1. Audio

(1) If there are multiple audios in the MV, if there is no special need, keep their volume consistent.

(2) if the MV is pure music with pictures, it will be fast and slow.

(3) If the MV is music with lyrics, the lyrics should match the picture quickly and slowly. It is suggested that the lyrics be laid on the track first, because only the preview of the lyrics will not be stuck, even if you use PRE in 128 memory, it will not be stuck. Adjust the lyrics subtitles to match the lyrics audio, so it is convenient to aim the related videos at the lyrics when laying videos.

Second, video and audio are related

(1) The lyrics are matched with pictures, not all of them may match (it is not difficult for the original singer to do this), but it is necessary to ensure that everything that can match is matched.

(2) The video picture should be changed between two lyrics, between lyrics and front/back/tail, rhythm change point, and so on.

(3) Fast-paced songs, fast-paced places, videos should be changed from time to time to keep pace with the rhythm-even if you change the picture so that people can't see the content clearly when they enjoy it for the first time.

III. Videos

(1) "Static" videos, such as talking, meditating and close-ups, with constant lens range, constant focal length and basically unchanged character movements, should not be taken for more than 3 seconds unless there is a special need. Pull, push, follow-up, zoom photography is the first choice for MV film sources.

(2) Close-ups and close-ups of characters should not appear too much (even if they are different people) in a MV, and the far, middle, near, front and back scenes should be distributed reasonably, and some landscapes or empty shots where the protagonist is absent should be put appropriately.

(3) If the film source has black edges, it is best to trim them uniformly; If you don't trim it, you can't use transitions such as three-dimensional and page turning to make black edges appear in the center of the picture, and you can't have black edges on the edge of the picture. The existence of black edges will also affect the effect of some filters, such as the average filter-the narrow black edges are also blurred, and the magnification is more obvious when blurred.

(4) Try not to have logo-like things. There is really no way to cover them with light, halo, trimming filters and so on.

(5) Don't use fancy transitions in a random way, and don't use dazzling flash transitions all the time. Transitions are just embellishments, not MV subjects. General fade transitions should be used most frequently. Others, the strong voice "explosion" uses the smash transition, the memory and flashback use the flash transition, and so on.

(6) The subtitle of dialogue and name should be handled as needed. If people want to see the subtitles clearly, they should choose videos with subtitles; If you don't want people to see it, do a full-screen MV, or try to cover the video with subtitles, which can be covered with lyrics and filters.

(7) Don't "stuff" the contents of an MV. Some videos, even if the shot is perfect, should be deleted if the MV is not needed.

(8) Don't remember the handsome and handsome scenes of the characters, but be sure to turn when the transition is over.

(9) There is no special need, and the video speed should be adjusted not less than 5% and not more than 125%, otherwise there will be obvious artificial processing marks.

(1) If you want to show one thing, you should choose the most suitable shot on the screen, which makes people see it at a glance.

Fourth, video selection

(1) Those who make highlights are assigned objectively, and they are not biased towards which role because of their preferences.

(2) If you are a single person, don't always give the lens to the protagonist, especially don't always give a close shot of the speech, but also give some distant views of the protagonist, the scenery with others and relevant empty shots. If the protagonist only has a close shot, then, what is the use of the filter mask, artificially processing the level of the MV, at least giving the panoramic view behind the protagonist's close shot.

(3) If there is no special need, if there are multiple actors in one role on TV, it is best to give only a close-up view of one of them; If one actor has multiple roles, close-ups of actors representing two roles should not appear in one MV.

(4) If the captions are to be typed uniformly, you can make your own fonts in the format similar to the captions on the TV in PS, and type them to be fake.

(5) In the fight scene, if the original film is poorly shot, it is necessary to switch shots frequently, hard cutting without transitions, and cross-fade transitions of 1 frames. In addition, speed up the video appropriately, and the cut fight will look better.

(6) Empty shots-sky, sun, sunset, moon, clouds, mountains, rivers, waves, flags, etc., can be selected according to the shooting characteristics of MV.

Extended materials:

story board about music MV

is also called "director's script". A working script that divides the literary content of the film into a series of shots that can be filmed for on-site shooting. According to the ideas and images provided by the literary script, the director will, through the overall conception, embody the screen image of combining sound and painting in the future film by means of sub-lens.

The director divides shots according to people's visual characteristics, concretizes and visualizes the life scenes, characters' behaviors and relationships in the script, embodies the theme of the script, and endows the film with a unique artistic style.

story board is the construction blueprint designed by the director for the film, and it is also the basis for all departments of the film crew to understand the director's specific requirements, unify their creative thinking, make the shooting schedule and determine the film production cost. In story board, tables are mostly used, with different formats and details.

generally, there are columns such as mirror number, scene, photography, length, content, sound and music. The "shooting method" in the table refers to the angle and movement of the lens; "Content" refers to the action and dialogue of the characters in the picture, and sometimes the action and dialogue are separated and listed as two items. Before each paragraph, there is also a scene, that is, the place and time of the plot, and between paragraphs, there is a technique of lens combination. Some detailed story board are accompanied by sketches of screen design and descriptions of artistic treatment.

making MV is not as complicated as shooting TV, and the copy of MV can be roughly equivalent to the above. No matter whether your copy is written or not, always keep a general concept in mind. The written copy is nothing more than too complicated and too long to remember.