Japanese name: Hamasaki あゆみ

Chinese name: Hamasaki Ayumi

English name: Ayumi Hamasaki

Nickname: Ayu

Birthday: October 2, 1978

Blood type: Type A

Height: 156CM

Weight: 40KG

Constellation: Libra

Place of birth: Fukuoka Prefecture

People who are most attractive as women: Keiko (Globe), Rie Miyazawa, Seiko Matsuda

About music: Influenced by my elder brother, I started listening to rock music (Led Zeppelin, Deep Purple) since I was a child. Recently I like to listen to black music such as Babyface and EnVogue.

Favorite actors: Nicolas Cage, Rie Miyazawa (Rie Miyazawa)

Favorite movies: The Bodyguard, Betty Blue, Leaving Las Vegas

Respected people: people who have things they don’t have

Disliked people: liars, people who don’t say hello

Passionate things: collecting related information White accessories in the room, collection of shoes (arrange them by color and heel height)

Favorite food: biscuits, cakes, chocolate, Korean kimchi, sashimi, raw liver, sweets ( Japanese confectionery)

Favorite books: I often buy fashion magazines, the vernacular translations of ancient poetry collections are also quite interesting, and the works of Silver Natsuki, etc.

Expertise: piano, five-part calligraphy, abacus, ikebana

Company: avex trax (Ai Hui Records)

Hamasaki Ayumi (October 1978 2nd -) Japanese female singer, protected by the state, and her company is Avex Inc. of Japan. Born in Fukuoka City, Fukuoka Prefecture, Japan, he studied at Tokyo Horikoshi High School during middle school (dropped out midway). She is recognized as the queen of Japanese pop music in recent years, and is also considered one of the "Three Great Diva of Heisei". (The three major singers are Hamasaki Ayumi, Utada Hikaru, and Kuraki Mai) Her influence spreads throughout Asia, especially in East Asia, and has a certain influence in other parts of the world. Ayumi Hamasaki occupies a pivotal position in the Japanese music scene. Not only as a singer, she is also a fashion representative of Japan's young generation. She leads the fashion trends in Japan and even Asia. She plays a mainstay role in Japan's ever-changing fashion trends. .

Since entering the music scene with his debut single "Poker Face" on April 8, 1998, Hamasaki has completed all songwriting tasks independently. Her lyrics are like a mirror, clearly presenting her thoughts on life, work, self-thinking and contradictions without reservation. As one of the most famous Japanese singers in recent years, she has released 43 singles, 9 albums, 1 mini album, 19 mix albums and 4 collections in Japan so far. The total sales volume exceeded 50 million. Became the fourth-ranked singer in Japanese music history. Her works have repeatedly set new sales records in Japan. In 2006, with the release of her 40th single "BLUE BIRD", she has become the female singer with the highest single sales in Japanese music history, with total sales exceeding 20 million. Her album sales are even more amazing. So far, most of the 9 albums she has released have landed at the top of the annual record sales list (referring to Japan's Oricon Chart).

Ayumi Hamasaki grew up in Fukuoka Prefecture, a beautiful place in Japan. Looking from the window of his home, he saw a large green field, but the family where Ayu grew up was not as stunning as the natural scenery. People are relaxed and happy.

Ayu's parents divorced when she was very young. Because of this, she had to experience unimaginable loneliness and isolation at a young age, and she often felt helpless!

Ayu was destined to be naughty from the day he was born, with his chubby little hands and feet always moving around. The conservative father didn't like girls very much. When Ayu was born, his inner expectations were shattered. The infant Ayu seemed to be able to understand his father's thoughts. Every time he saw his father, he would smile big and dance. Seeing such an adorable little baby, the father couldn't help but relax his frown, smiled, and gave all his love to Ayu. But happiness and joy are short-lived. When Ayu was three or four years old, her father rarely cared about her anymore, but focused more on quarreling with her mother. His father also began to hate Ayu being around him. Therefore, despite the objections of Ayu's grandmother and mother, she insisted on sending her to kindergarten. One day, little Ayu came home from kindergarten and saw her parents busy packing their things and then moving their luggage to the car. She stared at them with wide eyes as they shuttled in front of her, but she was wondering what on earth they were doing. Finally, Ayu couldn't resist the temptation of curiosity and asked aloud: "Where are you going?" "Dad is going on a business trip." His father said calmly. The well-behaved Ayu told her father to be careful like a little adult. Although her father heard Ayu's response, he did not turn around to look at her again. He just continued to move his luggage silently, and then drove his car and disappeared from Ayu's life. .

After his father left, Ayu lived with his mother and grandmother. The mother supported the family as the head of the family and worked as a salesperson in an insurance company. The grandmother took over the housework for the mother, a working woman, and took care of little Ayu in every possible way. From then on, my grandmother has naturally become little Ayu’s inner support. Although her mother and grandmother regarded Ayu as their treasure, her father's ruthless departure still left a lonely hole and a lot of hurt in little Ayu's young heart, which also caused her to lose sight of everyone. Trust seems to have matured a lot in an instant. Ayu's various behaviors in kindergarten revealed her uniqueness. Most ordinary children will shout loudly and complain to the teacher whenever something happens to them, but not Ayu. She rarely cries, let alone acts coquettishly, and does not play games with other children. She is always quiet. Sitting aside and watching others laugh happily or cry sadly. After her mother learned about Ayu's isolation from her kindergarten teacher, she did not worry about guiding her back to the world of her peers, but also adopted a laissez-faire attitude because she felt that Ayu's independent and non-reliant personality was not a bad thing. Good thing. The mother even gave the key to the house to Ayu, who was only five or six years old, so that she could go to school and go home alone. One day when Ayu came home and wanted to open the door, he found that the key was missing. Because his mother came back very late, his grandmother happened to be away, and it was getting dark. Ayu felt that he could not wait any longer, so he looked around to see if there was a window. It wasn't closed tightly, so I could open it and go in, but I couldn't find it even after looking around. So I wanted to break the window. Little Ayu found a chair in the yard, stood on it, raised his fist, and hit the glass hard. The glass broke, but Ayu's hands and wrists were also stabbed by the glass and bled. .

When Ayu was a child, he was very cute and lovable. This was what his mother recognized and was most proud of. Her mother also believed that Ayu had the talent to be active in the entertainment industry, so she began to cultivate Ayu's acting skills. Talent, and when registering Ayu for the talent class, he told the teacher that Ayu would definitely become a big star in the future. Ayu has been learning piano and ballet since kindergarten. Although her mother forced her to take additional talent courses, little Ayu, who has always been very assertive, did not show any impatience or resistance because she was interested in being able to make jingles from a big box. I am also full of interest in the melodious sound of the piano and ballet dancing on my toes, and I still enjoy it. I often feel like I am in trance as soon as I play the piano, and I can play it non-stop for four or five hours. Can't let Ayu have all the fun.

Ayu is also very diligent in ballet. After returning home from dance class, she always dances alone in front of the mirror at home, so her dancing level is one of the best in the dance class. She even held a dance class at the Fukuoka Civic Center when she was in elementary school. During the performance, she put on her grandmother's skillfully hand-sewn dance clothes and danced "Swan Lake" and "The Nutcracker" on the stage...

When the ever-changing leader Hamasaki Ayumi came to Taiwan, there were fans We cried bitterly for her, but in Shanghai, everyone was frightened by the dark bodyguard team waiting for her, and looked through the autumn water in silence. Half an hour later, a little girl less than 1.60 meters tall walked out like a flower. Wearing a hat, a pair of big eyes swiveled around, and the colorful nails were shockingly long. It is difficult to connect this little woman with the beautiful and talented woman in the photo. Someone told me: This is called variety. One moment, she can become a god, the next moment, she can become the girl next door. When she is silent, she can be loved and spoken. It is intoxicating when the time comes, and the variety means that two contradictory temperaments can coexist in the same body: sexy and fresh. Because she is Hamasaki. The beauties that Japanese people like have always had to be "young-looking", and they have to be replaced quickly enough. But when it comes to Ayumi Hamasaki (Ayu), the rules have completely changed. She has been popular for so long and is still so popular. People call her the "popular leader". In Japan's ever-changing fashion, only the 29-year-old beauty Ayumu Hamasaki is keeping abreast of it - because everyone knows that whatever Ayumi likes must be popular. From the popular bunny girl to the leopard girl with long claws and cool eyes, the butterfly face made from the poster of the movie "Silence of the Lambs", and even the seamless computer-generated half-cat face and half-beautiful face, Hamasaki Ayumi There are no taboos, and what’s even more surprising is that almost every look of hers can trigger a frenzy of imitation, causing major Japanese manufacturers to respectfully offer generous advertising contracts. Frankly speaking, in Japan where there are so many beauties, especially busty beauties, Ayumi Hamasaki is not an unforgettable top beauty. She should be more of a cute type, with a baby face and round eyes, as if she came from Japan. The girl who came out of the animation is not tall, but the rare thing is that she has a sexy figure of 80/53/82. She was awarded the "2001 Barbie Award 2001" winner by the wealthy Barbie manufacturer...

Variety of talents At the age of 20, she emerged from her cocoon and transformed into a butterfly, and at an astonishing speed became a well-known singer-songwriter in the industry who combines lyrics, composition, and singing. The world's downturn, economic contraction, fiscal deficit, financial bubble...these terrible words have no impact on the 25-year-old Hamasaki. She just keeps singing, singing, singing, changing, changing, changing, becoming more and more popular. , red to purple. He set an unprecedented record with the total sales of singles exceeding 5 billion yen for three consecutive years, becoming the first singer in the history of Japanese music to have the total sales of music CDs exceed 20 billion yen for two consecutive years. In 2001, Hamasaki won more than 20 various music and fashion awards in one year. In 2002, Hamasaki won two three consecutive championships in two days: one was the "all Japan request award", the highest honor award. The most noteworthy thing is her nails. She is Japan's "Nail Art Queen" three times in a row. As the artist who drives the nail art trend and knows how to match nails and fashion, Ayumi Hamasaki is listed as a palace figure in the nail art industry... Not only does she have a beautiful appearance, she is also good at writing lyrics. In the 2002 album "I am...", she successfully wrote most of the lyrics and music. Japan's "Nikkei Entertainment" magazine selected her as a representative of "good songs". The reason is that the lyrics she created encourage giving more to others without asking for anything in return, which makes young Japanese girls who love vanity wake up from their dreams. Hamasaki Ayumi's positive and optimistic attitude towards life also permeates her works, teaching girls to be independent and strong. , and have the courage to move forward, so she is considered to be the lyricist among the female singer-songwriters in the 21st century who can best persuade girls to take the right path.

In addition to singing and holding concerts, Hamasaki has a staggering number of advertisements, setting many "bests" in the industry. The Boss coffee advertisement is the most popular advertisement among Japanese TV viewers; since becoming the spokesperson for digital cameras for Panasonic, The market share of "lumix" digital cameras has increased significantly, and the sales volume of the pocket-sized camera has doubled the original plan; the most amazing thing is the lip gloss endorsed by Hamasaki Ayumi, which sold 500,000 units in two days. Such impressive results have been achieved to this day. No one can catch up, and the product has even been dubbed "ayu lip gloss"

Despite the ever-changing life of Ayumi Hamasaki on the stage, her big eyes are shining like she is inexperienced in human affairs, the little beauty's past It’s really miserable. Just like Madonna once rummaged through trash cans to eat when she was not popular. Ayumi Hamasaki’s past was even worse than Madonna’s. She was maliciously abandoned by her father when she was very young. At the age of 7, she had no choice. She did not do child labor to support her family. Although she lost her freedom after becoming famous and could not go shopping in department stores, go shopping like ordinary girls, or go to the movies with her loved ones, Hamasaki was happy. If you can provide your family with a high standard of living conditions, everything will be relieved.

[Edit this paragraph] Film and television experience

The Japanese queen Ayumi Hamasaki was born as early as 7 years old. She worked as an advertising model. When she was in her second year of junior high school, she participated in the cast recruitment for TV Asahi's TV series "Twins Teacher" and was selected as one of the supporting characters "Tachibana Momo" under the name HAMAZAKIKURUYU. There were also performances by actors such as Suzuki Kyoka, Yingano Miho and Hosei Mai. After graduating from high school, she came to Tokyo alone and joined the "SUNMUSIC" agency to officially start her acting career.

In terms of television, she has participated in 7 TV dramas. The ones she is familiar with include "Underage" written by Nojima Shinji and "Dark Purple Eyes" (黑のパープル.アイ, "Dark Shadow Purple Light", and Name: ("Purple Eyed Girl", "Dark Purple Eyes"). Others include "Girl A's Murder", "Who Must I Meet", "Murder Mystery" and "Journey to the West", etc. Appearing in a supporting role. In terms of movies, the more well-known one is "Like Grains of Sand" (English name: Like Grains of Sand, also known as: Summer Lovers), directed by Ryosuke Hashiguchi in 1995. 2" and so on. Japanese female stars usually went through the period of being a "swimsuit girl" before becoming popular. In order to increase her exposure, she often took swimsuit photos for comics and men's magazines. It did increase her reputation a lot, but this kind of "money-spinner" job made her very disgusted. In September 1995, Hamasaki changed her image and released a hippop-style album under the name AYUMI. The album contains all the songs. Mainly RAP, there was a J-RAP craze across Japan, and Ayumi Hamasaki took advantage of this trend and took the first step to become a singer. (Hamasaki Ayumi's singing experience has been introduced before. I will not repeat it here.)

Recently, Japan's "pop leader" Hamasaki, after achieving outstanding results in the music world, jumped to On the screen, she showed her all-round talents through the short film "The Moon"!

According to Taiwan's China Daily, "Shen Yue" was produced by the Japanese director Xing Dingxun, who is internationally famous for "GO", after reading the lyrics of the latest single "VOYAGE" written by Hamasaki Ayumi. The script was inspired by my own feelings and completed by myself. The story, which is approximately 40 minutes long, focuses on the past and present lives of a man and woman in love. In the play, Ayumi Hamasaki plays two roles: a hospitalized patient suffering from a heart disease and an ancient princess. The scenes in the movie span ancient and modern times, and the images are poignant and moving. It is a touching love masterpiece.

[Edit this paragraph] Cooperation Team

AYU

Guitar (Guitar): Yoshio Nomura Nomura Yoshio - Hamasaki Ayumi has been a She plays guitar and is Hamasaki's best friend. He is Uncle Guitar. He is a very nice person, very humorous, and often takes care of Ayumi Hamasaki.

Official website /

Bass: Enrique Hamasaki is the dedicated bass player - he plays the bass very well! Official website /

Backing singer (Chorus): Yoko "Princess" Yamazaki Princess Yoko Yamazaki Compared to Miwako, Yoko is gentler. The sound is also softer.

Keyboards: Miyazaki Yutsuke is a cold kid.

Someone once confessed to him at a concert and asked him what type he liked. He replied: boring people

Keyboards: Shimizu Shunya Naughty children

Drums (Drums) ): Eguchi Nobuo Eguchi's nickname is "Pervert" (because of his name). Ha, he is a very family-loving person.

DANCER (dancer) section that first appeared in the gym in 2002:

Male dancer:

Tsuyoshi "Go-mi" Otsubo (that is, The old one with the beard)

Shuya Mizuno (the male protagonist in my name's WOMEN and other PVs)

Subaru Tomita (the one who can turn around in talkin' 2 myself )

Nobuhide "Hide" Tashiro (the one who played Romeo in HAPPY ENDING in ARENA TOUR 2005, but seems to have left now)

Naoto Kataoka (personally think he is the most handsome one) One - the male protagonist in the CAROLS segment in ARENA TOUR 2005)

Yusaku Jin "Zin" (the one who teaches MY ALL dance)

Female dancer:

Yuri Fujikawa

Chisa Maehara

Midori "Midoring" Saito

Aki Yoneda

[Edit this paragraph] Composition record

1.(The first time I started composing music with CREA: CREA

2.

Composer: CREA

3.〈evolution>

Composer: CREA

4.〈NEVER EVER>