Zhuo Yajun’s “Lolita” used “Für Elise”. S.H.E's "Persian Cat", which was once popular all over the world, uses the chorus of Coltby's "Persian Market". I feel that this adaptation is quite appropriate. Mayday's "Innocence", the second half of the chorus follows Beethoven's "Ode to Joy". Everyone basically knows this, so I won't go into details.

? Karen Mok's "Number One Fan" has a melody from the Italian opera "Madame Butterfly". Angela Chang's "Fable" is adapted from the church song "May God Bless People". Perhaps due to preconceptions, I feel that the original song does not move me as much as "Fable", and it is only average among church songs. Shuimunianhua's "With You in My Life" refers to Mozart's Violin Sonata No. 27; Angela Chang's "The Sun in the Palm of My Hand" is the third movement of Rachmaninov's Second Symphony. The best combination of pop songs and classical music I have ever heard is United States of Eurasia by Muse. The first half of the song starts with piano and reaches a climax with symphonic synthesizers and chorus.

The mainstream form of music development today is the fusion of classical and pop. In the Chinese field, I personally think Jay Chou's songs are a good example of integration. Jay Chou's music often incorporates a variety of factors. He is also deeply influenced by classical music and completely combines it with pop music. He has created many excellent hits such as "Blue and White Porcelain" and "Raining All Night". work.