The five corresponding colors of music are as follows:
Classical music represents black and seriousness.
Country music represents green and light.
Rock music represents red and passion.
Electronic music represents blue and modern.
Heavy metal music represents yellow and passion.
The opinions and arguments of historical figures on the relationship between color and music:
Scientist Newton verified that the seven colors of red, orange, yellow, green, cyan, indigo and violet are equivalent to There are seven notes within the octave: C, D, E, F, G, A, and bB.
In 1929, the Russian composer Sabanev tuned the five notes C, D, E, F, and B to be equivalent to the five colors of gray, yellow, cyan, red, and green.
Rimsky-Korsakov's tonal color chart is defined as:
C major is white, G major is brown, and D major is gold Yellow, A major is a bright rose color, E major is a sapphire-like sapphire color, B major is iron gray, #F major is gray green, etc.
Scriabin Contrast Colors Insights:
C major is red, G major with a sharp sign is orange and rose, D major is brilliant yellow, A major is green, and E major is light blue , B major is iron gray, #F major is azure blue, etc.
Composers also often use specific colors to express people's emotions.
In the "Color Symphony" by British composer Bliss, the first movement is "Purple", which represents amethyst, symbolizing nobility and death; the second movement "Red" represents ruby, which symbolizes bravery. , joy; the third movement "Blue" represents sapphire, symbolizing luxury and sadness; the fourth movement "Green" represents green corundum, symbolizing the hope of youth. French composer
Some people also associate the works of composers of different styles with colors: Mozart’s music is blue; Chopin’s music is green; Beethoven’s timbre is black; Wagner’s music Flashing different colors and so on.
In 1876, Posacote compared black to string instruments, brass instruments and drums to red, woodwind instruments to blue, etc.
With the development of science and technology, electronic music has pioneered the use of electronic technology to imitate the timbre of musical instruments and explore new timbres. The creation of automated electroacoustic performances through computers and electronic synthesizers has also provided access to The possibility of new acoustic materials, resulting in a variety of timbres.