They all sound great! ! The following is the reposted music review of the song in "Too Beautiful", watch and listen at the same time, the ultimate enjoyment!

1. "Too Beautiful Radio", which first appears in the album, tells everyone that this album will bring the deepest romance to the listeners, and its fried beans effect will bring the listeners into the third world. , the 1940s.

2

The following still continues to use the fried beans effect. Although it has the form of an old song, it is actually a modern one. The god of R&B. He subverts the mood of the entire song in the form of HIP-HOP at the beginning. In this song, I think the most interesting thing is the theme lines, that is, "I can't forget, I can't forget, I can't forget you." Wrong, I can't forget your kindness, I can't forget my walk in the rain, and I can't forget the hug in the wind." When singing these lines, the sense of adhesion between sentences brought by the R&B style comes out. This is why The reason why Tao Zhe likes to use transitional sentences such as YEAH, MY MIND and so on. This kind of cohesion is also a kind of R&B technique that needs to be expressed, that is, it needs to be played freely but not coherently. Tao Zhe has already done this very well. Typical The representative work "Lullaby" is a song composed by Tao Zhe who improvised singing along with the accompaniment of a pianist. This may be the legendary super power!!!

I once saw someone say in a post was too clumsy. I listened carefully and found out that the guy was talking about the one-finger piano accompaniment before the chorus. In fact, it was not a melody accompaniment at all, it was just for rhythm. The sense of jumping is also a technique in R&B. In this song, Tao Zhe still uses a lot of harmonies, and also uses semitones in the harmonies very skillfully. Although this old song is different from his previous cover form It’s different, but the most essential thing is the same. Many people don’t understand why Tao Zhe used RAP in the last paragraph. I analyzed it not because he wanted to prove that his RAP was awesome, which is simply unnecessary. It was for the sake of the entire song. The level of interpretation of "Unforgettable" is different from that of his previous covers of "Looking at the Spring Breeze" and "Tuberose". The two early songs were performed with multiple people's harmonies without accompaniment. This method is extremely difficult. The requirements for singers are very high: first of all, the pitch, and secondly, the requirements for the harmony part are even more stringent. So after watching DAVID's SOUL POWER's live performance of "Looking at the Spring Breeze + Tuberose", I was even more I admire them extremely! Due to the ingenious combination of harmonies, these two songs are very layered and can easily arouse the listeners to scream. I believe many friends have this feeling. But "Can't Forget" is different. , its sense of restraint is not strong. If you listen carefully, you will find that when "Unforgettable" advances towards the climax, the sense of impact is not particularly strong. It all feels like a gentle singing, as if you are far away. .It’s like you are about to reach the most exciting point that the song brings to your nerves, but you still can’t reach that feeling. I don’t know if my friends understand me when I describe it this way. If it’s not clear, please forgive me for my lack of knowledge. So the following paragraph RAP is the finishing touch. It can express the feeling of depression that cannot find the point of excitement in the form of RAP!!! It is recommended that you snap your fingers three times and sing along when listening to this song, and rap loudly at the end. Read along. I believe you will have new discoveries and experiences. You may even be amazed!!! Tao Zhe's RAP also pays great attention to balance. He requires the RAP to achieve the greatest integration with the layering and style of the entire song, and It's not for the pursuit of speed or strength. You can find that the following RAP does not feel abrupt or overwhelming at all.

3

The third song is also A title song---"Too Beautiful". Since the style of this album is softer and softer, as the title song, it also has to play a balancing role. This album must add some intensity to the intensity, so "Too Beautiful" Beautiful > To achieve an atmospheric effect. If you only want to deduce the atmosphere of music from the way of playing, you can generally use rock, ethnic music and symphonic strings. To achieve this effect, Tai Mei uses a symphonic style in the opening strings. In fact, this is not only about balance

The need is also the need for the interpretation of this song. The boss himself also said that Too Beautiful is a great love written, not an ordinary love song between men and women. Therefore, the string strings of this song are also very necessary. String strings are used to achieve an atmospheric effect. There are countless songs, such as Wang Leehom's "Only". Without the string accompaniment, it would be impossible to achieve that soul-stirring effect!

Many friends may be used to listening to soft love songs. In "Too Beautiful", you will feel that there is no such strong impulse in it. But if you listen to it a few times, you will find that its majestic accompaniment and perfect harmony make this song quite layered. , if a song like "Fairy Tale" is a quick hit, "Too Beautiful" is a slow hit and can maintain a constant heat. The impact it brings is not just one place, but the whole body is moved. So I hope everyone will not regard this song as a simple love song when listening to it. This song can be dedicated to anyone you love or anyone who loves you. It describes great love. Secondly, the transition section of this song is also a big one. The highlight is that without the over-section, the entire song would be weak in terms of emotional processing, and the over-section plays the role of pushing the sincere feelings accumulated in the heart to a climax.

But the only regret is The melody of the first line is a bit like "I BELIEVE", but both the rhythm and style are very different, so some friends who said that the two songs are exactly the same are actually exaggerating.

Overall, this song has achieved the effect Tao Zhe expected, and it plays a decisive role in the entire album. From a musical perspective, it is also a quite outstanding work.

4

Personally, I like this style of music very much. The theme part of incorporates a mixed style of jazz and rhythm and blues. As a result, it enters the chorus (the chorus of this song is After the climax), the style suddenly changed, with a folk style like "Twenty-Two". It may give people a sense of rupture when you are not used to listening to it. This is actually another masterpiece of Tao Zhe's bold music play. Indeed, in It seems that very few people in the pop music world now take the risk to directly connect two different music styles without adding any excessive and buffering modifications.

If you appreciate this sudden change carefully, , you will find that it has a sense of restraint. When you hum along, you may feel that this change is not only less abrupt, but even very catchy and natural, just like the part of "SUSAN Says" "Su Sanqi" Solution> It comes so naturally.

I also find this phenomenon very strange. Maybe Tao Zhe used some music theory skills to deal with this change, but I definitely can’t tell what it was.

The overall feeling of this song is fresh, novel and elegant. Especially the blues-style accompaniment of classical guitar interspersed in it makes people feel relaxed and happy!!!

5

The advertising version of this song has actually been seen by everyone for a long time, but to be honest, I had never heard it before "Too Beautiful" came out. I have never seen this advertisement. My idea is what if If Tao Zhe doesn't include it in the album, I'll listen to it next time. If I listen to it in advance, it will affect my objective evaluation of the song.

My habit of listening to a new album is to remove the lyrics for the first few times. Listen, the funny thing is that after I got this album and listened to it once, I didn’t even know that this was the advertising song (I guarantee with my personality that it is absolutely true.)! After listening to it once, I felt that this song was very inspiring. It has the same taste as before, but it also has a new taste. It wasn’t until I realized that there seemed to be a commercial song missing from the album that I suddenly realized...

So, my evaluation of this song is absolutely excellent! < /p>

First of all, the song starts with Tao Zhe's usual excessive sentence "HEY YEAH". I seem to hear him again from the first album. The theme part only has three sentences, namely "The night wind feels like your gentle lingering." , even though I miss you, I still go further and further, and I move forward at a rumbling speed." These three sentences seemed to be a foreshadowing, naturally pleasant but not amazing. What surprised me was that after these three sentences, I immediately entered the chorus, which is the climax. .This method of composing music rarely appears in Tao Zhe's songs. When "That Moment" is sung, the originally single drum beat is immediately changed to a combination of single and double. When the "time" is sung, Tao Zhe puts it in Playing in your mouth is like singing to the mountains, and the drums here seem to be

The lingering sound bounces back. After the word "Jian" is finished, it seems to be separated from the following "AI~YA~", but here you can feel the adhesion, just like the sentence that can't wait to drink. Exactly this sentence "AI~YA~" has a strong R&B style. Although it is only two words, you can feel its subtle transposition. After appreciating this sentence, I couldn't help but applaud! What surprised me the most What's more, after the climax, a flute sound came leisurely, and the refreshing feeling made people feel as if they were by the lake again, with the breeze blowing on their faces and the willows...

I can't connect it with the advertising song at all. I have never heard anyone make an advertising song so fresh and refined. If I really want to connect this song with Honda cars, I can only imagine Tao Zhe riding this car through the uninhabited wonderland. For those who first saw the advertisement, I really feel sorry for my friends who just pass the song. I also have to admire Tao Zhe once again. 6

As soon as I saw the name of this song, I knew it was that song. This is an advertising song for Sony Ericsson. I saw this advertisement online and knew it was a fast song. To be honest, I was afraid that Tao Zhe would make this song very commercial.

At the beginning of the song, it was Tao Zhe’s usual song. The vocal accompaniment---"Dudududu". Tao is very good at using this technique. The most typical one is the "Hula la la" in the over-section of "Love is Simple". If you haven't noticed, you can try it again Go and listen. The advantage of vocal accompaniment is that it makes the whole song have a three-dimensional sense and is in harmony with the singer's voice (nonsense, you and your own voice will still be discordant). When this technique is developed to the extreme, it is pure harmony without accompaniment. Accompaniment, such as Tao Zhe's covers of "Looking at the Spring Breeze" and "Tuberose". After officially entering the theme, listening to these lines---"Since we have stretched out our two feet, don't be reluctant to take steps, freedom can be everywhere "Okay, don't use other people's maps." You can tell that it is a technique of first suppressing and then ascending. Listen carefully to the word "step". It is rising in the scale. But it has not yet reached the emotion required for the climax. Then two sentences immediately "You know you want to run forward, you don't need to prove that you are popular; you know you want to search in the future, no one can stop you from jumping and wild imagination." These two sentences play an activating role in the whole song. The word "want" in it rises higher, and combining these two activated sentences with the previous two sentences seems very natural. The original two sentences on the topic are not particularly outstanding when taken alone, but compared with the activated sentences As soon as the sentences were connected, they were quite pleasant and smooth. The climax that followed immediately came out of my mouth. What surprised me very much was that Tao Zhe actually used orchestral music in the climax. And it was also used in this funk style. In this way, the whole The climax seems very orderly and compact, and it feels fresh. How to experience the freshness of fast songs? I usually use this method: you can listen to the climax of a fast song and imagine yourself on an empty road under the blue sky. Running on the road (of course how to follow the rhythm and what kind of posture you run depends on your own imagination), singing this song in your mouth, there are endless prairie on both sides of the road. If you can imagine it, and think it makes sense. , then this song will naturally be very fresh in your heart. If you hear a fast song, you will not be able to think of this scene no matter what. Instead, you will think of bars, high-rise buildings, passing vehicles, and noisy crowds. No need to Said, this song must be a simple fast song.

What surprised me even more was that the strong syncopation of the electric guitar in the climax of the last paragraph did not have that noisy feeling. Could it be that the electric guitar Pairing it with orchestral music and harmonic accompaniment has a catalytic and optimizing effect?! It’s really valuable to be able to sing an advertising song, and it’s a fast song, with a fresh feeling! To be honest, I’m afraid of listening to that kind of fast song. That’s you After listening to it, I feel that whether it is the instruments used, the accompaniment, or the singers themselves, they are very dedicated to "quick" and try every means to mobilize your emotions. You also want to follow the "quick", but it is just "quick" "The embarrassing situation of not being able to get up, fast songs like this that can't make the listener scream, are what I'm most afraid of listening to. Nowadays, many singers have also fallen into this misunderstanding. When it comes to fast songs, OK, immediately It is electronic music accompaniment, or DJing, or simply computer programming music, which is extremely complicated and messy. In the end, you seem to be just listening to the accompaniment, and you only know that the meaning of this song is that it is very happy and cheerful, and the real meaning is that it is very happy and joyful. Where is the soul? The listener knows nothing.

There is another highlight of this song. Listen carefully to the climax. Tao Zhe is in

He plays with the harmony skills to his heart's content, making people feel that he is purely playing music. He can use all the voiceless sounds and throat sounds with ease, not to mention the falsetto. If you just sing along with the harmony, you can sing more freely. If you do, you will find that this kind of fun cannot be described in words. Of course, if you can really sing Tao Zhe's harmony well, your singing skills are also quite impressive. In fact, in this album, the difficulty of singing is also very high. It is precisely the preference for harmony. And in this song, Tao Zhe also used octave harmony. In my memory, the most amazing use of octave harmony by Tao Zhe is the lines "Du" in "Hearts Are Flying" Ahhh" (I still feel scared when I think about it now), and the climax of "Hate the Dream of Red Mansions" also uses octave harmony. 7 A self-directed and self-acted tragedy

First of all, with In the opening scene of the harmonica, Tao Zhe's use of the harmonica is quite good. This is because the harmonica has different expressions on different occasions. If it is used in a lively environment, the artistic conception it produces is cheerful and joyful. If it is used in a very quiet place, , when the harmonica is played in a very open environment, the sound effect will produce a distant and silent artistic conception. If used in a very sad environment, the artistic conception produced will be desolate and mournful. Obviously, The artistic conception of the latter is used. When some friends heard the harmonica, they actually said it was a copy of "Quicksand", which shocked me. The two songs are different in terms of rhythm and style. "Quicksand" is Typical R&B plus blues style. And <自> is R&B plus folk rock style. If we have to put them together, we can only say that they are both R&B styles (nonsense). If we insist on saying it is like a song, < "Zi" is more inclined to "No Fate", both have folk style, and the playing techniques are somewhat similar. And in the climax, both songs cleverly use semitones. It makes people feel very frustrated. In fact, to Chinese ears I'm not used to hearing semitones. In ancient China, only five of today's seven scales were used, so in classical music, the most frequently used scale is today's 1 3 5 6, while in the West, even Japan, They are all accustomed to using semitones, that is, 4 7. That’s why many friends find it hard to listen to Tao Zhe’s songs for the first time.

Among the instrumental accompaniments of the whole song, the one that attracts me the most The highlight is the superb string-cutting technique, which is steady but not restless. However, the acoustic guitar mentioned in the lyrics is played by DEAN PARKS. I wonder if Tao Zhe would achieve this effect if he played it himself.

If translated Open all of Tao Zhe's albums and you will find that basically every album has unplugged songs. "Quicksand" in the first album, "Ordinary Friends" in the second album, "Twenty-Two" in "Black Willow" and "Lullaby", "Lonely Season" and "I Like (Guava Love Song Version)" from "Le Road", "Catherine" and "No Predestined" from "Peace". In this album, it is " Self-directed and self-acted tragedy> and . Personally, I like these unplugged songs very much. They are also a must-learn guide for many guitar enthusiasts. 8 I wish you happiness

Because I bought It's a mainland version, so I haven't listened to this song many times, so I don't dare to comment casually. But basically it won't be too far off. The style of this song is a combination of jazz and funk. You can also hear the shadow of Tao Zhe playing music in this song. .This song also uses orchestral music, which shows its comical and teasing side.

But one thing must be said: this song also plays a balancing role in the entire album. You can watch Look, at the beginning of the album, "Unforgettable" lifted the atmosphere, and then "Too Beautiful" built the atmosphere, and then there were two softer songs. Until "WALK ON" appeared. But "WALK ON" is fast. The overall style of the song is still soft. Therefore, "Wish You Happiness" appears in the middle of the album, adjusting the entire feeling in a harder direction.

This song is no less important in terms of album balance. The ghost in "Peaceful Age". Originally in "Peace",

What I wanted to express was the feeling of sharp criticism and shouting, but in the end I was beheaded with a knife. The mainland version started with two soft songs, "Catherine" and "I Just Love You", completely losing the sense of balance. As a result, today < Too Beautiful> also received the same treatment (I really admire the people from the Cultural Affairs Bureau who always cut such important songs), so it is understandable that some friends feel sleepy after listening to "Too Beautiful" for the first time. Original.

9 Deja Vu

The opening of "Deja Vu" is quite satisfactory compared to the previous songs. The few sentences in the theme part are also very bland until the activation sentence appears. "What should I do to delete all the memories?" The mood of the whole song immediately rose. This sentence reminded me of the activating sentence in "Quicksand": "I thought I had thought it through". It is also an intriguing sentence. This kind of activation sentence usually appears in the chorus, but before the climax. In fact, the quality of the activation sentences in many excellent works is quite high. Because it is responsible for the natural and appropriate connection between the previous dull theme part and the climax part. It runs through. So it usually needs to be carefully crafted. In the sentence "What should I do to delete all the memories?", the wording is sung in a falsetto, which feels quite deep and emotional. This is a stroke of genius.

Another highlight of this song is the electric guitar that plays in the last section. Accompanied by the electric guitar, the sadness and loneliness of the whole song slowly seeps out, and the unique noisy feeling of the electric guitar disappears. The electric guitar written in the lyrics attachment is played by Tao Zhe. So Tao Zhe’s guitar skills are beyond doubt. 9 You Will Marry Me Today

Before listening to this song, I saw many people playing The post said that this song was so vulgar and so drool-worthy. So I was mentally prepared before listening to this song. After listening to this song, I finally let go of the stone in my heart. At first, I thought this song The songs are really vulgar, sensational, or as I mentioned above, the kind of fast songs that make people unable to get up.

First of all, from the accompaniment, the beautiful string music and The cheerful harmonica shows that at least this is not a fancy song. And the style of this song is also very satisfactory. It is a typical R&B plus modern folk ballad. And even the traces of R&B are not so obvious. If it were not for the following paragraph RAP should simply be classified as a modern folk song.

In terms of voice, Tao Zhe is the kind of thin type. And Cai’s voice seems to be thicker. When listening to the theme part, I seem to feel To the warmth and flavor of "Twenty-Two". I like the theme lines better than the chorus. Although the chorus is more eye-catching in melody than the theme. In this song, Cai should also feel the R&B The rich but not greasy taste it brings is like holding a piece of low-fat chocolate in your mouth.

In the whole song, the boss’s main task is to help Cai Heyin. From a musical perspective , I think they can completely perform this song in a higher key. In this way, not only the boss can show off his singing skills, but Cai can also be more comfortable in this vocal range. But this song is originally sung for couples. If If the key is higher, maybe only girls will sing this song in KTV.

Generally speaking, this song is also a good song, and Cai’s grasp of the song is also very good. .But this song cannot be called a classic.

10 Every side is beautiful

The opening of this song is also a typical Tao Zhe style. The overall feeling is still the same as those two The word "fresh"

In fact, if you really listen to this album, you will find that "fresh" is the keynote of this album. If fans can hear it, the ideas Tao Zhe wants to expound are basically It has also been achieved.

This song is also a typical listen. The whole song is quite compact in rhythm, giving people a comfortable and restrained feeling.

So don’t think of it as an advertising song. " is an excuse to play this song.

For some friends who say that this album has a lot of saliva songs, I just want to say: you can complete any of these saliva songs with ease. "Can you sing it?" Let's not talk about the harmony. It's very difficult. You can't even sing the climax of a "slobbery song" like "You Will Marry Me Today". That kind of low third harmony is not rap. If you sing it well, you can sing it well. If you don't grasp it well, it will easily drift away from the main melody.

12 Don't like it

This

The song is undoubtedly revealing a message to those who doubt Tao Zhe's ability: Tao Zhe's singing skills are bottomless.

First of all, the tune of this song is higher than the previous songs. This is embarrassing. Some friends who don’t have deep skills but have good falsetto practice feel that they can still get one or two points when singing Tao Zhe’s previous low-level songs. Although the falsetto is not pure, they can still pass the test. But in This song doesn't work at all. In terms of tone, it excludes some friends who don't have a wide vocal range, and the falsetto is rarely used. The whole song seems to have to be sung forcefully.

Secondly , in my impression, this song is Tao Zhe's only song that does not use a line of harmony. And the accompaniment is extremely simple. This does not leave any trace for some karaoke friends who like to turn up the accompaniment to cover up their own voices and make up for their shortcomings. An opportunity to cut corners.

Again, this song was not written by Tao Zhe himself. This is a test for both Tao Zhe himself and his fans. It undoubtedly increases the difficulty of performing this song from another angle. Difficulty. If you want to perform a song well, you have singing skills, but there is no emotion and you can't grasp the details. It's just words on paper. To perform this song well, Tao Zhe needs to carefully understand the emotional control and detail processing. And this song is in the style of R&B plus punk. Our mainland fans may have less exposure to this style of punk, so it’s even more difficult for us.

Let’s see how Tao Zhe handles this. Difficulties in the song.

Difficulty 1. The whole song has a high tone and a lot of emotional ups and downs.

This requires certain natural conditions and solid basic skills. Why do we need to Innate conditions? Because this song requires the singer to have a wide vocal range, and the vocal range is innate. Of course, it can also be improved to a certain extent through acquired training. The emotional ups and downs in the song mean that the singer must be good Control your breath well. If the control is not good or accurate, there will be an out-of-tune phenomenon. Or you will not be able to switch between high notes and low notes or even break the note. And because Tao Zhe has these two points, this The difficulty was eliminated by PASS.

Difficulty point 2: The transition between true and falsetto in the climax

This song is in a high key, so it makes the falsetto even more difficult. But the true voice Switching between falsetto and falsetto is Tao Zhe's specialty, so he was PASSed again.

Difficulty point 3: The last climax of the last verse and then rising again.

When singing the last climax of the last verse, Tao Zhe actually rose again. Half tone. If you don’t have enough breath, you may not be able to sing. Again: super skills!!!

Difficulty 4: Use of angry sounds

I heard a friend Tao Zhe's sentence "A person must learn to be patient" was not handled well, and some people simply raped and broke the sound. I felt helpless and ridiculous. Those people are used to hearing songs processed in recording studios. The so-called "broken" "The sound" is actually called the angry sound, and it is also called the roaring sound. It is a common technique in R&B. It is mainly used to achieve the purpose of venting emotions. The techniques commonly used in R&B are: pharyngeal sound, transposition and angry sound. In fact, Tao Zhe Although some friends in the bar don't know the term "angry sound", they all analyze the purpose of using this technique very clearly. This shows that many friends in the bar are quite knowledgeable about music, and we also hope that more friends will be bold. Express your thoughts and comments about music, so that the atmosphere of Tao Zhe Bar will be better.

Back to Angry Sound, in fact, the kings and queens of European and American R&B, such as Mariah Carey, Brian. McKnight, Grammy Awards, etc. also love the use of angry sounds. But not all kings and queens can easily succeed in this technique. Because angry sounds require very high control of breath, especially the airflow in the throat. Processing. If there is a slight mistake, the sound will be broken and out of tune. The angry sound in "Don't Love" is used together with the transposition, which increases the difficulty of singing.

When I finished listening to Tao Zhe's When listening to the song, there are only two words for my feeling——Shocking!!!

However, this is definitely a very listenable song. I believe many friends also feel this way.