You can use Yukiko Isomura's Street Where the Wind Lives.

The Street where the Wind Lived is a classic by Yukiko Isomura and the famous Japanese erhu player Masao Sakamoto in 23. The dialogue between erhu and piano is refreshing. On the whole, the proportion of erhu is greater than that of piano, or its appeal exceeds that of piano. The sadness of erhu is better than the romance of piano here. The piano and erhu are intertwined, and they talk to each other and love each other, but they will never overlap, as if they can never be together.

The dialogue between the piano and the erhu in Street where the wind lives. Both the piano and the erhu are melancholy, and they are tied together, which is like a heart-to-heart conversation. Piano and erhu are one after another, setting off each other, one pouring out, one listening, and a faint sadness and pity.

Sudden tone sandhi and short tonality have mixed up all the pain and helplessness, sobriety and resentment that are beyond words, wandering thoughts, heartbroken and infinite melancholy. At the climax of music, the piano and erhu are tragically intertwined and can't overlap, and the life that is close at hand and far away from the horizon is vividly interpreted.