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Analysis of Xinjiang Dance No. 2 Work

(1) Basic emotions and music style

Music emotions are the most emotional and popular content in music. What the audience can most directly feel in the process of appreciating music is the content in the work. basic emotions. The basic emotion of music is based on the inner feeling of the listener and is formed by pure sensory experience without rational judgment. Therefore, the more vivid the emotional expression of music, the more receptive people will be. The work "Second Xinjiang Dance" is exactly like this. The distinctive emotional characteristics of the flowing music are easily understood by the audience, forming an emotional resonance. As we all know, the people of Xinjiang are good at singing and dancing, and are hospitable. They often use cheerful syncopated rhythms in music to match the warm atmosphere, and often use tambourines as accompaniment instruments. Therefore, in all the accompaniment parts of the work, the composer Mr. Ding Shande cleverly used a large number of intervals of second or third degrees and syncopation techniques to simulate the sound effects of tambourine accompaniment

(2) Aesthetic connotation and cultural functions

The aesthetic community has different opinions on the origin of beauty, but the only recognized thing is that artistic beauty is not naturally generated, but created by human subjective processing. Therefore, the beauty of music is also the creative labor result of musicians under their subjective initiative. Music creation requires the composer to help complete it through imagination in the auditory space. Psychology believes that the independence and creativity of imagination are processes. Imagination can be divided into two types: "reconstructed imagination" and "created imagination" according to the characteristics of its formation. Musicians' imaginative creations are generally carried out around a certain theme or a certain auditory material. This kind of creation belongs to the reconstructed imagination created based on the reference of auditory representations. On the surface, creative imagination is a process of transforming other representations into auditory representations. In fact, it has no clear cause-and-effect relationship with the creator's way of thinking.

(3) Artistic function and humanistic value

The origin of music is inseparable from labor and religion. Music has been involved in enlightenment, publicity, education, and understanding since ancient times. It has unique artistic function and humanistic value. The same is true for the piano solo piece "Second Xinjiang Dance".