Yanni’s 1997 concert album at the Forbidden City in Beijing and the Taj Mahal in India, which includes nine new works and two adaptations of old works. The whole album is full of passion and excitement, and the first song is extraordinary. The orchestra's performance, the singer's singing, and the musicians' solos blend together. Yanni's music has never been so rich and varied, especially Alfreda Gerald, Vann Johnson's singing and Pedro Eustache's various flutes and saxophone performances. , adding unprecedented highlights to Yanni's music. Compared with the Acropolis Concert, the orchestra and the musicians' solos in this album are more naturally integrated, and the melody is no longer as "relatively single" as before. Some places can be said to be unexpectedly clever. After performing in China and India, many Chinese people began to know about YANNI's music and his style. This music set off a climax of audience enthusiasm in both places (especially at the Taj Mahal). During the song Niki Nana, all the audience and all band members stood up and danced to the music, showing their appreciation for the Yanni Band. love. /miniportal/static/album/43/album_34743_1.html#Online audition address