Pan drum dance is a Han dance performed on plates and drums, which originated in the Han Dynasty of China. During the dance, plates and drums are arranged on the ground. The number of plates and drums varies, depending on the skill of the performer. The following is a basic introduction to Pangu that I have carefully compiled for you. I hope you like it.

Basic Content of Pan Drum Dance

A dance performed on plates and drums in the Han Dynasty of China. During the dance, the plates and drums are arranged on the ground, and the dancers dance vertically and horizontally on the plates and drums, performing various dance skills; because generally seven plates and one drum are used, it is also called the seven-pan dance (only drums are used instead of pans, Or use a drum instead of a pan). Pan drum dance includes solo dance and group dance. The solo dance can be seen on the Han Dynasty portrait stone in Yinan, Shandong. There are 7 pan drums and one drum arranged on the ground. A man wearing a crown and long-sleeved dance clothes is jumping down from the pan drum. He looks back at the pan drum. The dance sleeves and crown are flying, and the movements are bold. Han Dynasty portrait stone in the tomb of Xu Aqu in Nanyang, Henan Province, shows a woman wearing double buns, dancing with long sleeves, one foot on the plate and the other on the drum. The group dance shows the portrait stone of Jining, Shandong Province. Three men with tall noses and elegant sideburns, barefoot and barefoot, perform tiger leaps, handstands and other movements on five drums. In the stone portrait of the Han Dynasty in Jiazhuang, Sui, Shandong, a dancing girl wearing a petal-shaped high crown pulls another person to play the drum, and the person behind them pushes each other, which has a certain plot.

Pan-drum performance form

Pan-drum is often performed at the same time as ball dancing, sword dancing, rope walking, etc. in Baixi. It absorbs acrobatic skills and enhances the difficulty of dance movements. Pan-drum dance also has the characteristics of female Chu dance. It is a palace dancer with long sleeves and slim waist. It has superb skills and can dance impromptu. It is said that the dance is irregular and the drum is endless. Its performance reaches a magnificent level. One after another, a wonderful scene full of anecdotes. Fu Yi of the Han Dynasty described in "Dance Fu" that Pangu had reached the realm of "expressing ambition" and "mingling poetry", which showed that Pangu had achieved certain achievements in expressing artistic conception.

Pan drumming has a grand accompaniment band. On the Han portrait stone in Yinan, Shandong, there are three people accompanying it. The musical instruments include: bells, chimes, drums, xuns, cymbals, zithers, shengs, panpipes, etc. And there are female singers singing accompaniment.

"Pan Drum" is a dance performed by stepping on the pan and drums. It is a highly technical dance in the Han Dynasty. It requires dancers to have agile and agile postures and accurate and neat movement skills. Pan-drum performances include both men's and women's performances. Usually there are male performances. During the performance, the dancers place seven large plates on the ground and jump on them to show various dance postures and skills. Until the Eastern Han Dynasty, the "Seven Pan Dance" evolved from "Pan Drum Dance" and developed from dancing only on the pan to a dance with both pan and drum. The technical requirements are basically the same as that of "Pan Drum Dance".

Fu Yi, a writer of the Eastern Han Dynasty, once described "Pangu" in his book "Dance Fu": "When it first flourished, it was as if you were looking down, as you were coming, as you were going, you were graceful and melancholy, and you could not imagine it." . It rarely advances, soaring and walking, sharp and light, moving forward and backward, pointing and responding to the sound. ?Mr. Peng Song, a famous dance historian in my country, translated it this way: ?The initial movement is like leaning down, but also like looking up, like coming, and like going. It is so graceful and unhurried, but also so endless melancholy. , it is difficult to describe it in words, and then it dances, like flying, walking, standing, leaning. No casual movements are out of line, and the hands, eyes, body, and hair all follow the beat of the drum. ?

Details of Pan-Drum Dance

Pan-Drum Dance is a famous dance in the Han Dynasty. It places pans and drums on the ground as dance tools, with dancers on or around the pans and drums. , drums for performing dance. This kind of dance mostly uses seven pans, so it is also called seven-pan dance. There is no unified format for the number of pans and drums and their placement. They can be flexibly controlled according to the requirements of the dance movements. The dancers must sing and dance at the same time, and Beat the drum head with your feet. Pan-drum dance includes solo dance and group dance, with solo dance being the main category. There are male and female dancers. The solo dance can be seen in the Yinan portrait stone in Shandong. It is engraved with seven drums and one drum arranged on the ground. A man wearing a crown and long-sleeved dance clothes is jumping off the drum. He looks back at the drum and dances with his sleeves and crown. Flying, bold movements. The group dance can be seen in the portrait stone in Jining, Shandong Province. It is carved with three men with high noses and crows on their temples, shirtless and barefoot, doing tiger leaps and handstands on five drums. The most group dances I have seen so far are four people.

Maiko dances on pans and drums to make rhythmic drum sounds, and also completes many difficult dance moves accurately and emotionally to show the beauty of dance. and artistic conception.

The poets and craftsmen of the Han Dynasty vividly expressed the moving dance of Pangui. Zhang Heng's "Dance Fu" of the Han Dynasty has a line about "skidding" after seven rounds, which shows that the dancers not only have to step and jump on the drums to make rhythmic drum sounds, but also complete difficult movements. At the same time, they need to The ability to control the body, otherwise it will not be able to meet the requirements of high verticality and lightness. Fu Yi's "Dance Fu" contains phrases about turning around and returning, forced by the urgency of the moment, tired of floating and kneeling, treading and rubbing the ground. It means that the dancer jumps up in the air nimbly to the fast-paced music, and then kneels down several times, dancing skillfully with the toes to hit the pan drum, making a falling posture with the body, and rubbing the drum surface. This quite vividly describes the graceful movements of Pan Gu. This scene is carved on the Han portrait stone of Wuban Temple in Jiaxiang, Shandong: There are five drums arranged on the ground. A dancer wearing a wide and long-sleeved dance costume bends over the drum, kneels with both knees and feet on the drum head, and beats the drum with one hand. On the drum surface, one hand raised his sleeves and turned his head to look up. The two people in front and behind kneel down, facing the dancers, each holding a drumstick in their left hand, raising their arms and flying, as if they are performing together with the dancers, and the camera is beating the drums. In the poem, there is also a dance posture of dancing in retreat. Bian Lan's "Xuchang Palace Fu" writes: "Zhenhua is enough to stop dancing, but if it is about to be broken, it will be connected again." The phrase "the drum vibrates and moves downwards in a disorderly manner, and the feet are continuous but not merged" means that when dancing, the dancers are required not only to keep the sound of the drums according to the beat but not to be disorderly at all, and also to keep the front feet away from the drum surface. The hind foot just steps on the other drum surface, and the two feet bounce continuously, never landing on the same drum surface. The Nanyang Stone Bridge Portrait Stone Plate Inspiration Picture shows this artistic shape in detail and accurately. The front drum is tilted backward, indicating that the right foot is pushing back away from the drum surface. The dancer is tilting the drum behind him, as if concentrating on stepping on the drum with the back foot. When doing pan drumming, you also pay great attention to the movements of your sleeves and waist. There is a description in Zhang Heng's "Dance Fu" that the train is like a flying swallow and the sleeves are like snow. Fu Yi's "Dance Fu" contains the phrase "the clothes follow the wind and the long sleeves cross each other", which all reflect the light and agile movements of the dancers and the raised posture of the dance sleeves and skirts. Bian Rang's "Zhang Huatai Fu" contains phrases about admiring strangers and suddenly becoming deified, and Zhang Heng's "Dance Fu" contains sentences about slender waists and folds, and lean and low-spirited sentences. These phrases all describe female dancers. The magical posture of the slender and flexible waist reflects the dancer's flexible waist and superb skills. Pan drumming is often performed together with comedy performances by actors and actresses, which makes the scene of pan drumming more relaxed and lively, and adds to the joyful atmosphere of the banquet. On the stone door lintel portrait unearthed from the Liang Han Tomb in Dakuo, Suide, Shaanxi Province, there are two female dancers dancing to drums, with a actor behind each, jumping forward. The painted pottery building unearthed from the Han Dynasty Tomb in Hewang Village, Rongyang, Henan Province has music and dance pictures painted on the front, and drum drums are painted in the picture. There are five plates on the ground. A dancer in red raises her arms and throws her long sleeves behind her. She seems to be running forward on the plate with rapid dance steps. Her long pink sleeves are rolled up. Behind her is a naked upper body and lower body. The dwarf in red trousers stretches his arms forward to chase the dancer in red, which has a strong comedy effect.

Generally speaking, the dances of the Han people are mainly based on the hands and sleeves, while the dances of foreign ethnic groups are famous for kicking and spinning. Pan-drum dance involves dancing hands and sleeves to demonstrate waist skills, and stepping on the pan and drums to demonstrate leg skills by repeatedly wandering and rotating. The direction of the long sleeves and the shape of the lower waist in the dance give people a sense of fluidity and softness, while the image of leaping and stepping on the drum gives people a sense of rhythm and strength. Therefore, Pandeng drum is not only full of gentle beauty, but also thrilling and powerful. There is softness and hardness, and hardness and softness complement each other. In comparison, Bayu dance is more rigid, while scarf dance is more soft. Pan-drum dance is a brand-new dance produced by the fusion of Han dance and foreign folk dance. Harlequins are sometimes incorporated into this dance, and dwarfs are used as backup dancers. The clumsiness of the backup dancers forms a sharp contrast with the elegant appearance of the main dancer, which serves as a foil.