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The artistic ideas, main representatives and works of Italian neo-realistic films.

Proposition: Documentary can be determined not to erode the whole picture of the original material as much as possible, and in the audience's mind, the appearance of the screen reality and the real reality should be combined into one. In real-life shooting, the camera moves with the characters in real space, and the traditional scene scheduling theory disappears. A more cinematic form of real space can be expressed, while avoiding the drama of stage concept.

The use of long shots and depth-of-field shots makes each shot a complete segment, which reflects the objectivity of the creator's loyalty to nature and Bazin's viewpoint of "strictly observing the unity of space in photography".

representative figures and works:

1. Roberto Rossellini:

The unguarded city of Rome, Guerrilla and German Year 2 are known as the "trilogy of war", marking the heyday of neo-realism, Long live Italy.

2. Viscandi:

Sinking, The Earth is Fluctuating, People Suffering

3. Desika:

The Bicycle Thief, Humberto D

4. De Santis:

Eleven o'clock in Rome <

Italian neo-realism is a thorough aesthetic revolution from content to form, and it is the second film aesthetic movement after the avant-garde film movement. The distinctive aesthetic characteristics of Italian realism mark the most outstanding achievement that films have pursued towards realism aesthetics since the sound film, which changes the contrast between western and American films, challenges traditional drama films and creates more cinematic works of art..

Baidu Encyclopedia-Italian New Realistic Movies