The flute is an ancient Chinese musical instrument and the most representative and most distinctive wind instrument among Chinese musical instruments. One of the horizontally blown woodwind instruments commonly used in traditional Chinese music, the Chinese bamboo flute is generally divided into the southern tune flute, the northern bang flute and the alto flute in between. Below is the super nice pure flute music that I brought to you. I hope you like it!

Super nice pure flute music:

1. The choice of flute

When choosing a flute, you should consider the quality and category of the flute. The quality of the flute not only depends on the quality of the flute itself, but also depends on the level of production.

When selecting and purchasing, you should conduct inspection:

Inspect the bamboo quality of the flute. The flute pipe requires solid bamboo (old bamboo pattern). The bamboo grain is fine and dense. The tube body is straight and round. The flute body is generally slightly thicker at the head than at the tail, but the difference should not be too large. The thickness of the flute tube is moderate. The inner wall of the flute tube is flat and smooth. There are no insects, cracks, etc. all over the body. The shape is beautiful and elegant. These requirements can be identified visually.

Check the pitch of the flute. The method is to play the test against the standard flute or tuned instrument (accordion, electronic keyboard, etc.) according to the tuning instrument. After the main tone is determined, the accuracy of all pronunciation of the flute is tested according to the interval relationship. You can also play each overtone to see if it is easy to pronounce and clean. Checking overtones is also a good way to check the intonation of solid notes.

Check the volume of the flute. Generally speaking, the louder one is better. A loud flute has a loud sound and strong vibration. Sometimes there is a numb feeling in the fingers when playing.

Check the timbre of the flute. The general requirements for timbre are loose, thick, round, and bright. On the one hand, this depends on the quality of the flute itself. On the other hand, it is also closely related to the laminating technology and playing skills.

Test the sensitivity of the flute. Generally speaking, it is better to have the breath come out and the pronunciation is not slow. The faster the reaction, the better.

If you are a beginner, it is best to buy with someone who is familiar with flutes. Testing whether the treble 6 in the 5 fingering method of the tube tone is good is also a criterion for testing the quality of the flute.

Beginners should choose tonality. The same bamboo flute has various tones. How to choose? Generally speaking, beginners should choose alto flutes, and flutes in the key of E or F are more suitable. Because this type of flute has a moderate pitch and is easier to play, it is also commonly used in performance. If you have the conditions and want to choose more flutes, then, in addition to the medium flute in E and F, you can also choose a tune flute in D and a bangdi in G. These two flutes are also commonly used. Flute in G and F keys is helpful for oral style. The flutes in C and D keys are helpful for breathing.

2. Super nice pure flute music

1. "Travel to Suzhou"

It adopts the tone of Kun Opera and has the flavor of Jiangnan. The music is elegant and expresses the beautiful scenery of the ancient city of Suzhou (called Suzhou in ancient times) and people's joyful mood when visiting. The serene introduction is an alluring picture of faint morning mist, pavilions, small bridges and flowing water. The lyrical Andante allows visitors to enjoy the exquisite and beautiful Suzhou gardens. The middle part is the passionate Allegro, where visitors are playful and full of emotion. Then the theme is reproduced. In the compressed tone, the melody is more melodious and melodious, making people immersed in the beautiful scenery for a long time, lingering and thought-provoking. This piece of music has a profound charm, taking advantage of the soft, generous and mellow timbre of the flute. Combined with the common use of duplication, tapping, vibrato and other techniques in southern flute playing, the music performance is more moving and perfect.

2. "Spring Arrives in Xiangjiang River"

Hunan has rich characteristics. The music expresses the beautiful spring scenery on both sides of the Xiangjiang River and people's joy and ambition to build their homes. The factor is vast and full of passion, showing the magnificent scenery of the Xiangjiang River with rolling blue waves and smoke. The light melody of the Andante Cantabile sometimes echoes low like a chant, sometimes soars high and is very soft and moving. The middle section changes from Yu mode to Tonggong Zheng mode, and the artistic conception is fresh. The joyful Allegro is full of the charm of Hunan Flower Drum Opera. There are drum beats hidden in the enthusiasm, and there is also a blend of affectionate feelings. It is free and bold, and the humorous and optimistic attitude is vividly reflected in the flute sound. Several turns of the ascending melody push the emotions to a climax.

The performance should complement each other with softness and passion, so as to present the deep friendship with verve. The pronunciation is clear, smooth, and clean, and pay attention to the inhalation point. Each sound range should be able to change freely, and the high notes should be full of resonance.

3. "Happy Encounter"

This song was originally a folk music in Inner Mongolia. It was later absorbed by Shanxi Bangzi and Errentai as transitional music, used to accompany the characters in the play entering the bridal chamber and entering the bridal chamber. Try brushing the dust and other actions. After adaptation, it expresses the emotions of a pair of lovers when they say goodbye and reunite. [1] Starting from the form of Sanban, combined with the use of slow speed and portamento and other techniques, it expresses the inseparable mood of relatives when they say goodbye. [2] Express the joy of reunion after a long absence. [3] Express the joy and excitement when returning to hometown. [4] The atmosphere is more lively, depicting the joyful scene of family reunion.

4. "Mu Flute"

Adapted from the dance music written by "Mu Flute". It shows the beautiful life of rural young people in the 1950s and can be called "New Little Cowherd". The fresh and bright introduction brings people to the new rural life. The first short section of Allegro expresses the happy mood of young men and women while grazing and playing. The second paragraph is slow, beautiful and moving, expressing young people's love for life, love for nature and love for lovers. The third slightly faster Allegro is the reproduction and development of the melody of the first Allegro. "Mudi" belongs to the northern style of playing Tu, Duo, Hua and Hua, but it is different from the common northern folk playing style. From a technical point of view, the performance of the music can follow the mood, fully and appropriately using breath control, and profoundly express people's thoughts and feelings.

5. "Little Cowherd"

It is a Hebei folk tune adapted by Liu Sen. Performed by Zhu Wenchang. The popular folk song and dance "Little Cowherd" in Hebei Province was originally a duet tune between a man and a woman. The content describes the interesting scene of a village girl asking a shepherd boy for directions. The shepherd boy is embarrassed and questions her. This melody has a strong folk color and fully reflects the innocent and lively mood of young people. There are many versions of "Little Cowherd", with different instruments played and also used as singing in many operas. This version was adapted by Liu Sen. It is simple and uncomplicated and pays more attention to the charm of the music.

6. "Herdsmen's New Song"

It is a flute solo composed by Jian Guangyi in the 1970s, based on the tones of Inner Mongolian folk songs. The introduction of the music depicts the vast prairie, with herds of cattle and sheep under the blue sky and white clouds. The brief departure from tune adds charming impetus to the moving introduction. The first lyrical adagio, with its Inner Mongolian folk song flavor, expresses the herdsmen’s love for the Party and their new life. The second section has a feathery melody and an active rhythm, depicting the joyful scene of herdsmen galloping on their horses. Then entering the third section, the rhythm relaxes and the melody stretches, expressing the herdsmen’s sincere praise of socialism. The fourth and fifth sections of music have an even more emotional climax, using techniques such as tongue twisting, pronunciation, and flying fingers to vividly simulate the neighing of a horse. Finally, with the strong rhythmic sound pattern, the melody becomes more rapid, further exaggerating the warm atmosphere of people and horses barking in the endless grassland, and ends the whole song in a climax.

7. "Partridge Flying"

This is one of the main representative pieces of Jiangnan flute music. Originally a Hunan folk music, it is also used for flute solo or string and bamboo ensembles. Later, it was adapted by flute player Lu Chunling and injected with the style of Jiangnan silk and bamboo, making the music more beautiful and moving. By depicting the flight of partridges, the music expresses people's lofty desire to yearn for freedom and pursue light. The music is divided into two parts: slow and medium. The Adagio part is a slowed-down addition to the original folk music. The performer gives full play to the rich and lyrical characteristics of the flute, and uses the control and changes of the breath to make use of changes in timbre, volume and portamento. Techniques such as light tones, percussion, and overdubbing make the music melodious, clear, and mellow. The middle section is a variation of the prelude, with lively and fluent music, depicting the scene of a partridge flying high.

8. "The Oriole Spreads Its Wings"

is a work created by Zhang Yan in the 1970s. The music expresses the joyful and tense working life of fishermen in the East China Sea as well as their love and yearning for a new life.

The music depicts the waves of the sea in upper and lower tones, the labor scenes depicted in trumpet tones, and the broad and passionate singing theme, which depicts the temperament and passion for life of contemporary fishermen from different aspects.

9. "Five Bangzi"

This is a representative traditional piece of northern bangdi music. It was adapted by the famous flute player Feng Zicun based on a northern folk tune. The original song is a cutscene song played by "Errentai", named "Peng Bangzi". The melody is bright, joyful, optimistic and uplifting. The theme has six sentences, fine-tuning style, and the falling tones of the pattern are descending step by step, which are 3, 2, 1, 6, 5, and 5 respectively. The whole song has four sections, with a variation structure. The flute section presents the theme, with a slower speed, clear melody and full of singing quality. Use techniques such as portamento, chop, and tongue-in-cheek to embellish the melody, making it simple and lively. The first variation uses chop sounds, tongue sounds and other techniques to decorate the melody, which is humorous and interesting. The second variation is slightly faster, with the rhythmic tone running through the whole song, making the music brisk and enthusiastic. The third variation has a faster speed, greater improvisation, and multiple "fluttering" (vibrato) sounds, making the music more intense and pushing to a climax.

10. "Raising the whip to urge the horses to transport grain"

This song was written in October 1969. The music uses popular music language to enthusiastically praise the farmers after the harvest. Forget about supporting the country's construction and sending a warm harvest of food. Horse hooves beat, wheels sing, happy farmers whip their horses, spreading the joy of harvest on the grain transport path. This is a famous flute solo piece. The crisp banging flute is accompanied by electroacoustic music. In addition to the delicate modification of the timbre of the flute part, more attention is paid to the production of its playing skills. By analyzing the dazzling playing techniques of the bamboo flute, we extracted the sonic characteristics of various pronunciation modes and MIDI expression methods, and flexibly used and innovated various production techniques to fully embody the performance of the bamboo flute in the song "Swinging Whip". to. Feng Zicun, whose representative works are "Happy Encounter" and "Five Bangzi", from the Northern School.

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