Current location - Music Encyclopedia - QQ Music - It expresses the lamentation of the vicissitudes of history, the rise and fall of history, and the sadness of prosperity and decline. Lament of Vicissitudes·Variations (Dadukou, Icewind Valley, Defe
It expresses the lamentation of the vicissitudes of history, the rise and fall of history, and the sadness of prosperity and decline. Lament of Vicissitudes·Variations (Dadukou, Icewind Valley, Defe
It expresses the lamentation of the vicissitudes of history, the rise and fall of history, and the sadness of prosperity and decline. Lament of Vicissitudes·Variations (Dadukou, Icewind Valley, Defeat of the Heavenly Demon Emperor) Iron Cable Demon Suppression (Shu Mountain Battle Pass, Demon Locking Tower, Soul Resurrection Immortal Meets the Evil Sword Immortal in a Dream, Evil Sword Immortal forges a Sword to Injure Sedum, Shu Mountain and Evil Before the battle between the Sword Immortal and the Four Elders): The theme music of the Demon Locking Tower expresses the solemn atmosphere, with dense traps everywhere and the longing of the demons. It creates a feeling of extreme tension and danger. Demon Sword Jue (Well of Gods and Demons, Periphery of the Ghost Realm): The theme music of the Demon Realm, weird and strange, embodies the Demon Realm has no future and no past, the present is infinitely expanded, and there is no desire but no undesired values. It has a strong sense of jumping and has the feeling of playing the human world. Weird smell. Stepping on the Clouds to Immortal (Boat·Yangtze River, Old Road to Shushan, Preparing for War on the Boat): The melodious melody of Qingyue uses lofty and spacious musical language to express the scene of the immortal walking in the wind, happily and vividly. At the same time, it also reveals the long and difficult process of cultivating immortality for mortals. Waterfront Wind Embankment (Zhenjiang, Anxi): A light and melodious melody, embodying a gentle and harmonious atmosphere, a picture of Jiangnan city life of people with small bridges and flowing water, in the spring breeze. The encounter and miss of Yangliu, Zhouji and Liushui...Chu Tianyao (trading music, pawnshop management, antique appraisal mini-games) Sword-fighting (skiing mini-games, battle music, Bishan, Jiulongpo, Dadukou): battle music, It expresses a relaxed and lively combat atmosphere, and is used for battles in some cute mazes, as well as some BOSS battles with cute shapes and low hostility. Sword-fighting Variation (battle music, Ship Yangtze River, Ship Sea, Penglai, Lingshan Immortal Cave): Battle music expresses a relaxed and lively battle atmosphere. Crisis (combat music, some BOSS battles): Combat music, showing dangers and difficult battles, with a strong sense of rhythm. Suitable for tense and difficult battle situations and some powerful and evil BOSS battles. Danger·Variation (combat music, some BOSS battles): Combat music, matching the dangerous and tense battles. Demon Sword Slaying Demons (combat music: Jiuding Mountain, Shushan Old Road, Sacred Tree, Demon Locking Tower, Lava Hell, Icewind Valley, Sword Tomb): Combat music expresses refreshing and intense battles, and is used in complex and continuous battles. In the maze situation, it expresses an upright fighting atmosphere. Demon Sword Slaying Demons·Variations (combat music: Ancient Vine Forest, Well of Gods and Demons, Caohai, Huangquan Road, Undersea City, New Immortal World): Combat music, used for refreshing and intense battles. Yumantang (Sedum theme, Yuzhou, perfect ending): Sedum theme music, lively and cheerful, with a strong sense of jumping, expresses the cheerful mood of a carefree boy, his little greed and satisfaction for money and treasures, and is relaxed Without losing the feeling of elegance. Yumantang·Variation (the first part of the perfect ending): It uses relaxed and lively tunes to set off a festive and cheerful atmosphere, with a strong sense of rhythm and strong emotional appeal. Resurrection Grass (Snow View Theme): Snow View theme music, a stubborn, bright and noisy girl, whose smile reveals her inner helplessness and loneliness, the conflicting struggle between longing for care and reserve and self-esteem, as graceful as grass in the wind. Resurrection Grass·Variation (previous part of Yukimi ending): Using lyrical and gentle musical language, it depicts the moment when a lively girl grows into a woman, perfectly blending strength and tenderness, giving it a stronger lyrical color. Used for snowy ending. Cinnabar Transformation (Red Sunflower Theme, First Experience in a Cave): A frank, brisk and slightly playful melody, which outlines an image of happiness, domineering, and undisguised confidence, with a strong possessiveness and a little bit of seductiveness. The theme music of Nightshade Nightshade. The soft sound of water (Zixuan’s theme, the end of Zixuan’s ending): Zixuan’s theme music, gentle and soothing, with a soft and maternal feeling. Mixed with multiple complex emotions such as reluctance to let go of the world, helplessness towards fate, dedication to lovers, etc., it is difficult to express even the words. The Soft Sound of Water·Variations (the first part of Zixuan's ending): The gentle and lyrical melody, the image of tranquility and comfort, expresses the tranquil state of mind that is calm and calm as still water, and even a bit of confusion is blended into it. Used for Zixuan ending. Sapphire Case (Lan Kui theme): The theme music of the princess state nightshade, gentle and hesitant, helpless, pitiful feeling, slow rhythm, classical and lyrical.The Sapphire Case·Variations (Solanum Solanum Ending): The deepest and strongest attachment, the etherealness that transcends reality, uses a soothing and calm melody to describe the faint sadness of separation and the longing for the future. Used for nightshade ending. Black style (appearance of Chonglou): Chonglou theme music, with strong rhythm changes, cool and intellectual color, showing the majesty and power of the characters, and a little bit of covered tender emotions. Love (Binhua Jingxue is imprisoned, Binhua Xuejian leaves, Wan Yuzhi reveals the truth, Xuejian desires Tang Yi to save Jingtian, Yun Ting talks to Xuejian at night, Xuejian doesn’t want to go to the sacred tree, Samsara Well saves Xuejian See, Shui Bixifeng and Hand in Hand Go to Hell, Yinghua Ending): The melody has a sense of confiding and expresses the harmony and beauty of two people being happy and spiritually connected. Charming love (finding Xuejian outside Binhua City, the plot of the sacred tree Xiyao, and the end of Xuejian) (the only piece of music in Sword and Sword 3 that inherits Sword and Sword 2) Reincarnation (opening animation): The game opening music, in conjunction with the animation, expresses The conflicting situation and sympathy between the two people in Feipeng Chonglou are also accompanied by a sense of emptiness and unreality like the memory fragments of the previous life in the dream, which embodies the reincarnation theme of the game.

Music Catalog

P01//Wielding the Sword to Ask for Love P02//Using the Sword Jianghu P03//Soft Red Thousands of Zhangs P04//Jinge Painting Corner P05//Miao Township Qinglu P06 //Fairy Mountain Dream Valley P07//Demon Road P08//Thunder Song P09//Bahuang Fu P10//Water Melody Song P11//Yu Feng Ci P12//Rain Crossing the River Source P13//Ask the Heart and Miss the Old P14//Shu Road Tongxian P15//Flowing Fire in July P16//Stars sinking into the blue sky P17//Clear wave water mirror P18//Floating in the wind P19//Gathering and scattering of floating clouds P20//Overcast and dim P21//Between the eyebrows and in the heart P22// Between the Eyebrows and in the Heart·Biao Tiao P23//Chunhui Love Day·Biao Tiao P25//Young People’s Journey·Biao Tiao P26//Young People’s Journey·Biao Tiao P27//Happy Land P28//Desolate Prisoner P29//Shanzhen West Prisoner P30//Noisy dance P31//Yuan Zhi Yue Zhi P32//Bath of blood with sword in hand P33//Song of chaos and death P34//Reincarnation P41//Desolate frost P42//Flowing rainbow P43//Lonely wind P44//Secret forest blocking the sun P45//Buyundengxian P46//Demon Secret P47//Purple Crow Crow P48//Black Wind P49//Love Lian P50//Shui Rousheng P51//Yu Mantang P52//Chu Tianyao P53//Cinnabar Transformation P54//Sword-holding P55//Sword-holding·Transition P56//Danger P57//Danger·Transition P58//Demon Subduing Spectrum P59//Yumantang·Transition P60//Iron rope to suppress demons P61//Yue Mizong P62// Mengmangyuan (Zimo Sangtian·Change)

The music of Xian San and Xian San Gaiden are both very nice

Don’t mind if it’s a bit confusing