Piano Concerto No. 5 "Emperor" in E flat major. This piece is the largest of all Beethoven's piano concertos, so it is often called the "Emperor" Concerto. . In fact, this song does have the style of a majestic king. However, the title "Emperor" was not named by Beethoven himself, and it cannot be related to a specific "Emperor". It is generally accepted that this piece was hailed as the undisputed "King of Concertos" at the time. , hence the name, which is still used today. In this piece, Beethoven, who has superb composition skills, has devised many new ideas. The whole work contains magnificent waves and endlessly changing melodies in the workmanlike and stable structure, especially the one that starts with the lead piano's flourishes. The first movement gives the audience an extremely grand and gorgeous impression from the very beginning.

Beethoven began composing this piece in 1808 and completed it the following year. At that time, because Napoleon led the French army to occupy Vienna, the song could not be performed for a long time. It is said that when the French army was in chaos, Beethoven once met a French officer. He immediately clenched his fists and said through gritted teeth: "If I had as deep an understanding of tactics as I do of counterpoint, I would have to give you some clues." Can't be seen!" It was not until 1811 that this song was first performed in Leipzig, Germany. The music magazine "Volkswagen Music" at the time commented on this piece: "There is no doubt that this is the most creative, imaginative and eye-catching work among all the concertos that have been created. It is also an outstanding work in terms of technique. The most difficult work in the history."

Piano Concerto No. 5 in E flat major "Emperor" (op.73)

Concerto for Piano and Orchestra No. 5 in E flat major. "Emperor"

1809 was a difficult year for Vienna. Napoleon's army surrounded the entire city and briefly occupied it. Two weeks after the French army entered the city, Haydn, 77 years old and ill, died. At this time, Archduke Rudolf, Beethoven's friend, student and patron, was forced to leave Vienna with other royal families to escape the pursuit of Napoleon's army. Beethoven, who was almost completely deaf, hid in the cellar of his brother Caspar during the army's bombardment to protect his remaining hearing. He later recalled: "This incident had a great impact on my body and mind. What I saw and heard was a life of destruction and chaos, filled with the sound of cannons and drums and all kinds of human tragedies. Nothing else.

Although Beethoven completed his fifth and final Piano Concerto against this backdrop of war, the music itself shows little trace of the turmoil of the times. In this magnificent work, he once again used the noble key of E flat major and dedicated it to Archduke Rudolf. This is what we will later know as the Fifth Piano Concerto "Emperor", the title of which Beyond the dedicator, this piece conveys Beethoven's tendencies at the peak of his middle period of creation, and expands the pattern of the classical music school. Even in the performance of the piano and orchestra, the original dialogue is replaced by an epic style of struggle and triumph. Method. Beethoven's combination of heroic and poetic style makes the "Emperor" concerto unique among his own works and all concertos.

The first movement Allegro has 578 bars and is Beethoven's first movement. The longest sonata ever written, the performance lasts about twenty minutes, almost as long as several Mozart concertos. From any aspect, the scale of this piece is unparalleled. Its extraordinary thematic creativity transformed the march theme depicting noble characters in eighteenth-century music into the driving force of the industrial age. The two characteristics gradually blended perfectly, making the music bold and passionate, and the music was galloping but easy to retract. . Throughout the movement, the piano always competes with the orchestra, which contains a tragic meaning and is also a faithful reflection of Beethoven's personality.

After the majestic first movement, the veil of the second movement was unveiled. Beethoven reached a state of transcendence, abandoned entanglements, and entered a quiet and introspective state like a hymn in the slow movement, using The sublime B major key is full of tranquility and meditation, and the piano is singing, extremely softly, and time seems to have stopped. If the sun god Apollo is the soul of the Adagio movement, then the rondo in the third movement is exciting and makes people dance, which is the spirit of the wine god Dionysus dancing vigorously.