One-handed training of dulcimer refers to one-handed training of voice parts.

Two-hand training of dulcimer refers to playing with both hands when the two voices are combined, and its training process is: after one hand passes the customs, both hands are combined.

When practicing a new dulcimer, if it is difficult to have two voices, you must first practice it with one hand, so that the two hands can be practiced separately, which is convenient for you to concentrate on one hand, so that you can practice more carefully and efficiently, and your brain is more likely to form conditioned reflex, and the image of spectrum and music is more vivid. In dulcimer music, the left and right hands have different voices and are relatively independent. The left hand and the right hand are practiced separately, which makes it easier to understand the musical images of the high and low voices more clearly and is conducive to the analysis of the works. Moreover, when the hands are synthesized, because the musical images of the left and right hands are vivid and concrete in the mind, the coordination and echo between the parts can be better arranged, which is of great benefit to the processing of music.

Attention should be paid to the left hand training in training. Playing dulcimer requires that the left and right hands should have the same function. The main melody part of dulcimer is usually in the left hand, but the left hand is usually weak, so it is necessary to practice the left hand more and then the subordinate part, which can better cultivate the independent activity ability of breaking up and deepen the hierarchical concept of the part, so as to achieve the same proficiency and coordination between the left and right hands. The basic requirements for practicing with both hands are: perfect coordination; The left and right voices are still clear and distinct. When synthesizing two hands, it should be noted that the left and right hands cannot interfere and cancel each other. Hands should be well coordinated, so that the audience can get a seamless, unified and perfect musical feeling. In the seamless cooperation, there should be no ambiguity between the left hand and the right hand. It is necessary to highlight the melody and lighten the other parts, but it should still be very clear and layered, and the cooperation between the two hands should strive to be tacit and perfect.

Generally speaking, the left hand is weak. When you play with your hands quickly, you will find the shortcomings and weaknesses in the left hand practice, so you need to retrain your left hand. After the weaknesses and deficiencies are overcome, cooperate with your hands again. One hand and two hands should be practiced alternately frequently, and each alternate practice is a new leap in technology.

With the above dulcimer training methods, your level will definitely improve qualitatively.