The correct posture for holding the violin: the violin should be flat (generally the strings are flat, but it can also be higher or lower depending on the actual needs of the performance), the violin surface should be slightly tilted to the right, and the violin surface should be slightly tilted to the right. The direction is slightly to the left. The angle of holding the piano to the left varies from person to person and depends on the length of the left and right arms. Generally, it is appropriate if the right hand can move the bow naturally and straightly to the tip of the bow.

Techniques for holding the piano:

First, the left arm hangs down naturally, then the left lower arm is raised, the elbow is twisted toward the chest, and the piano is placed on the left collarbone, left cheek and Hold the chin rest between your lower jaw to hold the piano firmly. The head should be upright and the upper body should be straight. The gap between the piano back and the left shoulder can be filled with a shoulder pad. The height of the shoulder pad should be selected so that the back of the piano is clamped firmly and the fingerboard is parallel to the ground.

If the shoulder pads are too high, the lower whiskers will rise or the instrument body will tilt too much, causing the instrument body to tilt 45 degrees to the left. The left shoulder should not be high, otherwise the left shoulder will be tense, which will not only affect the future development of left hand skills, but also make it easy to get tired. In order to ensure that the left hand can move freely on the fingerboard, the piano body must be kept stable without any external force when clamping the piano.

Violin:

The violin is a stringed instrument. There are always four strings. The friction between the strings and the bow produces vibrations, which are then transmitted to the back plate through the sound columns in the sound box. The vibrations generated by these parts produce harmonious and bright piano sounds.

Violin tone characteristics:

1. Masculine beauty.

For example, Beethoven's "Violin Concerto in D major" is a classic work.

This immortal composer is known as the "totem" in the classical music world. Apart from him, I am afraid there will never be another composer who can ignite his own music with his strong temperament. life. Resolute, strong, pure, straightforward, invincible, and standing tall. The sound is strong and powerful, yearning for the calmness of the vast universe.

2. Feminine beauty.

The best interpretation is the "Concerto in E minor" by the great composer Mendelssohn. This "Queen" even Hitler was fascinated by, the implicit, mysterious, elegant and meticulous style of music. , achieving the status of one of the forty great violin concertos.

In his works, the gorgeous, quiet and beautiful persistence, harmonious and kind temperament deeply attract the audience. In the mellow and clear trickle, delicate, moving, graceful and graceful, a fresh melody is sung by the violin.

3. The beauty of moderation.

The great composer Brahms can be called a "moderate". His representative work is "Violin Concerto in D major". His musical style features the skeleton of classical music, romantic poetry, strong and unrestrained style, gorgeous and elegant. The so-called "golden mean" is by no means "mediocre", but "returning to nature".