The compositional factors and overall characteristics of Latin American music

1. Compositional factors

l (1) Indian factors

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1. The melody is simple and has a unique expression. For example, "The Flight of the Condor" uses a pentatonic scale without semitones and a melody composed of the five tones of do, re, mi, sol, and 1a, forming a unique style and interest.

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2. The rhythm of Indian music is relatively simple. There is no harmony in the European sense.

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3. In terms of musical instruments, the lack of string instruments is a major feature of Indian musical instruments. Traditional musical instruments are wind instruments such as flutes and okaris (xuns), or percussion instruments such as drums and shakers. As for violins, guitars, harps and other stringed instruments, they were all brought by Europeans after the 16th century, or were manufactured in the New World under European influence. Among the wind instruments, the most popular ones are the recorder, which is made of bamboo, reed or clay, as well as the panpipe, nose flute, etc.

Japanese Gagaku evolved from the ritual music of China, the Korean Peninsula, and South Asia. These musics were introduced to Japan before the Middle Ages. Gagaku is ceremonial music in China, but the Tang music repertoire imported from China in Japanese Gagaku is considered to have evolved from the banquet music Yanraku of the Tang Dynasty. Since they have also absorbed the nutrients of traditional Chinese music, the relationship between Japanese gaku, Vietnamese gage and Korean traditional music can be said to be equivalent to that of brothers.

Although the music classification retains the exotic names of Tang music, Korean music and Lin Yi music (Vietnamese music), Japanese Gagaku also contains elements of ancient music before the introduction of mainland music. Coupled with the mutual influence between Gagaku, folk songs, and statements (Buddhist hymns with rhyme lyrics, divided into Sanskrit, Han, and Harmony), Gagaku formed a unique form in Japan. At present, the Shikibu Music Club of the Imperial Household Agency of the Cabinet Office of Japan has inherited about a hundred pieces of music.

In Indonesia, Gamelan music is a representative music type that best embodies the characteristics of Indonesian traditional music culture. It has a great influence in the world. It was originated from Central Java and became popular in All of Java and Bali.

nGamelan - Javanese mainly refers to ensemble music based on percussion, but also refers to all ensemble music and the bands that play this music.

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nGamelan has a long history. As early as the 8th century AD, some of the musical instruments used by the Gamelan band were engraved on the reliefs of Buddhist temples. By the end of the 13th century to the beginning of the 16th century during the Matabashay Dynasty in Indonesia, the instruments of the large-scale gamelan band were basically ready, and they were divided into indoor and outdoor instrument combinations. In the Mataram Dynasty after the 16th century, the two gradually unified and formed a large-scale gamelan band. Its music was used as an accompaniment for drama, dance, and shadow play, as well as in various religious ceremonies. .

nThere are many gamelan bands in Java and Bali, especially the spontaneous gamelan bands among the people can be seen everywhere. Now it has not only become a symbol of Indonesian traditional music culture, but also a way for people around the world to understand Indonesian music. of a window.

The diversity of African music

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nWith nearly 700 different languages ??spoken in the region and a variety of traditional beliefs, it The musical styles and general cultural characteristics that are adapted are also diverse.

nOn the one hand, in contrast to the unique musical traditions of the inland areas, the western and eastern parts of the continent are obviously influenced by Islamic and Arabic music.

nOn the other hand, the Islamization of West Africa also took place along the trade route from the Maghreb region of North Africa to the Sahara Desert around the 7th century. However, this Islamic influence only stayed within a certain limit and did not introduce the melody and rhythm composition principles that play a fundamental decisive role in Arabic music styles. At this point, there is an essential difference between West Africa and North Africa, which has completely entered Islam musically.

Reference: World Ethnic Music

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