Current location - Music Encyclopedia - QQ Music - Must-memorize knowledge points in music theory for the college entrance examination
Must-memorize knowledge points in music theory for the college entrance examination

For those who study music, you should be familiar with it! So do you know what are the summary of music theory and music knowledge points for the college entrance examination? The following is for learning! Let me sort out some relevant knowledge for you, I hope it can be useful to you!

Summary of music theory knowledge for the college entrance examination

1. The names of basic note levels are divided into note names and solfeggios

The note names are alphabetical. The names are 1, 2, 3, 4, 5, 6, 7

2. Big two, big, one character group, small character group, small one, two, three, four and five

3. Twelve equal temperament: a temperament that divides an octave into twelve equal parts

4. Temporary diacritical marks are only valid for the following notes of the same height within this section

5. Consonants: sounds with the same pitch but different meanings and notations

6. Natural semitones: natural whole tones of semitones composed of adjacent sound levels: ............ ..whole tone

Semitone variation: a semitone composed of two different forms of the same tone level or separated by one tone level

Variation of whole tone:...whole tone

7. Uncommon rests

8. The note head is below the third line, and the stem is facing down. Otherwise, it is upward, and the rest is written randomly on the third line. Near the third line

9. Single beat: the molecules are 1, 2, and 3

10. Complex beat: the molecules are 2, multiples of 3

11. Mixed beats: the numerator is 5, 7, 11

12. Exchanged beats: 9/8, 6/8

13. Connected sound: three generations of two, two and four generations of three, five Six or seven generations are four, nine to fifteen generations are eight, eight generations are six

14. When combining single beats, several beats form several sound groups 2/4: 1+1 3/4: 1+ 1+1 3/8: 1+1+1 compound beat combination

4/4: 2+2 6/8:123+123 8 beat: 2+2+2+2 mixed beat combination 5 Time: 2+3 or 3+2 7 time: 2+3+2 or 2+2+3 or 3+2+2 Long notes do not need to be separated by unit beats, as do dotted and syncopated notes

15. Omission marks

16. Notes of skipping notes

The inverted triangle number sings a quarter beat, the small dot number sings a half beat, and the small dots are added in a continuous beat. The line is sung in three-quarter time

Maintenance mark

The intensity mark cres crescendo dim weakens sf, sfz extra strong rf solid strong fp strong and then weak

< p>tempo notation (back)

ornamentation

17. Intervals are divided into root and crown tones, harmonic intervals are up and down, and melody intervals are left and right

18. A perfect fourth and a perfect fifth are both a semitone, an augmented fourth has no semitone, a diminished fifth is two semitones, a minor sixth and a minor seventh are two semitones

19. Number of notes: degree series: How many whole tones and semitones are there

20. Natural intervals: pure intervals, major and minor intervals, plus four and minus five (tritone)

21. Variable intervals: except for plus four and minus five. All intervals are increased, subtracted, multiplied, and doubled.

22. Single interval: no more than a pure octave. Complex interval: more than a pure octave.

23. Finding the name of a complex interval cannot be found for a single interval. Change, when the number becomes complex, add 7, when it becomes simple, subtract 7

24. Extreme consonance interval: pure one, pure eight, perfect consonance: pure four, pure five

Incomplete consonance: major or minor Three, big and small six

Disharmonious: major two, minor seven, increase, decrease, double, double decrease

Extremely discordant: minor two, major seven

25. For triads, we say root, third, and fifth

26. Augmenting the root of a triad to the fifth is an augmented fifth, and a diminished triad is a diminished fifth

27. Three chord inversions: The first inversion below is called the sixth chord, and the second inversion above is the fourth and sixth chords.

28. After the inversion, the bottom note is in the original position. For several tones, the third note in the original position is the first inversion, and the fifth note in the original position is the second inversion

29. Seventh chords include root note, third note, fifth note, seventh note major and minor, seventh chord minor Minor seventh chord (minor seventh chord)

The diminished seventh chord (half-diminished seventh chord) is a diminished triad at the bottom and a diminished seventh chord (diminished seventh chord) with a minor seventh at the top

< p>The bottom is a diminished triad and the top is a diminished seventh.

The seventh chord (major seventh chord) is a major triad at the bottom and a major seventh at the top

Among all the seventh chords, only the major seventh chord and the half-diminished seventh chord have a major third between the fifth and seventh notes

p>

30. Seventh chord inversion: see how many notes the bottom note after the inversion is in the original position

The third note is the first inversion and is called a fifth or sixth chord

The fifth note is in the second inversion and is called a third and fourth chord

The seventh note is in the third inversion and is called a second chord

31. Names of tone levels: tonic, supertonic, alto , subordinate tone, dominant tone, lower alto, leading tone

32. Stable tone level: 1, 3, 5 Unstable tone level