The rhythm is divided as follows:

"To the Oak"

I / if / love you -

It is definitely not like / climbing /Lingxiao flower,

Lend your high branches to show off;

If I love you——

I will never imitate the infatuated bird,

Repeat monotonous/songs for the green shade;

It is also more than/like a spring,

perennially/brings cool/comfort;

Not only/like a dangerous peak,

increases/your height and sets off/your majesty.

Even/daylight.

Even/spring rain.

No, these/are not enough!

I must be a kapok near you,

standing with you as the image of a tree.

The roots are tightly held/in the ground;

The leaves are touching/in the clouds.

Every time a gust of wind passes,

we all greet each other,

but no one understands us.

/speech.

You/have your copper branches/iron trunks,

like knives, swords, and halberds;

I/have my red ones/ Flowers,

like / heavy / sighs,

and like / heroic / torches.

We share the cold wave, wind and thunder, and thunder;

We enjoy the mist, mist, and rainbow.

It seems that they are separated forever,

But they are still dependent on each other for life.

This is/great/love,

Consistency/is here:

Love - not only/loves your stalwart/body,

p>

I also love the position you insist on, the land under your feet.

Extended information:

Shu Ting is good at introspecting the rhythm of her own emotions, and especially shows the unique sensitivity of women in capturing complex and delicate emotional experiences.

Her poems are full of romanticism and idealism. Her love for the motherland, life, love, and land is both warm and peaceful, and full of passion.

Her poems are good at using metaphors, symbols, associations and other artistic techniques to express inner feelings, revealing rational thinking in a hazy atmosphere. They are hazy but not obscure. They are the product of a combination of romanticism and modernism. .

Shu Ting can also discover sharp and profound poetic philosophy in some conventional phenomena that are often ignored by people ("Goddess Peak", "Hui'an Women"), and writes this discovery with full of speculative power , and charming.

Shu Ting's poems have bright and beautiful images, and rigorous and smooth thinking logic. From this aspect, her poems are not "hazy". It's just that most poems use metaphors, partial or overall symbols, and rarely express confessions directly, so the images expressed have a certain degree of ambiguity. ——Kuang Jun.

Shu Ting's prose narrative is light and poetic, and her language style is smart and playful. ——Cai Qiang, Zhang Shengai

Shu Ting's first batch of prose works are reviews and reflections of life experiences in the era of educated youth. Such as "White Blessing", "Where to Dream", "Under the Clear Sky", etc. The difference is that when writing those poems, Shu Ting was faced with urgent and anxious pressure from reality, but after time, she was able to more calmly recall the emotions and philosophies beyond specific people and events from the memory of the past. ——Cai Qiang, Zhang Shengai

Baidu Encyclopedia: Shu Ting