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What is the meaning of the song the hero sang before his death?

It means the male protagonist’s final confession.

Fujii tree fell into a cliff crevice, and Qiuye led the mountaineering team to abandon him. The valley echoed with Fujii's song. He sang "Blue Coral" by Seiko Matsuda.

The first sentence of the lyrics is, "My love has gone away with the south wind~" The end point of the south wind is the north, and it carries Fujii's love to the far north of Japan, Hokkaido. There is a city called Otaru there, and there lives another Fujii tree, a girl.

Qiuye and Grandpa Lei told Hiroko that Fujii spent the last moment of his life humming the song "Blue Coral Reef", and Hiroko immediately figured it out. Hiroko recalled that when Fujii proposed to her, he held the ring for two hours without saying anything. In the end, Hiroko proposed to Fujii first. Akiba and Grandpa Lei thought Fujii was shy, but Hiroko knew that this was not the real reason why Fujii didn't speak.

Film evaluation

"Love Letter" has a fresh and touching story and bright and beautiful images. It is regarded as one of the most important works in the Japanese New Film Movement and is also an important work in the world film industry. A rare masterpiece of literary film.

Director Shunji Iwai narrated the love story calmly and eloquently, full of the delicate and gentle characteristics of women. He adopted a "two-sided attack" approach, which made the whole story appear very... It is full but not thin. The two people in the film communicate through letters, so the director used letters to transition scenes, making the connection more compact.

The music of the film can be said to be the most unforgettable, and many passages are widely circulated. These gentle and elegant music highlight the consistent literary and artistic temperament of the entire film.

Pure and flawless, sad but not hurt, hesitant to say something but still unfinished, this is the classic code of "Love Letter". As a Japanese film, "Love Letter" has a unique context in Japanese society, but in the same East Asian cultural circle, Chinese audiences can still have a great passion for this film.

Although the film is about life and death, it does not reveal the ups and downs of great sorrow and great joy. Instead, in the plain narrative, it tells the audience the word "love" and interprets the meaning of "secret love". "The ultimate", this unique implicitness of Eastern emotional aesthetics was accurately captured by Shunji Iwai.