Let me tell you some basic skills, hoping to help you: To learn conducting, first learn three things: iconography, starting shot, and closing.

Illustration: Each beat is played downward, and the direction of different beats is different: the first beat of the second beat is outward, and the second beat is returned to the center and then upward; the first beat of the third beat is inward, and the second beat is upward. On the outside, beat three returns to the middle and then upwards, like a triangle; in beat four, the first beat is downward, second beat is inward, third beat is outward, and fourth beat returns to the middle and then upwards, like a cross, this is the diagram.

The kick-off means one extra beat before the music starts, in order to let the chorus know when to start singing. To wrap up is to draw a circle when the music stops, indicating the end of the music. Simple Tips

1) Get started. "Singing the Motherland" is in two beats, with the starting beat on the second beat, the first beat being the preparatory beat, and the first measure being the weak starting measure. When the chorus starts, the first beat should be an empty beat (the cue beat, the chorus is not singing), that is, the hands should go from top to bottom to the lowest point, and the singing time should start when the lowest point rises, which is the second beat. Note that the hands rise clearly and forcefully to give a clear cue to the chorus.

2) During the progress of the song, the movements of the hands and arms should give appropriate prompts according to the strong, weak, fast, slow, legato, staccato, etc. of the beat. These prompts should be reflected in the movements of the hands and arms. Among the light, heavy, slow, rapid, soft, steady, decisive and the amplitude of the movements, if necessary, you can break the rules and use large movements to show the intense emotions of the song. Of course, all this must be based on the accurate rhythm of the movements. Note that throughout the progression of the music, the important principle of continuous movement from top to bottom for strong beats and from bottom to top for weak beats should always be adhered to.

3) End. The end of a piece of music often leaves a deep impression on people. It is necessary to conduct the end of the piece of music well so that the entire work can be fully expressed.

When the conductor ends the phrase, his movements should be decisive and accurate, so that the full emotion can be carried through to the last note. The ending note of "Ode to the Motherland" is extended to three and a half beats. When the conductor sings this note, based on the previous beat, the left hand should not fall down but instead go up, with the palm side of the palm facing up and to the right, and the arm raised upwards as a "support" "Hold" gesture to conduct the extended tone of the chorus. The right hand directs the chorus to sing the last three beats, pausing before the last half beat (empty beat) and then quickly and violently retracting it (both hands are retracted to a position slightly above the chest at the same time), ending the song powerfully.