"Spring in March, the remaining flowers have fallen and bloomed more"

Author: Wang Ling

In March, the remaining flowers have fallen and bloomed more,

Xiao Swallows fly over the eaves every day.

Zigui still cries for blood in the middle of the night,

If you don’t believe that the east wind can’t call you back.

Notes:

1. Flowers bloom as they fall: there are still flowers blooming

2. Don’t believe: Even if you don’t believe it, it will still remain the same after spring.

Appreciation:

This is a seven-character poem describing scenery, expressing the scene in late spring and the poet's feelings. The first two sentences of the poem mainly describe the scenery, and the last two sentences are inspired by the scenery, expressing one's own attitude and pursuit of life.

Although the flowers fall and bloom again, the swallows will come back after leaving. However, the cuckoo, which is nostalgic for spring, is still crying in the middle of the night, not believing that the east wind can't call it back.

"Luo Geng Kai" in the poem describes the flowers withering and blooming in March, showing that the spring has not passed; Yan Feilai describes the swallows flying around under the low eaves, showing the spring. "Vitality is still there" describes the scene of late spring: the spring has not passed, but the vitality is still there.

The last two sentences use personification to write about the cuckoo bird, creating a persistent image to express his nostalgia for spring, and the lines are full of desolate beauty.

Dongfeng refers to the spring breeze, Zigui, and the cuckoo bird often sings in late spring.

The poet used Zigui to cry blood in the middle of the night, not believing that the east wind would not come back to express his intention to try his best to retain the good times. It not only expresses his cherished mood, but also shows his attitude of confidence and hard work. It shows his firm belief and optimistic spirit of being tenacious and enterprising, persistently pursuing a better future. The Zigui (cuckoo) in this poem has a more positive meaning than the metaphor of sadness and sadness in most previous poems. The Sacred System of Fenghe and the Prince and the Kings prepare for the Spring Festival in Longchi on March 3rd

The Sacred System of Fenghe and the Prince and Kings prepare for the Spring Festival in Longchi on March 3rd

The story is about the Spring Festival, and the new palace is about Yuyou. Mingjun moved the phoenix chariot, and the prince came out of the dragon tower.

Fu covers the works of Chen Wang, and the cup is like the water flowing from Luo. The golden man came to hold the sword and painted the kite to return to the boat.

Garden trees, floating palace, and Tianchi shine brightly. Chen Zhang is on the cloud surface, hanging like a man in Huangzhou.

Appreciation

Wang Wei (701-761, some say 699-761) was a native of Puzhou, Hedong (now Yuncheng, Shanxi), and his ancestral home was Qixian County, Shanxi. A famous poet and painter in the Tang Dynasty, his courtesy name was Mojie and his nickname was Mojie Jushi.

Wang Wei was born in the Wang family in Hedong. He became the number one scholar in the 19th year of Kaiyuan (731). Li Guanyou collected relics, censored the censor, and made the judge during the Hexi Festival. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei paid homage to the official doctor and gave him a job. When An Lushan captured Chang'an, Wang Wei was forced to take a pseudo-post. After Chang'an was recovered, he was awarded the crown prince Zhongyun. During the Qianyuan period of Emperor Suzong of Tang Dynasty, he was appointed as Shangshu Youcheng, and in his later life he was called King Youcheng.

Wang Wei studied Zen and understood philosophy, studied Zhuang Daoism, and was proficient in poetry, calligraphy, painting, music, etc. He was famous among Kaiyuan and Tianbao for his poems, especially five-character poems, which often sang about mountains, rivers and pastoral areas, and collaborated with Meng Haoran. He is called Wang Meng and is known as the Poetic Buddha. His calligraphy and painting were so exquisite that later generations regarded him as the ancestor of Nanzong landscape painting. Su Shi commented on him: When you taste Mojie's poems, there are paintings within the poems; when you look at Mojie's paintings, there are poems within the paintings. [There are more than 400 poems in existence, representative poems include "Lovesickness", "Mountain Dwelling in Autumn Twilight", etc. His works include "The Collection of Wang Youcheng" and "Secrets of Painting".

Li Qingzhao "Spring Can"

"Spring Can"

Author: Li Qingzhao

Original text:

What is Chuncan about? I miss my hometown.

I comb my hair while I am sick and hate it growing.

Liang Yan’s words are always there,

The roses are fragrant in the wind.

Notes:

1. Liang Yan talks a lot: refers to the swallows perching on the beams that keep mumbling.

Appreciation:

This poem is dated to the late spring of the second year of Shaoxing (1132). The author settled in Hangzhou and fell ill in spring. During his illness, he missed his late husband's hometown even more and wrote this poem.

This poem expresses the author's deep homesickness. The purpose of writing Liang Yan's many words is: In the waning spring, the swallow also knows that the spring is over, and keeps murmuring and calling his master, his hometown is beautiful. Originally, the author himself was homesick, but he gave the swallows a cry of homesickness, which further strengthened the theme and atmosphere of homesickness.

The author Li Qingzhao (1084-1155), named Yi'an Jushi, was born in Zhangqiu, Qizhou (now Jinan, Shandong). He is famous for his poetry and has high artistic attainments. His father, Li Gefei, was a famous scholar at that time, and his husband, Zhao Mingcheng, was an epigraphic expert. In his early days, he lived a prosperous life, and together with Mingcheng, he devoted himself to the collection and arrangement of calligraphy, painting and inscriptions. Jin soldiers invaded the Central Plains and lived in the south. Mingcheng died of illness and was left alone. The lyrics written in the early stage mostly describe his leisurely life, and in the later stage, he laments his life experience and has a sentimental mood. Some also reveal his longing for the Central Plains. In terms of form, he makes good use of line drawing techniques, creates his own channels, and uses clear and beautiful language. The argument emphasizes the law of association, advocates elegance and emotion, puts forward the theory that lyrics belong to a family, and opposes writing lyrics in the same way as poetry. He was also capable of poetry, but not much remains. Some of his chapters are timely and historical, and his words are generous, which is different from his style of writing. There are "Collected Works of Yi An" and "Yi An's Ci", which have been lost. Later generations have a compilation of "Shu Yu Ci". Nowadays, there is "Li Qingzhao's Collection and Annotations". Sending Spring

Bai Juyi Sending Spring

On March 30th, spring returns and the sun returns to dusk.

Asking melancholy about the spring breeze, the Ming Dynasty will not be able to bear it.

Send spring on the Qujiang River, looking east and west.

But when you see the flowers splashing in the water, you can’t count them.

Life is like a traveler, never stopping.

Make progress every day, how far is your future?

Swords, water and fire can be avoided as much as possible.

Only when old age comes, there is no escape in this world.

Feeling good about the times, I lean against the tree in the south of the pond.

Today I wish you the best of spring, as if you are leaving a relative.