Da Shan’s original name was Lu Shiwei, a Canadian. Later, because he participated in the 1989 CCTV New Year’s Day Party, he played a Chinese young man named “Xu Dashan” in the sketch “Returning at Night” , his performance made the name Dashan become a household name overnight, and he later took the Chinese name Dashan.
After becoming a disciple of Jiang Kun, he established himself in the cross talk world, and his seniority is self-evident: he studied under Jiang Kun, Jiang Kun studied under Ma Ji, and Ma Ji studied under Hou Baolin; Guo Degang Hou Yaowen studied under Hou Yaowen, and Hou Yaowen studied under Zhao Peiru. Hou Baolin and Zhao Peiru are seniors of the same generation. It can be seen from this that Dashan and Deyunshe's "clouds and cranes rise to the sky, dragons soar across the sea" are of the same generation.
Chenxi Xiaohe would like to express her views here. No matter how senior you are, it has nothing to do with your achievements. The right way is to study hard and make positive progress in your job. Relying on the old and betraying the old has never been successful since ancient times. Respecting the elderly is due to respecting the elderly. Confucius had countless apprentices, and his masters were leaders in various industries. This does not prevent people from remembering Confucius more. The most important thing is to have real skills and learn real skills, rather than forming cliques, which will never make you a great master. It will inevitably be submerged in the tide of history. So remember the seniority, but don’t pay too much attention to it. What we should respect more is truth and skills!
Strictly speaking, Luosang has no seniority in the cross talk world, because his master Yin Bolin has no apprenticeship, and neither the master nor the apprentice is a professional cross talk actor. Until the master and apprentice meet, they have no Engage in cross talk work.
Yin Bolin was born in a literary and artistic family. His grandfather, father, mother, aunt, and even his younger brother are all actors in the literary and artistic circles. Initially, Yin Bolin was also engaged in music work and had nothing to do with cross talk. Luosang was versatile since he was a child, and was very talented in imitation, ventriloquism, singing, and dancing. Later, he successfully entered the art troupe and became a dancer.
When he was working in the cultural troupe, Lausanne was not happy and had no chance to perform on stage. Moreover, Luosang was getting fatter and fatter. It can be said that that was when he was frustrated. At this time, Luosang met his master Bolin. Bolin discovered that Luosang had a strong ability in singing and singing. So he accepted Lausanne as his apprentice and created a series of crosstalk "Lausanne Studies" that fit their status as master and apprentice. As a result, the two became the most popular crosstalk actors around 1994. At that time, they were even more popular than Guo Degang and Yu Qian today.