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Wang Hongwei is currently the dean of Tianjin Conservatory of Music

Wang Hongwei is the current president of Tianjin Conservatory of Music.

Wang Hongwei, born in June 1968, is from Wenxian County, Henan Province. He has a full-time postgraduate degree. He is a national first-class actor, director of the Chinese Musicians Association, member of the Standing Committee of the Ninth, Tenth and Eleventh All-China Youth Federation, Xinjiang Vice Chairman of the Youth Federation of the Production and Construction Corps, enjoying special government allowances from the State Council, a famous tenor singer and military singer in China.

Wang Hongwei grew up in Wenquan County, Bortala Mongolian Autonomous Prefecture, Xinjiang, western China. His father died of illness when he was 4 years old. He helped his mother herd sheep and sang songs since he was a child. As a child, he sat on the butt of a herdsman's horse. Listening to songs on the Internet, the long Mongolian songs are as long as the road. The real reason why he fell in love with northwest folk songs was watching the movie "Yellow Earth".

Character evaluation of Wang Hongwei:

Superior vocal conditions and profound musical literacy enable his singing performance to freely span a wide range of styles and themes. From the classic songs of the ethnic minorities in Xinjiang, Tibet and Inner Mongolia, to the traditional folk songs and ditties of the Hui and Han ethnic groups in the Yellow River Basin, to the newly created art songs of the contemporary era.

Wang Hongwei has injected a deeper cultural and historical spirit into his melodious and profound singing. It is this beautiful singing voice and lyrical singing style that Wang Hongwei from the west is known as the "King of Western Singers".

From the classic ethnic minority songs "In That Far Place", "Dolma Flower", "Prairie Love", etc., to the contemporary newly created song "Heavenly Road" and the nostalgic old song "On the Water Side" , even including opera excerpts and Western pop songs. The diverse styles and themes of the repertoire span multiple fields, making the audience feel like they are immersed in a vast Western music style picture. It also fully demonstrates Wang Hongwei's ability to control various music styles. .