Teacher Wang Zhongshan was born in 1968. In 1986, he played "Fighting the Tiger Up the Mountain" and "The Sun is Red on Jinggang Mountain" and other guzheng pieces, which pushed guzheng skills to a new level and caused a sensation in the guzheng academic exchange conference. 27 years of accumulated experience.

Wang Zhongshan, professor at the China Conservatory of Music, doctoral supervisor, and deputy director of the Department of Traditional Chinese Music. Director of the Chinese Musicians Association, president of the Guzheng Society of the Chinese Musicians Association, deputy director of the Social Music Committee of the Chinese Musicians Association, and executive chairman of the Guzheng Professional Committee of the Chinese Ethnic Orchestra Society.

The famous guzheng player is from Nanyang (Mongolian), Henan. He has been learning Zheng since he was a child and has received guidance from dozens of folk Zheng masters. He has a profound foundation in Henan Zheng music. He had a talent for music since he was a child. He participated in many provincial competitions and won many awards. Later, he was admitted to Nanyang Art School and studied under the famous zheng player Mr. Zhao Manqin. He systematically studied and mastered the essence of the "quick sequence technique system" founded by Zhao.

In 1986, his performance of "Fighting the Tiger Up the Mountain" with his new and difficult technique caused a sensation at China's first Guzheng Academic Exchange Conference, attracting the attention of experts and scholars at home and abroad. In 1988, he was admitted to the China Conservatory of Music and studied under the famous zheng educator Associate Professor Li Wanfen. Li's rigorous and meticulous academic thoughts further improved his zheng skills.

Extended information:

Wang Zhongshan’s playing techniques are skillful, elegant and free, his timbre is soft and bright, and his music performance is delicate and expressive. Whether it is traditional Zheng music with unique charm or various techniques with complex techniques. Similar to modern Zheng music, they all appropriately reflect the style of the original music.

Even some difficult Zheng pieces created using fast fingering techniques, which almost no one has the ability to do so far, are performed with ease and ease, showing their exquisite skills and superior skills. He has visited and performed in Japan, South Korea and other places, and was invited to give lectures and hold guzheng solo concerts in Hong Kong.

Writing many papers and composing and composing more than ten pieces of music: He pioneered the use of left and right hand finger fingering, wheel playing and other techniques on the guzheng, which enriched the expressive power of the guzheng. He is a leader among young Chinese zither players today.

Wang Zhongshan currently teaches at the China Conservatory of Music, and concurrently serves as the president of the Guzheng Society of the Chinese Musicians Association and the president of the Guzheng Professional Committee of the Chinese National Orchestral Society. In addition to teaching, he also participated in various large-scale performances, scored music for many film and television dramas, and visited Southeast Asia and Europe.

In terms of guzheng playing techniques, he had many new ideas and put them into practice. For example, at the "China's First Guzheng Academic Exchange Conference" in 1986, he pioneered the use of round Refers to the technique, the first to use the form of wearing four Xijia in the left hand to play.

The development of multi-finger shaking and left-hand finger shaking gave the guzheng a completely new look. At present, some new performance forms have been promoted in the guzheng majors of various art schools in China, showing the broad prospects and vitality of these new techniques.

Baidu Encyclopedia-Wang Zhongshan