One of the structural principles of national music.

⑴ Starting part (i.e. presentation), the initial statement of the theme;

⑵ Success part (i.e. consolidation), consolidating the theme through repetition or variation of repetition;

⑶Transition (i.e. development), which develops the theme and has greater instability; ⑷Conclusion (i.e. end), ends the entire music.

Example:

① Lao She's "Camel Xiangzi": "Everyone is included in it, without any trace of succession."

②Cao Xueqin's "Dream of Red Mansions" ": "It's just a combination of inheritance and transfer, in which inheritance and transfer are two pairs."

Extended information:

Other explanations:

①In terms of the structure and organization of poetry writing terminology. "Qi" is the cause, the beginning of the article; "Cheng" is the process of the event; "Zhuan" is the turning point in the outcome of the event; "He" is the discussion of the event, which is the end.

② When speaking metaphorically

③It is a metaphor for being rigid and artificial.

④It is also used as "starting, carrying, closing, closing" and "opening, carrying, turning and closing". p>

"Qi" uses the technique of comparison. "Bi" means to compare one thing with another thing, which is also called metaphor. What is said in "Xing" is the most important message to be conveyed by the advertisement.

"Cheng" is the continuation of "Qi", which makes it full emotionally and narratively. It is necessary to find a place with intention. The main thing is to start with the "other things" in the "rising" trend and look for elements that are related to it and the characteristics of the product.

"Zhuan" begins to shift into other forms in meaning, and its basis is that it has an emotional or factual relationship with "Cheng"

"He" will be the carrier used in the Xing stage (he). Objects) and the ontology used in transitions to reveal and sublimate emotions, logic, and meanings

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