In 2002, in order to revive the nearly lost Buddhist music in the history of Daxiangguo Temple, the great monk personally served as the leader, established the Daxiangguo Temple Buddhist Orchestra, and began to devote himself to Daxiangguo Temple. The temple has excavated and organized traditional Buddhist music, and has hired more than ten famous domestic music professors to guide and train music monks in the temple. By the end of 2002, the Daxiangguo Temple Buddhist Orchestra had trained more than 20 full-time musician monks. It had also made many achievements in compiling Buddhist music documents in the temple, and it could basically adapt to various occasions and performances of various sizes. In 2003, under the careful management of the great monk, the temple Buddhist orchestra has made great progress. It has begun to go out of the temple and participate in various major Buddhist activities and social charity activities at home and abroad. As a form of Buddhist music, it is important for spreading culture and Enriching the cultural life of the masses, conducting international cultural exchanges, and exploring the development path of the cultural industry are all rare resources. It has been widely praised by all walks of life. In 2002, the Daxiangguo Temple Buddhist Band was reestablished.

On September 20, 2004, the Daxiangguo Temple Buddhist Orchestra went to Guizhou Province to perform at the invitation of relevant parties. This is the first time that the Daxiangguo Temple Buddhist Band has left Henan Province. Perform externally. On December 4, 2004, in conjunction with the celebration of the fifth anniversary of Macao's return to the motherland, a group of fifty-three people from the Daxiangguo Temple Buddhist Music Performance Troupe went to Macao for a three-day performance visit. During his stay in Macao, a prayer meeting was held with the theme of "praying for Macao" for the Macao SAR government to commemorate the fifth anniversary of Macao's return to the motherland, praying for world peace, national peace and prosperity, and Macao's prosperity. A Buddhist music performance at the Daxiangguo Temple was also held to showcase the rich cultural heritage of the Grand Prime Minister. This celebration event carried out Buddhist cultural and artistic exchanges and presented a wonderful Buddhist music to thousands of Macau audiences, which was an eye-opener for the Macau audience. On May 30, 2005, at the invitation of Zhengzhou University, the Buddhist Music Art Troupe of Daxiangguo Temple, led by Monk Abbot Xin Guangda, went to the campus of Zhengzhou University to perform Buddhist music and martial arts performances for teachers and students. Qin Shuli, deputy secretary of the school party committee, vice presidents Xu Zhenlu, Zheng Yuling and other school leaders, as well as teachers and students, watched the performance. The whole performance was full of climaxes. It fully demonstrates the profound Buddhist culture and the essence of traditional Chinese art. It is extraordinary with its unique charm and inheritance. It has been warmly welcomed and highly praised by teachers and students of the school. It also adds a beautiful scenery to the campus cultural series of activities. . On September 28, 2005, the Daxiangguo Temple Buddhist Orchestra was invited by the Central Conservatory of Music and Nanputuo Temple in Xiamen, Fujian Province to participate in the celebration of Master Zewu’s abbotship and the Eighth Anniversary of the Minnan Buddhist College held from October 28 to November 1. 10th Anniversary of the Academy and the "Third Academic Symposium on Chinese and Korean Buddhist Music". The Daxiangguo Temple Buddhist Orchestra, a group of more than 40 people, performed on the same stage as the Korean Buddhist music delegation, and won praise from many parties. On April 25, 2006, the Daxiangguo Temple Buddhist Orchestra held a large-scale Buddhist spiritual music evening at Guanyinyuan Square in Nanshan, Sanya, Hainan, and performed wonderful Buddhist music. More than 10,000 Buddhist believers from across the Taiwan Strait and three places participated in this grand concert. As the first large-scale open-air Buddhist spiritual music evening held in China, it has opened up a new original style of Buddhist music. It is also the first comprehensive cooperation between top Sanskrit music artists from the two sides of the Taiwan Strait and three places. Many of the songs are introduced to the audience for the first time. From November 16th to 20th, 2006, at the invitation of the organizer of the 4th China-Korea Buddhist Music Culture Symposium, the Daxiangguo Temple Sanskrit Orchestra went to South Korea to perform at the Buddhist Music Symposium. Gathered together with people from the Buddhist music and Buddhist circles from China, South Korea, Japan and Taiwan to discuss and listen to Buddhist music. In March 2007, the Buddhist music of Daxiangguo Temple in Kaifeng was successfully declared as one of the first batch of Buddhist music in Henan Province. Intangible cultural heritage. On June 6, 2007, the three-volume "Secret Music Manual of Daxiangguo Temple", which had been living among the people for many years, finally returned to its birthplace - Daxiangguo Temple. This set of Buddhist music secret scores was donated to Daxiangguo Temple free of charge by the Henan Provincial Art Research Institute. It was collected by the Provincial Drama Studio (the predecessor of the Provincial Art Research Institute) in 1954 from folk music workers. It has been preserved as a document for forty years, and was only rediscovered in a large-scale music integration event in 1994.

In January 2009, Kaifeng Daxiangguo Temple Buddhist Music Research Institute was officially established. In April, he was invited to participate in the 6th China Wenshang Baoxiang Temple Prince Spirit Trace Cultural Festival. In March 2010, he participated in the opening ceremony of Taihao Fuxi Chaozu Temple Fair in Huaiyang.

In April 2011, he participated in the Kaifeng Qingming Cultural Festival Tour Conference.

In October, Kaifeng Daxiangguo Temple Buddhist Music DVD was released in limited edition globally. Brahma music, also known as Buddhist music or Brahma chant, is not only a unique religious vocal music used to promote Buddhist teachings and praise Buddhas and Bodhisattvas and other beautiful things, it is also an indispensable form in Buddhist activities and exists in Buddhist scriptures and rituals. Huijiao of the Liang Dynasty once wrote a testimonial in the "Biography of Eminent Monks": "The customs of the country of India place great emphasis on literary systems. Its palaces and merchants have rhymes. It is good to play string instruments. It is noble to see the Buddha's rituals and sing praises." It is also true that from the perspective of Buddhists living in the world, the praises and verses of Buddhist scriptures can be expressed through singing, reciting, and reciting. Singing Buddhist scriptures is accompanied by the sound of orchestral music, introducing praise into music, and achieving neutrality and purity. The original meaning of "Fanbai". It can be seen that the existence and use of Brahma music in Buddhist scriptures and Buddhist activities certainly originated from Buddhism, and at the same time it solemnized Buddhism and brought profound blessings and encouragement to the promotion and spread of Buddhism; on the other hand, Buddhism has always attached great importance Music "sings the principles of the Dharma and enlightens the hearts of the people."

It advocates the role of music in serving Buddhist teachings, so Buddhist scriptures and Buddhist literature mostly involve music and elaborate on various Buddhist views on music.

The spread of Brahma music in China. Brahma music and Buddhism are an inseparable whole. With the White Horse Tuo Sutra, Buddhism spread to China, and Buddhist Brahma chants also began to spread in our country. Naturally, the early Chinese Buddhist activities completely inherited the form of Sanskrit chanting, which is called the "Western Regionalization" method of preaching and singing in the history of Buddhism. Sanskrit singing emerged in the land of China. In the history of Buddhism, the famous Master Flan of Tianzhu and Master Kang Senghui of Kangju made positive contributions to the spread of Buddhist music in China. Later, they were honored as the founders of North and South Buddhist music. Zan Ning, the abbot of Xiangguo Temple in the Song Dynasty, said in the "Biography of Eminent Monks: Continuation Chapter": "The original Fu Sutra was passed down to China, and translated into Han Ting. In the north, it was Zhu Falan, where it began to be pronounced in true voice; in the south, it was Kang Senghui, who promoted the rhyme of the song. Satire". It explains the formation of the difference between the north and the south of China's Buddhist chants. The north is characterized by its "majestic and straight pronunciation", while the south is distinguished by its "elegance and elegance of music". The two set the foundation for the development of Buddhist music in China. On the other hand, through the Silk Road, since the introduction of Buddhism in the Eastern Han Dynasty, musical instruments such as the konghou, pipa, 筚篥, Dutan drum, chicken drum, bronze cymbals, and shell shells, as well as many famous music, such as "Maha Tuole", etc. , as well as the seven-tone music theory of drumming, rap singing, and Su Zhuanpo Pipa, were also introduced to our country from Buddhist countries, and played a major role in the development of our country's music and music theory. In 802 AD, Shunanda, the prince of the ancient Indian king, personally led a band of 32 people and a dance troupe to visit China, and presented ten kinds of musical instruments, which greatly promoted the development of Buddhist music in my country. Since the Song Dynasty, it has further developed and formed complete Yanshan Eighteen Tune and other famous Buddhist music. Since the Song Dynasty, Chinese Buddhism has begun to strengthen the worldly function of Buddhism in guiding secular society, unifying the way of seeking liberation from the world with the Confucian way of self-cultivation, family order, country governance, and world peace, pursuing the unity of learning Buddhism and being a human being, and its contribution to society. Moral education, introducing the spirit of patriotism into Buddhism, and fighting against the fate of the motherland. This situation of being filled with fresh air is what the history of Buddhism calls the secularization of Buddhism. The same was true for the Buddhist music of the Song Dynasty. There were creations and achievements in terms of morality, customs, and art. The Buddhist music of this period was different from the characteristics before the Tang Dynasty and continued to develop and improve. This kind of development and improvement is mainly reflected in the deepening of technical practice, the deepening of social secular life, the deepening of social atmosphere and social psychology, and the deepening of people's emotional life. As far as the Buddhist music of Daxiangguo Temple is concerned, since the Northern Song Dynasty, due to the extensive and in-depth contact and cooperation between the temple, the imperial court and the people, the Buddhist music of the temple has absorbed a large amount of Han folk music and court music, forming its own random style and improving morality. , a free style with the goal of purifying people's hearts and harmonizing society. The temple not only adheres to the self-discipline of the "Royal Buddhist Temple", is committed to various ceremonial activities with the court, and takes the solemn state as its own responsibility, it also creates a Vimalakia style in the temple for elegant people to appreciate the "spring snow" "Concert hall and music booth are set up to hold "Lower Riba people"-style popular music events all year round, bringing temple Buddhist music into society and people's daily lives. This form and grand occasion of Sanskrit music activities, which were rare before the Song Dynasty, not only deeply rooted in people's hearts and expanded the influence of Sanskrit music to the greatest extent, but also established the basic characteristics of Daxiangguo Temple's appreciation of both refined and popular Buddhist music and its inclusiveness. Majestic momentum and cultural mind. In addition, due to the unique social and political status of Daxiangguo Temple in the church, as a temple that upholds the imperial mandate and has the function of managing temples all over the world, its own Buddhist music is also a standard and model, not only to the greatest extent It represents the music of imperial etiquette and is also the most typical representative of traditional music in the Central Plains.