This is a folk art program that was widely circulated twenty or thirty years ago, Xihe Dagu, and its name is "Sending Girls to College"
The lyrics are:
Fiery Red The sun had just risen, and the morning glow covered half of the sky.
Two people walked by on the road, an old man and a young man.
Old man Zhang is in his fifties, and his daughter is named Zhang Guilan.
Guilan looks so good in her red checkered shirt, and her uniform pants are student blue.
Her jet-black hair has two pigtails, and she has a green canvas schoolbag slung around her side.
Old man Zhang wears green cloth trousers and a white cloth jacket, and wears Shina Bang's sandals on his feet.
He is in good health and has a black and red face. He is walking in front of him carrying a burden. Where.
"I said, Dad, in the old society you used it to carry your brother to beg for food.
You suffered all the hardships in the wind and rain. The traitor used a carrying pole to kill your old man. Beat me,
I snatched the carrying pole and resisted the rape, and you went to jail. Class worry and national hatred are filled with blood and tears.
Guilan, I, I have recorded every piece of it. In my heart. Chairman Mao leads us workers and peasants to make revolution.
Daddy, you carry the bullets on the poles to rescue the wounded. The makeup vendors come to the gathering place.
You use explosives to carry away the enemy's gun towers. Thousands of miles of thunder and lightning,
Chairman Mao led us to conquer the country.
The struggle against the landlords has transformed the world into a smile.
You use it. Picking thousands of pounds of rice per mu, selling the remaining grain to bend this pole.
The road of the People's Commune is wide and wide. Dad, you carry the load ahead."
This. The more Guilan talked, the happier she became. She stretched out her hand to pick up the pole again, but the old man stopped her a second time.
The old man said: "There is one more thing I haven't told you. Today I will give you the pole I want to use.
I also used it to send people to college. Then The first time was in 1943.
When I sent the landlord's son to study, he rode a big horse in front.
He asked me to pick up a bed roll as thick as a beef loin. There is a big net basket hanging on it.
My stomach is empty and my legs are weak. How can I wipe my sweat and change my shoulders?
My chest is full of anger and I grit my teeth. Spring.
This shoulder pole is engraved with sorrow and hatred. Now I feel happy carrying the burden.
Guilan, it was the poor and lower-middle peasants who recommended you to college. These are really two societies. Two heavens.
Working people must not change their true nature and strive to be both red and professional.”
Guilan said: “Your words are worth a thousand pounds. Every word must be recorded.
Give me this heavy responsibility, and I will definitely take over this revolutionary class.”
At this time, the red sun shines brightly on the earth. The mountains turned red.
The girl is photographed and the old man is photographed. The father and son rush forward.
Extended information:
"Sending Girls to College" is Mr. Dong Xiangkun's masterpiece. It was revised thirteen times before it was finalized.
"Sending Girls to College" is Mr. Dong's masterpiece. It was revised thirteen times before it was finalized.
Draft. "Sending a Girl to College" was originally called "A Bearing Pole". The plot is simple. It is based on the conversation between old man Zhang carrying luggage on the way to send a girl to college. It uses a shoulder pole as a clue and flashbacks interspersed with many life fragments, reflecting the revolution of a farmer. The extraordinary experience of struggle and turnaround and construction extolled the great achievements of the founding of the country led by the Communist Party of China. It lasts for more than thirteen minutes, with all the singing and not a single line of dialogue. Including the key changes in the last part, it combines the main technical essence of this song and reaches its artistic peak.
In the first half of the 1970s, China's literary and artistic field was dominated by "model operas". And it was refreshing to see a piece of folk art with such high artistic attainments appear all of a sudden. At that time, the tweeter played it repeatedly and became a household name.
At the 2000 CCTV Spring Festival Gala, Feng Gong and Guo Donglin performed the sketch cross talk drama "Old Songs and New Songs" and won the first prize in the folk arts and other categories that year.
Jingdong Dagu is popular in parts of Langfang, Chengde, Baoding and Tangshan.
It has had different titles in different periods and places, including Jingdong Qingdagu, Yue Tingdiao, Pinggu Diao Dagu, Pinggu Diao, Leting Diao Dagu, Siping Diao Dagu, and Leting Dagu (with Liujingdong Dagu performed in Tangshan, Hebei The Laeting drum in this area has more than ten names, including the Laeting drum, the iron plate drum, the iron plate drum, and the Chengde local drum. Among them, Laeting Diao Dagu has been famous in Hebei for a long time.
The main instrument of Jingdong Dagu is that the singer holds a copper plate in his left hand and beats the drum with his right hand. The main accompaniment instrument is the three-stringed sanxian. Since the accompaniment and melody are simple, the performance relies entirely on the actors' singing and drumming skills. Therefore, it is easy to learn and remember, which makes Jingdong drum singing very popular in Tianjin. Especially in the 1970s and 1980s, mass culture in Tianjin was quite popular, and Jingdong drums were often used as a performance item in art performances. In particular, printing worker Dong Xiangkun's singing was rich in emotion and simplicity, and he often wrote and performed some of his own songs, which was very popular among the people in Tianjin.