Texture is one of the structural forms of music. Do you know the music theory of texture? Below I will bring you the relevant music theory knowledge of texture. Welcome to read!

Music theory knowledge of texture (1)

Temporal form

The temporal form is called "music form", which is One of the terminology specific to music. A work, whether it is an hour-long symphony or a minute-long ditty, has a structural form. It may have just one section, containing several phrases, or it may consist of three or more sections. No matter what the form is, we can only know what its entire structure is after the spread of time and after listening to the complete song. This is the form of music in "time" - musical form.

Spatial structure

Music is invisible and purely auditory. How do you feel this "space"? In fact, this is a concept borrowed from visual impression. It can also be seen visually on the score. In terms of hearing, it refers to how many levels of sound we hear over a period of time and what is the relationship between these levels. For example, you can tell within tens of seconds (only a few seconds if you are highly skilled) whether the sound at this time is a single melody line, or whether there is a harmonic background support added below the melody, or whether there are several melody lines. Different melodies are intertwined and overlapped? This "space" structure also has a specialized term in music - texture.

The word "texture" is translated very cleverly, and it can give us a visual association. For example, the sweater we all wear can have a structure that is tight and thick, or it can be thin and holey. It can be flat or have many raised patterns similar to reliefs. In music, we have a similar way of writing. If you have the opportunity to open an orchestra score (a score is a form of notation used by composers when writing orchestral music, all the instruments are written on it, with it The difference is the score, which is the score for each instrument. For example, in an orchestra, the score on the violinist's music stand only has his own notes, and what the flute or timpani plays is written on it. No. The conductor uses an all-encompassing score, because he wants to grasp the overall situation. You can tell at a glance whether it has a strong sound or a clear and transparent one. If the sound is thick, most or even all the parts on the sheet of music must be filled with notes. If the sound is sparse and transparent, only a few instruments are playing, and most of the instruments are "resting". , the staff is very empty.

Music theory knowledge of textures (2)

In addition to monophonic textures and polyphonic textures, there is also a third type: harmonic textures, which have a prominent The melody can be called the main melody, and a set of harmonies accompanies this melody. Without the harmonic accompaniment, the melody becomes a monophonic texture, and without the main melody, the harmonic accompaniment has no meaning, because it is subordinate and its "soul" is in the melody.

Harmonic textures are more common than polyphonic textures. A song with accompaniment is usually a harmonious texture. The following example is Austrian composer Schubert's art song "Wild Rose". The main melody is sung by vocals, and the piano provides the harmony and rhythm background:

Score example 6: Schubert's song "Wild Rose"

Song example 6: Schubert’s song "Wild Rose"

The harmonic texture is also called the main tone texture. The so-called main tune is the "main melody"-a main The melody is accompanied by minor harmonic accompaniment. Its forms can also be diverse, and some methods of harmonic accompaniment are relatively simple, while others are very complex. Let’s still take Schubert’s songs as an example. The above song "Wild Rose" is relatively simple, just a foil for rhythm and harmony.

The accompaniment of most of his songs has figurative characteristics. In "Serenade", the sound pattern of the accompaniment part imitates the performance of the guitar:

Example 7: Schubert's song "Serenade"

Song example 7: Schubert’s song "Serenade"

In "The Devil", the continuous percussion of the piano accompaniment in the bass area imitates the rapid sound of horse hooves and the nervous voice. Mood:

Score example 8: Schubert's song "The Devil"

Music example 8: Schubert's song "The Devil"

"Trout" too An extremely wonderful song, the lively piano accompaniment will remind people of the clear and cheerful creek sung in the song, as well as the fish swimming in the water:

Example 9: Shu Robert's song "Trout"

Song Example 9: Schubert's song "Trout"

The examples given here are all songs. In orchestral music, due to the many instruments, , the layers are richer and the relationships between them are more diverse.

Music theory knowledge of texture (3)

Monophonic texture--only one single melody.

Polyphonic texture-contrastive polyphony, composed of two or more different melodies superimposed. In imitation polyphony, the same melody appears in different parts with a gap of one or two beats.