? Ambush from all sides.

"Fishing Boat Sings Evening" is a famous guzheng song. It is generally believed that this song was adapted by Lou Shuhua in the mid-1930s based on the material of the ancient song "Returning to the Song". The title is taken from the famous line in Wang Bo's "Preface to Tengwang Pavilion" of the Tang Dynasty - "The fishing boats sing late, ringing the sky and the shore of Pengli; the formation of wild geese frightens the cold, and the sound breaks the Hengyang Pudong". ?

Recent research shows that this music was not originally created by Lou Shuhua, but was written by Jin Zhuonan based on the folk zheng music "Double Banner" and its evolved music "Three Rings Tao Ri", which was popular in Linqing, Liaocheng area, Shandong Province. Adapted from "Flowing Water and Rocks". In the 1930s, Jin Zhuonan taught this piece to Lou Shuhua. Lou Shuhua used the golden score as a blueprint, made a greater development and added the second half of the music. This version quickly spread throughout the country. ?

The whole song is divided into three sections. ?

The first section uses a slow version to play a melodious and singing melody, combined with decorative techniques such as left hand rubbing and chanting, to express admiration for the evening view of the lakeside. ?

The second section is developed from the melody with an upper and lower octave relationship in the first section. It uses two fingering methods of pressing and rubbing to play the long sound "FA", which makes the mode different. change. ?

The third section uses Allegro to play a series of progressive notes. It shows scenes such as rowing, rocking an oar, and splashing waves. Then the music gradually speeds up, and uses various press and slide rhythms (also known as urging boards) to depict the scene of a fishing boat returning late. ?

"Fishing Boats Sing Evening" uses a singing melody to depict the poetic and picturesque scene of fishermen returning home singing as the sun sets. The second half of it uses the ascending and descending melody and the gradual development of speed and intensity changes to successfully express the enthusiastic scene of a hundred boats returning home. Most of the phrases and phrases in the first half of the music, or the small clauses in the phrases, adopt the "antiphonal" structure of up and down responses. Although the structure of the upper and lower phrases and small clauses is not very square and symmetrical, the up and down echoes of the music still give people a sense of harmony. With a sense of structural regularity.