Learn and inherit the statement structure of traditional music

(1) Chinese traditional music is different from Western music in terms of melody, scale, timbre, rhythm, etc.

(2) The presentation method of traditional Chinese music has its own characteristics, including some specific termination methods; Chinese national music embodies the charm of traditional Chinese culture.

2. The structural relationship between traditional Chinese music and traditional Chinese literature

There are couplets in literature, and upper and lower sentences in music; There are ditties with a similar four-line structure in music; there are rhymed poems with an eight-line structure in literature; and there are "sixty-eight boards" in music that are very similar to the structural principles and are widely used in instrumental music (it is also eight lines). sentence, but one of the sentences is internally expanded and not as regular as a rhymed poem); there is a chapter style in literature, and a set style in music; there is the habit of using idioms in literature, and there is also the habit of using ready-made musical ideas in collections and other music...; literature There are playful poetry styles controlled by sequence shapes such as "Jujube Stone Poetry", and there are also structural shapes such as "Golden Olive" in music that correspond to them. "Sixty-Eight Beats" is a pipa song.

3. The influence of traditional Chinese music structure and form on modern music

The influence of Tang opera and opera music on modern music structure. The gradual change principle of "loose-slow-medium-fast" in Tang Daqu and the linear structural thinking such as the organization of later operas with the help of plate speed structure are the highest achievements of my country's traditional music structure. The crowning achievement of Western musical structure is the sonata. The structural characteristics of Tang Daqu are:

①Music is a multi-section structure.

② embodies a kind of fast dance (equivalent to "breaking") from "scattered" to "into the beat" through light singing and dancing to "complex sounds and sharp beats"; the rhythm at the end There is also the gradual speed layout of "San" (i.e. "long introduction at the end of the song"). At the beginning of the whole piece of music, each performer starts to tune the piano without tuning it in advance. In this way, they can tune in the audience's feelings and tune into the feeling of the music.

③Use core tones (rather than themes or tunes) and improvise and transform to develop musical ideas.

④New voice control relationship. It is a modern Western technology and is also written in the same way as traditional Chinese music.

⑤New playing methods and new sounds. For example: the "risking" of the musical instrument Xiao and the modern polyphonic language that emphasizes intuition and sound, etc. Luo Yonghui's "Thousand Chapters Sweep" is in line with the composition concept of "controlled accident" in modern Western music.