Pipa solo piece, also known as "White Snow in Spring", is an excellent ancient pipa piece that is widely circulated. With its fresh and smooth melody and lively and brisk rhythm, it vividly expresses the scene of early spring when winter passes and spring comes, the earth revives, everything flourishes and full of vitality.
"Spring Snow" is a pipa suite composed of multiple variations of the folk instrumental tune "Eight Banners" (or "Six Banners").
Yangchun Baixue: A pipa suite composed of multiple variations of the folk instrumental tune "Eight Bans" (or "Six Bans"). The cyclic reproduction of the "Ba Ban Tou" variant. The various "Ba Ban Tou" variations are combined together to form a variation relationship. Later, new material from "A Hundred Birds Facing the Phoenix" was inserted, so it is a variation with cyclic elements. body structure.
There are two different versions of "White Snow in Yangchun" circulated, "Dayangchun" and "Little Yangchun". "Dayangchun" refers to the ten and twelve sections of music score compiled by Li Fangyuan and Shen Haochu. "Little Indian Spring" was written by Wang Yuting, also known as "Allegro Yangchun", and has been widely circulated. What is introduced here is "Little Indian Spring".
"Spring and White Snow" expresses the beauty of early spring when winter passes and spring comes, the earth revives and everything flourishes.
"Spring and White Snow" expresses the beauty of early spring when winter passes and spring comes, the earth revives and everything flourishes. The melody is fresh and smooth, and the rhythm is relaxed and lively. It is divided into seven sections: 1. Dominate the place 2. Lotus swings in the wind 3. A bright moon 4. Meditation on the jade plate 5. The sound of the iron board 6. The sound of the Taoist piano 7. The subtitle of Donggao crane It was written by Li Fangyuan and has little to do with the content of the music.
The seven sections of the whole song can be divided into four components: beginning, succession, transition and conclusion. It is a variation piece of music with cyclical elements.
Beginning: (1) "Take the Top". At the beginning of the song, there is a variation of the "eight board head" that lasts for 17 beats, which is repeated in the radicals of the next three parts. The melody of the original "Eight Boards" is modified with techniques such as "separating the world" and "adding flowers", and using playing techniques such as "half wheel", "clipping", and "push and pull" to create unique and interesting sound effects, making the flower clusters more beautiful. The melody is energetic.
Chengbu: (2) "Lotus Blossoms in the Wind", (3) "A Bright Moon". In these two variations of "Ba Ban Tou", after the "Ba Ban Tou" is repeated over the head, the melody rises twice and moves in the high-pitched area, expressing a more enthusiastic emotion.
Redirecting parts: (4) "Jade Ban Zen", (5) "The Sound of Tie Ce Ban", (6) "The Sound of Taoist Qin" There are many developments in these three paragraphs factors. The first is the segmentation and inversion of the music structure, and the emergence of new beats and strong syncopated rhythms. The second is to use playing fingering techniques such as "抭fen", "ban" and "overtone" to make the music sometimes light and smooth, sometimes sonorous and powerful. Especially in "Tao Yuan Qin Sheng", the entire section highlights overtones, just like "big beads and small beads falling on a jade plate", crystal clear and full of vitality.
Combined part: (7) "He Ming in Donggao". It is a dynamic reappearance of the main part, which is expanded at the end, adopts a sudden slowdown and then gradually faster speed processing, and uses powerful strumming techniques to create an extremely warm musical atmosphere.