I think that in the process of appreciating music, the appreciator should first have a direct perceptual experience of the music, and secondly, the appreciator should study and understand the emotional inner meaning of the music from all aspects.

In other words, the appreciator must experience the emotional connotation of the musical work accurately, deeply and meticulously. This is the basic requirement for the appreciator's emotional experience in music appreciation.

Of course, I think there is another aspect to the problem, that is, the appreciation abilities of music appreciators are different, and each appreciator can only experience what the music expresses based on his or her own different life experiences. Therefore, we can argue from another perspective that music appreciation activity is a subjective activity of the appreciator. The music in the appreciator’s consciousness must be permeated with his own subjective color, and it is impossible to create this piece with the author. The emotional experience during the music is exactly the same.

In other words, the relationship between subject and object in music appreciation activities is a dialectical unity that is consistent but not completely consistent.