's releases - gained an increasing reputation for their innovation and musical quality, although Wallof Sound had been discovered earlier and released numerous singles via Propellerheads, Wiseguys and Les Rythmes Digitales. Heavy percussion soon proved to be popular in the United States as well, and the players gained greater fame with City of Angels Records and the British style. In addition to Fatboy Slim, other heavy-percussion superstars are the Chemical Brothers and Prodigy, the two bands that created this style and helped it come into being. The Chemical Brothers and Prodigy never rigidly fit into each other's shoes, giving their work a wit that often reflected more of trip-pop's strengths and rarely resorting to the goofy stage stylings of true percussion. The heavy percussion sound effects are an attempt at a more uninhibited and proper relaxation at an old school party, a musical form as nostalgic as old school rap in the late 1980s, and it tends to goofy forms and irrepressible ruptures.

Although the design and mass production surpassed their predecessors, the percussion-heavy sound was still accused of undermining pure electronic music in the late '90s. Even as records by The Chemical Brothers, Prodigy and Fatboy Slim hit America and won positive reviews - and approval from rock critics - many dance music fans around the world resisted those who relied too much on them. A style of skillful playing technique. The heavy percussion continued for an astonishingly long time, settling into a style that was based on the listener's patience in hearing the same crackle many times, just like the DJs at the local shabby shop It takes a lot of patience to find old classic records that interest you.

Blues-Rock (Blues-Rock)

Many early rock and roll was based on the blues, but until the late 1960s, blues-rock had not fully developed into a recognized genre

A wonderful genre. Blues rock focuses on two defining characteristics - traditional three-chord blues songs and instrumental improvisation. Combining small band jazz with the ever-expanding raucousness of rock, traditional blues rock - traditional British blues like Cream by Alexis Koner and John Mayall Bands that came from the style, such as the Paul Butterfield Blues Band and Canned Heat in the United States, also experimented with long improvisations that were common on jazz records and blues concerts. This hybrid quickly became popular, and many bands immediately began imitating them, even louder and more riffy than theirs. In the early 1970s, the boundaries between blues rock and hardcore were becoming increasingly blurred, with jazz-based bands like ZZ Top absorbing performance techniques from album rock works to blur their blues roots. However, blues rock gradually moved away from hardcore, and some bands continued to play, rewrite, and compose songs according to blues standards. In the '80s and '90s, blues rock was more solid than it had been in the '60s and '70s, even when players like the Fabulous Thunderbirds and Stevie Ray Vaughan toyed with the status of rock performers. By the 1980s, blues rock had become as recognized a tradition as the blues.